Novels in which Place is central

This Prestwick House Literary Touchstone Classic includes a glossary and reader's notes to help the modern reader understand Joyce's use of textures, dialect, and symbols.Each of the beautifully written short stories in this collection precisely details a brief scene in the life of a resident of Dublin at the turn of the 20th century. Although the characters do not know each other, their experiences unfold along the same streets and often overlap thematically. Their tragedies mirror that of Ireland, a country struggling for political identity and held back, in Joyce's view, by rigid religious ideas and adherence to tradition.Joyce's great skill at dialect offers a sense of the city's complex social structure, while themes of isolation, emotional paralysis, violence, regret, and death run throughout the collection and link all of the stories. Chronologically, too, the stories appear to progress; portrayals of youthful confusion and disillusionment in the opening story, "The Sisters," become the haunting midlife meditations of "The Dead." Like his masterpieces Ulysses and Finnegan's Wake, James Joyce's Dubliners displays consummate control of nuances, emotions, and images.

Charts the rise and fall of an ambitious young social climber in a cruel, monarchical society Handsome, ambitious Julien Sorel is determined to rise above his humble provincial origins. Soon realizing that success can only be achieved by adopting the subtle code of hypocrisy by which society operates, he begins to achieve advancement through deceit and self-interest. His triumphant career takes him into the heart of glamorous Parisian society, along the way conquering the gentle, married Madame de Rênal, and the haughty Mathilde. But then Julien commits an unexpected, devastating crime—and brings about his own downfall. The Red and the Black is a lively, satirical portrayal of French society after Waterloo, riddled with corruption, greed and ennui, and Julien—the cold exploiter whose Machiavellian campaign is undercut by his own emotions—is one of the most intriguing characters in European literature. Roger Gard's fine translation remains faithful to the natural, conversational tone of the original, while his introduction elucidates the complexities of Julien's character. This edition also contains a chronology, further reading and an appendix on Stendhal's use of epigraphs. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.