My 10 Favorite Books

Discover my top 10 favorite books that inspire, entertain, and transform. From timeless classics to modern must-reads, explore the titles that shaped my world.

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Christianity for Modern Pagans

by Peter Kreeft

Peter Kreeft believes that Baise Pascal is the first post-medieval apologist. No writer in history, claims Kreeft, is a more effective Christian apologist and evangelist to today's uprooted, confused, secularized pagans (inside and outside the Church) than Pascal. He was a brilliant man--a great scientist who did major work in physics and mathematics, as well as an inventor--whom Kreeft thinks was three centuries ahead of his time. His apologetics found in his Pensees are ideal for the modern, sophisticated skeptic.
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The Problem of Pain Cover
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The Problem of Pain

by C. S. Lewis

Why must humanity suffer? In this elegant and thoughtful work, C. S. Lewis questions the pain and suffering that occur everyday and how this contrasts with the notion of a God that is both omnipotent and good. An answer to this critical theological problem is found within these pages.
Orthodoxy Cover
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Orthodoxy

 

No summary available.
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Mere Christianity

by C. S. Lewis

A forceful and accessible discussion of Christian belief that has become one of the most popular introductions to Christianity and one of the most popular of Lewis's books. Uncovers common ground upon which all Christians can stand together.
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The Stranger Cover
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The Stranger

by Albert Camus

With the intrigue of a psychological thriller, The Stranger—Camus's masterpiece—gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie; translated by Matthew Ward. Behind the subterfuge, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life. “The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and ­devious narrator remains one of the key expressions of a postwar Western malaise, and one of the cleverest exponents of a literature of ambiguity.” –from the Introduction by Peter Dunwoodie First published in 1946; now in translation by Matthew Ward.