My Favorite Books of Western Philosophy
Explore a curated list of the best Western philosophy books, featuring existentialist classics like Sartre's *Being and Nothingness* and Camus's *The Stranger*, alongside Heidegger's *Being and Time*. Discover essential reads for any philosophy lover.
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Being and Nothingness
by Jean-Paul Sartre
Sartre explains the theory of existential psychoanalysis in this treatise on human reality.
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Critique of Pure Reason (The Cambridge Edition of the Works of Immanuel Kant)
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The Stranger
by Albert Camus
With the intrigue of a psychological thriller, The Stranger—Camus's masterpiece—gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie; translated by Matthew Ward. Behind the subterfuge, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life. “The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and Âdevious narrator remains one of the key expressions of a postwar Western malaise, and one of the cleverest exponents of a literature of ambiguity.” –from the Introduction by Peter Dunwoodie First published in 1946; now in translation by Matthew Ward.
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Being and Time
by Martin Heidegger
One of the most important philosophical works of our time -- a work that has had tremendous influence on philosophy, literature, and psychology, and has literally changed the intellectual map of the modern world.
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Sexual Personae
by Camille Paglia
The fiery, provocative, and unparalleled work of feminist art criticism that launched the exceptional career of one of our most important public intellectuals—"a remarkable book, at once outrageous and compelling, fanatical and brilliant.... One must be awed by [Paglia's] vast energy, erudition and wit" (The Washington Post). Is Emily Dickinson “the female Sade”? Is Donatello’s David a bit of pedophile pornography? What is the secret kinship between Byron and Elvis Presley, between Medusa and Madonna? How do liberals and feminists—as well as conservatives—fatally misread human nature? This audacious and omnivorously learned work of guerrilla scholarship offers nothing less than a unified-field theory of Western culture, high and low, since Egyptians invented beauty—making a persuasive case for all art as a pagan battleground between male and female, form and chaos, civilization and daemonic nature. With 47 photographs.
