The Fourth Age (Chaotic) of Harold Blooms Canon (Part 19)
Explore the chaotic Fourth Age of Harold Bloom's literary canon with Part 19 of our curated list. Discover essential Fiction by Philip Roth, Kurt Vonnegut, John Barth, and Paul Theroux, including Portnoy's Complaint, The Counterlife, Cat's Cradle, and The Mosquito Coast—a definitive guide to modern American literature's boldest voices.
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Mumbo Jumbo
by Ishmael Reed
The Classic Freewheeling Look at Race Relations Through the Ages Mumbo Jumbo is Ishmael Reed's brilliantly satiric deconstruction of Western civilization, a racy and uproarious commentary on our society. In it, Reed, one of our preeminent African-American authors, mixes portraits of historical figures and fictional characters with sound bites on subjects ranging from ragtime to Greek philosophy. Cited by literary critic Harold Bloom as one of the five hundred most significant books in the Western canon, Mumbo Jumbo is a trenchant and often biting look at black-white relations throughout history, from a keen observer of our culture.
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Portnoy's Complaint
by Philip Roth
The groundbreaking novel from the Pulitzer Prize–winning author of American Pastoral that originally propelled its author to literary stardom: told in a continuous monologue from patient to psychoanalyst, this masterpiece draws us into the turbulent mind of one lust-ridden young Jewish bachelor named Alexander Portnoy. One of The Atlantic’s Great American Novels of the Past 100 Years “Deliciously funny . . . absurd and exuberant, wild and uproarious . . . a brilliantly vivid reading experience”—The New York Times Book Review “Touching as well as hilariously lewd . . . Roth is vibrantly talented”—New York Review of Books Portnoy's Complaint n. [after Alexander Portnoy (1933- )] A disorder in which strongly-felt ethical and altruistic impulses are perpetually warring with extreme sexual longings, often of a perverse nature. Spielvogel says: 'Acts of exhibitionism, voyeurism, fetishism, auto-eroticism and oral coitus are plentiful; as a consequence of the patient's "morality," however, neither fantasy nor act issues in genuine sexual gratification, but rather in overriding feelings of shame and the dread of retribution, particularly in the form of castration.' (Spielvogel, O. "The Puzzled Penis," Internationale Zeitschrift für Psychoanalyse, Vol. XXIV, p. 909.) It is believed by Spielvogel that many of the symptoms can be traced to the bonds obtaining in the mother-child relationship.
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The Counterlife
by Philip Roth
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A stunning novel about people enacting their dreams of renewal and escape, some of them going so far as to risk their lives to alter seemingly irreversible destinies. Wherever they may find themselves, the characters of The Counterlife are tempted unceasingly by the prospect of an alternative existence that can reverse their fate. Illuminating these lives in transition and guiding us through the book's evocative landscapes, familiar and foreign, is the miind of the novelist Nathan Zuckerman. His is the skeptical, enveloping intelligence that calculates the price that's paid in the struggle to change personal fortune and reshape history, whether in a dentist's office in suburban New Jersey, or in a tradition-bound English Village in Gloucestershire, or in a church in London's West End, or in a tiny desert settlement in Israel's occupied West Bank.
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Operation Shylock
by Philip Roth
WINNER OF THE PEN/FAULKNER AWARD • From the Pulitzer Prize–winning author of American Pastoral—a fiendishly imaginative book that features Israeli intelligence agents, Palestinian exiles, an accused war criminal, and an enticing charter member of an organization called Anti-Semites Anonymous "One of Roth's grand inventions.... [He is] a comic genius." —The New York Review of Books In this book (which may or may not be fiction), Philip Roth meets a man who may or may not be Philip Roth. Because someone with that name has been touring Israel, promoting a bizarre reverse exodus of the Jews. Roth is intent on stopping him, even if that means impersonating his own impersonator. With excruciating suspense, unfettered philosophical speculation, and a wild cast of characters, Operation Shylock barrels across the frontier between fact and fiction, seriousness and high comedy, history and nightmare.
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Dog Soldiers
by Robert Stone
Small-time journalist John Converse thinks to cash in on the last days of the Vietnam War by becoming involved in a major drug deal, but things go very wrong when he gets back to the U.S. and finds himself hunted by a corrupt government agent.
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The Floating Opera and The End of the Road
by John Barth
From the author of National Book Award-nominated Lost in the Funhouse • John Barth's first two novels are both existential comedies featuring strange, consuming love triangles and the destructive effects of an overactive intellect on the emotions. "[Barth] ran riot over literary rules and conventions, even as he displayed, with meticulous discipline, mastery of and respect for them." —The New York Times The relationship between these two darkly comic novels is evident not only in their ribald and philosophical subject matter but in their eccentric characters and bitterly humorous tone. The protagonist of The Floating Opera is Todd Andrews, an orphaned war veteran who has been sleeping with his friend's wife. Todd awakens in the morning determined to commit suicide, having concluded that nothing in life has intrinsic value--but then spends the day methodically reasoning his way into disregarding that fact and remaining a part of the floating opera of life. In The End of the Road, a man named Jacob Horner finds himself literally paralyzed by an inability to choose a course of action from all possibilities. He begins an unconventional course of "mythotherapy" treatment at the Remobilization Farm, but his eccentric doctor's directives lead him into a tragic love triangle and from there to the nihilistic end of the road. Separately these two novels give two very different views of the universal human quest for meaning, and together they form the beginnings of an illustrious literary career.
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The Sot-weed Factor
by John Barth
A parody of life in colonial America relates the adventures of Ebenezer Cooke who became the poet laureate of Maryland.
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The Dead Father
by Donald Barthelme
The dead father, who is some 3,200 cubits long, is being hauled across the landscape by means of a cable pulled by nineteen or so of his fathers. Excedpt the dead father is not really dead. He is past his prime, sexually and authoritatively. He is vain and foolish, but he looms large. He has been a confessor (his huge hollow leg is large enough to contain confessionals) and an autocrat. A manual for sons, offering sample fatherly monologues and tips on identifying fathers by color and general habit, is included for the confused.
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The Mosquito Coast
by Paul Theroux
In one of Theroux's most magnificent novels, the paranoid, brilliant, and self-destructive Allie Fox takes his family to live in the Honduran jungle, determined to build a civilization better than the one they've left.
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The Witches of Eastwick
by John Updike
“John Updike is the great genial sorcerer of American letters [and] The Witches of Eastwick [is one of his] most ambitious works. . . . [A] comedy of the blackest sort.”—The New York Times Book Review Toward the end of the Vietnam era, in a snug little Rhode Island seacoast town, wonderful powers have descended upon Alexandra, Jane, and Sukie, bewitching divorcées with sudden access to all that is female, fecund, and mysterious. Alexandra, a sculptor, summons thunderstorms; Jane, a cellist, floats on the air; and Sukie, the local gossip columnist, turns milk into cream. Their happy little coven takes on new, malignant life when a dark and moneyed stranger, Darryl Van Horne, refurbishes the long-derelict Lenox mansion and invites them in to play. Thenceforth scandal flits through the darkening, crooked streets of Eastwick—and through the even darker fantasies of the town’s collective psyche. “A great deal of fun to read . . . fresh, constantly entertaining . . . John Updike [is] a wizard of language and observation.”—The Philadelphia Inquirer “Vintage Updike, which is to say among the best fiction we have.”—Newsday
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Cat's Cradle
by Kurt Vonnegut
“A free-wheeling vehicle . . . an unforgettable ride!”—The New York Times Cat’s Cradle is Kurt Vonnegut’s satirical commentary on modern man and his madness. An apocalyptic tale of this planet’s ultimate fate, it features a midget as the protagonist, a complete, original theology created by a calypso singer, and a vision of the future that is at once blackly fatalistic and hilariously funny. A book that left an indelible mark on an entire generation of readers, Cat’s Cradle is one of the twentieth century’s most important works—and Vonnegut at his very best. “[Vonnegut is] an unimitative and inimitable social satirist.”—Harper’s Magazine “Our finest black-humorist . . . We laugh in self-defense.”—Atlantic Monthly
