The Best of E. M. Forster

Discover the best books by E. M. Forster, including timeless classics like 'A Passage to India' and 'Howards End.' Explore his profound narratives and literary genius in this curated list of his greatest works.

A room with a view Cover
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A room with a view

 

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Penguin Classics Passage To India Cover
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Penguin Classics Passage To India

by E M Forster

'His great book ... masterly in its prescience and its lucidity' ANITA DESAI A compelling portrait of a society in the grip of imperialism, A Passage to India depicts the fate of individuals caught in the great political and cultural conflicts of their age. It begins when Adela and her elderly companion Mrs Moore arrive in the Indian town of Chandrapore, and feel trapped by its insular and prejudiced British community. Determined to explore the 'real India', they seek the guidance of the charming and mercurial Dr Aziz. But a mysterious incident occurs while they are exploring the Marabar caves, and the well-respected doctor soon finds himself at the centre of a scandal. Edited by OLIVER STALLYBRASS with an Introduction by PANKAJ MISHRA
Where Angels Fear to Tread (Penguin Classics) Cover
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Where Angels Fear to Tread (Penguin Classics)

 

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Maurice Cover
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Maurice

by Edward Morgan Forster

Written during 1913 and 1914, Maurice deals with the then unmentionable subject of homosexuality. More unusual, it concerns a relationship that ends happily.
Howards End Cover
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Howards End

by E. M. Forster

A strong-willed and intelligent woman refuses to allow the pretensions of her husband's smug English family to ruin her life.
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Aspects of the Novel

by Edward Morgan Forster

A highly original and intelligent investigation of the novel from celebrated writer and "gentle genius" E. M. Forster E. M. Forster's renowned guide to writing sparkles with wit and insight for contemporary writers and readers. With lively language and excerpts from well-known classics, Forster takes on the seven elements vital to a novel: story, people, plot, fantasy, prophecy, pattern, and rhythm. He not only defines and explains such terms as "round" versus "flat" characters (and why both are needed for an effective novel), but also provides examples of writing from such literary greats as Dickens and Austen. Forster's original commentary illuminates and entertains without lapsing into complicated, scholarly rhetoric, coming together in a key volume on writing that avoids chronology and what he calls "pseudoscholarship."
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