Tony Awards 1947-1971
Explore the complete list of Tony Awards winners from 1947 to 1971. Discover the best plays, musicals, and performances that made Broadway history during this golden era.
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Death of a Salesman
by Arthur Miller
The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room. "By common consent, this is one of the finest dramas in the whole range of the American theater." —Brooks Atkinson, The New York Times "So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it." —Time
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The Crucible
by Arthur Miller
A haunting examination of groupthink and mass hysteria in a rural community The place is Salem, Massachusetts, in 1692, an enclave of rigid piety huddled on the edge of a wilderness. Its inhabitants believe unquestioningly in their own sanctity. But in Arthur Miller's edgy masterpiece, that very belief will have poisonous consequences when a vengeful teenager accuses a rival of witchcraft—and then when those accusations multiply to consume the entire village. First produced in 1953, at a time when America was convulsed by a new epidemic of witch-hunting, The Crucible brilliantly explores the threshold between individual guilt and mass hysteria, personal spite and collective evil. It is a play that is not only relentlessly suspenseful and vastly moving but that compels readers to fathom their hearts and consciences in ways that only the greatest theater ever can. "A drama of emotional power and impact" —New York Post
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A Man for All Seasons
by Robert Bolt
The dramatization of Sir Thomas More's historic conflict with Henry VIII—a compelling portrait of a courageous man who died for his convictions and a modern classic that "challenges the mind, and, in the end, touches the heart" (New York Times). Sir Thomas More—the brilliant nobleman, lawyer, humanist, author of such works as Utopia—was a long-time friend and favorite of Henry VIII, ascending to the position of Lord Chancellor in 1529. Yet he was also a staunch Catholic, and when Henry broke with the Church in 1531 after the Pope had refused to grant him a divorce from Catherine of Aragon, More resigned the Chancellorship. In 1534, Parliament passed a bill requiring all subjects to take an oath acknowledging the supremacy of England's king over all foreign sovereigns—including the Pope. More refused, was imprisoned, and finally was executed in 1535.
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Rosencrantz & Guildenstern are Dead
by Tom Stoppard
Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern are Dead is the fabulously inventive tale of Hamlet as told from the worm's-eve view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare's play. In Tom Stoppard's best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end. Tom Stoppard was catapulted into the front ranks of modem playwrights overnight when Rosencrantz and Guildenstern Are Dead opened in London in 1967. Its subsequent run in New York brought it the same enthusiastic acclaim, and the play has since been performed numerous times in the major theatrical centers of the world. It has won top honors for play and playwright in a poll of London Theater critics, and in its printed form it was chosen one of the "Notable Books of 1967" by the American Library Association.
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