The Sensibility and Craft of Editing Fiction
Explore the art of editing fiction with expert insights and top book recommendations. Master sensibility and craft to refine your storytelling skills like a pro.
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The Fiction Editor, the Novel, and the Novelist
by Thomas McCormack
"Lucid, thoughtful...writers and teachers will learn much from it...Belongs wherever Strunk and White’s The Elements of Style finds frequent use.”--Booklist "Writers will actually learn things here.”--Los Angeles Times "Perfect for teachers, critics and general readers.”--Library Journal "Required reading for all those who care about good fiction."--Kirkus Reviews Drawing upon twenty-eight years of experience as the CEO and editorial director of St. Martin’s Press, Thomas McCormack gives practical guidance about how to plan, write, and revise a novel. A standard reference for editors since its first publication in 1988, The Fiction Editor has also become popular with writers because McCormack’s advice is constructive at every step of the creative process. From individual word choice right up to the overarching effect of the work as a whole, he details how to structure the novel, choose the characters, drive the story, diagnose narrative ailments, and find and apply specific remedies. In this revised second edition, McCormack takes advantage of almost two decades of additional experience to clarify and expand on what he has learned. "Written in an amiable tone, often using examples, hypothetical writing scenarios, or dialogue-style discourse between industry professionals to clarify its points, The Fiction Editor, the Novel, and the Novelist is a superb handbook for fiction writers but especially recommended for prospective and professional fiction editors."--Midwest Book Review Thomas McCormack edited authors as diverse as James Herriot (All Creatures Great and Small) and Thomas Harris (The Silence of the Lambs). He was awarded LMP's Lifetime Achievement Award and the AAP's Curtis Benjamin Award for Creative Publishing. For two years, he wrote "The Cheerful Skeptic" column in Publishers Weekly.
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The Rhetoric of Fiction
by Wayne C. Booth
A standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts. Its concepts and terms have become standard critical lexicon.
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A Rhetoric of Irony
by Wayne C. Booth
Perhaps no other critical label has been made to cover more ground than "irony," and in our time irony has come to have so many meanings that by itself it means almost nothing. In this work, Wayne C. Booth cuts through the resulting confusions by analyzing how we manage to share quite specific ironies—and why we often fail when we try to do so. How does a reader or listener recognize the kind of statement which requires him to reject its "clear" and "obvious" meaning? And how does any reader know where to stop, once he has embarked on the hazardous and exhilarating path of rejecting "what the words say" and reconstructing "what the author means"? In the first and longer part of his work, Booth deals with the workings of what he calls "stable irony," irony with a clear rhetorical intent. He then turns to intended instabilities—ironies that resist interpretation and finally lead to the "infinite absolute negativities" that have obsessed criticism since the Romantic period. Professor Booth is always ironically aware that no one can fathom the unfathomable. But by looking closely at unstable ironists like Samuel Becket, he shows that at least some of our commonplaces about meaninglessness require revision. Finally, he explores—with the help of Plato—the wry paradoxes that threaten any uncompromising assertion that all assertion can be undermined by the spirit of irony.
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Story
by Robert McKee
Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience. In Story, McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.
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How Not to Write a Screenplay
by Denny Martin Flinn
All good screenplays are unique, but all bad screenplays are the same. Flinn's book will teach the reader how to avoid the pitfalls of bad screenwriting and arrive at one's own destination intact.
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Poetics
by Aristotle
Essential reading for all students of Greek theatre and literature, and equally stimulating for anyone interested in literature In the Poetics, his near-contemporary account of classical Greek tragedy, Aristotle examine the dramatic elements of plot, character, language and spectacle that combine to produce pity and fear in the audience, and asks why we derive pleasure from this apparently painful process. Taking examples from the plays of Aeschylus, Sophocles and Euripides, the Poetics introduced into literary criticism such central concepts as mimesis ('imitation'), hamartia ('error') and katharsis, which have informed serious thinking about drama ever since. Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals, while centring on chaaracerts of heroic stature, idealised yet true to life. One of the most perceptive and influential works of criticism in Western literary history, the Poetics has informed serious thinking about drama ever since. Malcolm Heath's lucid translation makes the Poetics fully accessible to the modern reader. In this edition it is accompanied by an extended introduction, which discusses the key concepts in detail, and includes suggestions for further reading. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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The Act of Reading
by Wolfgang Iser
By defining what happens during the act of reading, that is, how aesthetic experience is initiated, develops, and functions, Iser's book provides the first systematic framework for assessing the communicatory function of a literary text within the context from which it arises. It is an important work that will appeal to those interested in the reading process, aesthetic theory, literary criticism, and basic theoretical aspects of the novel. Book jacket.
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Letters to a Young Novelist
by Mario Vargas Llosa
A literary apprenticeship in letters draws on the works of international writers and on the author's own beliefs about writing, reading, and thought, identifying writers as creators and writing as an act requiring discipline.
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Aspects of the Novel
by Edward Morgan Forster
A highly original and intelligent investigation of the novel from celebrated writer and "gentle genius" E. M. Forster E. M. Forster's renowned guide to writing sparkles with wit and insight for contemporary writers and readers. With lively language and excerpts from well-known classics, Forster takes on the seven elements vital to a novel: story, people, plot, fantasy, prophecy, pattern, and rhythm. He not only defines and explains such terms as "round" versus "flat" characters (and why both are needed for an effective novel), but also provides examples of writing from such literary greats as Dickens and Austen. Forster's original commentary illuminates and entertains without lapsing into complicated, scholarly rhetoric, coming together in a key volume on writing that avoids chronology and what he calls "pseudoscholarship."
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The Art of Fiction
by John Gardner
This classic guide, from the renowned novelist and professor, has helped transform generations of aspiring writers into masterful writers—and will continue to do so for many years to come. John Gardner was almost as famous as a teacher of creative writing as he was for his own works. In this practical, instructive handbook, based on the courses and seminars that he gave, he explains, simply and cogently, the principles and techniques of good writing. Gardner’s lessons, exemplified with detailed excerpts from classic works of literature, sweep across a complete range of topics—from the nature of aesthetics to the shape of a refined sentence. Written with passion, precision, and a deep respect for the art of writing, Gardner’s book serves by turns as a critic, mentor, and friend. Anyone who has ever thought of taking the step from reader to writer should begin here.
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Max Perkins, Editor of Genius
by Andrew Scott Berg
Traces the life of the influential book editor who worked with Ernest Hemingway, Thomas Wolfe, and F. Scott Fitzgerald.
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A Dictionary of Modern English Usage
by Henry Watson Fowler
Revised edition of an english-language dictionary comprising up-to-date definitions and guidelines as an aid in the correct use in writing and speaking of frequently misused words.
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Getting it Published
by William P. Germano
Offers advice for would-be academic authors, covering topics from the basics of dealing with publishers to book proposals, contracts, writing for collections and anthologies, and presenting the finished manuscript.