The Extravagant Saints
Discover 'The Extravagant Saints'—a curated list of books about saints who lived extraordinary lives of faith, sacrifice, and divine love. Explore inspiring stories of devotion today!
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The Three Impostors and Other Stories
by Arthur Machen
Some of the finest horror stories ever written. Arthur Machen had a profound impact upon H.P. Lovecraft and the group of stories that would later become known as the Cthulhu Mythos. This first volume of Chaosium's Arthur Machen collection begins with the chilling "The Three Impostors" in its complete form, including the rarely seen sections "The Decorative Imagination" and "The Novel of the Iron Maid." Rounding out the first volume are "The Great God Pan, " "The Inmost Light, " and "The Shining Pyramid."
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Hadrian the Seventh
by Fr. Rolfe
One day George Arthur Rose, hack writer and minor priest, discovers that he has been picked to be Pope. He is hardly surprised and not in the least daunted. "The previous English pontiff was Hadrian the Fourth," he declares. "The present English pontiff is Hadrian the Seventh. It pleases Us; and so, by Our own impulse, We command."Hadrian is conceived in the image of his creator, Fr. Rolfe, whose aristocratic pretensions (he called himself Baron Corvo), religious obsession, and anarchic and self-aggrandizing sensibility have made him known as one of the great English eccentrics. Fr. Rolfe endured a lifetime of indignities and disappointments. However, in the hilarious and touching pages of this, his finest novel, he triumphs.
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Molloy, Malone Dies, The Unnamable
by Samuel Beckett
The first novel of Samuel Beckett's mordant and exhilarating midcentury trilogy introduces us to Molloy, who has been mysteriously incarcerated, and who subsequently escapes to go discover the whereabouts of his mother. In the latter part of this curious masterwork, a certain Jacques Moran is deputized by anonymous authorities to search for the aforementioned Molloy. In the trilogy's second novel, Malone, who might or might not be Molloy himself, addresses us with his ruminations while in the act of dying. The third novel consists of the fragmented monologue–delivered, like the monologues of the previous novels, in a mournful rhetoric that possesses the utmost splendor and beauty–of what might or might not be an armless and legless creature living in an urn outside an eating house. Taken together, these three novels represent the high-water mark of the literary movement we call Modernism. Within their linguistic terrain, where stories are taken up, broken off, and taken up again, where voices rise and crumble and are resurrected, we can discern the essential lineaments of our modern condition, and encounter an awesome vision, tragic yet always compelling and always mysteriously invigorating, of consciousness trapped and struggling inside the boundaries of nature.
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