Verse and Art
Explore a curated collection of verse and art books, featuring timeless poetry and stunning visuals. Discover literary masterpieces and artistic inspiration in one place.
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The Tolkien Reader
by J.R.R. Tolkien
An absorbing collection of stories, poems, and commentaries by the author of The Hobbit and The Lord of the Rings Renowned around the world as the author of The Hobbit and The Lord of the Rings, J.R.R. Tolkien was also a distinguished academic and professor whose writings and lectures expand beyond the scope of his beloved Middle-earth. From short stories of fantastical adventures to essays on imagination and the narrative form, The Tolkien Reader gathers some of these fascinating and hard-to-find works into one volume. Tree and Leaf: Professor Tolkien’s now-famous essay “On Fairy-stories” and the short story “Leaf by Niggle” examine and illustrate the form and treatment of fantasy narratives. The Homecoming of Beorhtnoth Beorhthelm’s Son: A short play inspired by The Battle of Malden, an Old English poem with no ending and no beginning that describes a historical tenth-century battle between the English and Viking invaders. Farmer Giles of Ham: An imaginative history of the distant past that follows the unheroic Farmer Giles as he attempts to capture a somewhat untrustworthy dragon. The Adventures of Tom Bombadil: A delightful collection of verse in praise of Tom Bombadil, staunch friend of the hobbits in The Lord of the Rings.
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Rosencrantz & Guildenstern are Dead
by Tom Stoppard
Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern are Dead is the fabulously inventive tale of Hamlet as told from the worm's-eve view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare's play. In Tom Stoppard's best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end. Tom Stoppard was catapulted into the front ranks of modem playwrights overnight when Rosencrantz and Guildenstern Are Dead opened in London in 1967. Its subsequent run in New York brought it the same enthusiastic acclaim, and the play has since been performed numerous times in the major theatrical centers of the world. It has won top honors for play and playwright in a poll of London Theater critics, and in its printed form it was chosen one of the "Notable Books of 1967" by the American Library Association.
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