My Favorite Science Fiction

In December, 1999, a multinational team journeys out to the stars, to the most awesome encounter in human history. Who -- or what -- is out there? In Cosmos, Carl Sagan explained the universe. In Contact, he predicts its future -- and our own.

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• DUNE: PART TWO • THE MAJOR MOTION PICTURE Directed by Denis Villeneuve, screenplay by Denis Villeneuve and Jon Spaihts, based on the novel Dune by Frank Herbert • Starring Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, Austin Butler, Florence Pugh, Dave Bautista, Christopher Walken, Stephen McKinley Henderson, Léa Seydoux, with Stellan Skarsgård, with Charlotte Rampling, and Javier Bardem Frank Herbert’s classic masterpiece—a triumph of the imagination and one of the bestselling science fiction novels of all time. Set on the desert planet Arrakis, Dune is the story of Paul Atreides—who would become known as Muad'Dib—and of a great family's ambition to bring to fruition humankind's most ancient and unattainable dream. A stunning blend of adventure and mysticism, environmentalism and politics, Dune won the first Nebula Award, shared the Hugo Award, and formed the basis of what is undoubtedly the grandest epic in science fiction.

"NOBODY DOES IT BETTER THAN NIVEN AND POURNELLE. --Tom Clancy They first appear as a series of dots on astronomical plates, heading from Saturn directly toward Earth. Since the ringed planet carries no life, scientists deduce the mysterious ship to be a visitor from another star. The world's frantic efforts to signal the aliens go unanswered. The first contact is hostile: the invaders blast a Soviet space station, seize the survivors, and then destroy every dam and installation on Earth with a hail of asteriods. Now the conquerors are descending on the American heartland, demanding servile surrender--or death for all humans. "ROUSING . . . THE BEST OF THE GENRE." --The New York Times Book Review "From the Paperback edition.

John Perry did two things on his 75th birthday. First he visited his wife’s grave. Then he joined the army. The good news is that humanity finally made it into interstellar space. The bad news is that planets fit to live on are scarce—and alien races willing to fight us for them are common. So: we fight. To defend Earth, and to stake our own claim to planetary real estate. Far from Earth, the war has been going on for decades: brutal, bloody, unyielding. Earth itself is a backwater. The bulk of humanity’s resources are in the hands of the Colonial Defense Force. Everybody knows that when you reach retirement age, you can join the CDF. They don’t want young people; they want people who carry the knowledge and skills of decades of living. You’ll be taken off Earth and never allowed to return. You’ll serve two years at the front. And if you survive, you’ll be given a generous homestead stake of your own, on one of our hard-won colony planets. John Perry is taking that deal. He has only the vaguest idea what to expect. Because the actual fight, light-years from home, is far, far harder than he can imagine—and what he will become is far stranger. "Solid . . . [Scalzi] sidesteps most of the clichés of military science fiction, delivers fast-paced scenes of combat and pays attention to the science underpinning his premise." —San Francisco Chronicle "Scalzi's imagined interstellar arena is coherently and compellingly delineated . . . His speculative elements are top-notch. His combat scenes are blood-roiling. His dialogue is suitably snappy and profane. And the moral and philosophical issues he raises . . . insert useful ethical burrs under the military saddle of the story." —Paul Di Filippo, The Washington Post "Thought-provoking!" —Entertainment Weekly "Smartly conceived and thoroughly entertaining, Old Man’s War is a splendid novel." –Cleveland Plain Dealer "When humanity reaches the stars, it discovers that it must defend its claim to new planets against alien races with similar expansionist tendencies. To ensure the expertise of its soldiers, Earth creates the Colonial Defense Force, an army of men and women otherwise classified as senior citizens, who give up their lives on Earth for an uncertain and perilous future among the stars. Scalzi's first novel presents a new approach to military sf, boasting an unusual cast of senior citizens as heroes. A good choice for most libraries." —Library Journal "Though a lot of SF writers are more or less efficiently continuing the tradition of Robert A. Heinlein, Scalzi’s astonishingly proficient first novel reads like an original work by the late grand master . . . This virtuoso debut pays tribute to SF’s past while showing that well-worn tropes still can have real zip when they’re approached with ingenuity." —Publishers Weekly (starred review) "Gripping and surpassingly original. It's Starship Troopers without the lectures. It's The Forever War with better sex. It's funny, it's sad, and it's true." —Cory Doctorow "John Scalzi is a fresh and appealing new voice, and Old Man's War is classic SF seen from a modern perspective—a fast-paced tour of a daunting, hostile universe." —Robert Charles Wilson "I enjoyed Old Man's War immensely. A space war story with fast action, vivid characters, moral complexity and cool speculative physics, set in a future you almost want to live into, and a universe you sincerely hope you don't live in already." —Ken MacLeod

The Time Machine, perhaps Wells' best known work, tells the story of the first time traveler. In the distant future the human race has evolved into two beings: the gentle Eloi and their dreaded cousins, the Morlocks, masters of the underworld. Ralph Cosham's performance is possibly the best narration ever of this Science Fiction Classic.Five great stories featuring Wells at his best, delving into fantastic and strange worlds. Included are The Door in the Wall, a haunting classic capturing the pathos of lost youth; Aepyornis Island, the story of a prehistoric bird; The Purple Pileus, involves a life-altering fungus, The Truth About Pyecraft, the delightful tale of a man who must wear lead underwear, and The Strange Orchid, which tells of the macabre appetite of an exotic plant.

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