Tanias Old School Fantasy Reading in the Fifties
Explore Tania's nostalgic list of classic fantasy books from the fifties, perfect for old-school reading enthusiasts. Dive into timeless tales that shaped fantasy literature.
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Carmilla
by Joseph Sheridan Le Fanu
The vampire novella "Carmilla" set in Austria is one of Le Fanu's best tales and greatly influenced Bram Stocker, who published Dracula 25 years later. This is definitively a great book and a must for the lovers of horror tales.
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Peter Pan (100th Anniversary Edition)
by J. M. Barrie
The adventures of Peter Pan, the boy who would not grow up.
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The Collected Fantasies of Clark Ashton Smith Volume 1: The End Of The Story
by Clark Ashton Smith
The first of five volumes collecting the complete stories of renowned “weird fiction” author Clark Ashton Smith. “None strikes the note of cosmic horror as well as Clark Ashton Smith. In sheer daemonic strangeness and fertility of conception, Smith is perhaps unexcelled by any other writer.” —H. P. Lovecraft Clark Ashton Smith, considered one of the greatest contributors to seminal pulp magazines such as Weird Tales, helped define and shape “weird fiction” in the early twentieth century, alongside contemporaries H.P. Lovecraft and Robert E. Howard, drawing upon his background in poetry to convey an unparalleled richness of imagination and expression in his stories of the bizarre and fantastical. The Collected Fantasies series presents all of Smith’s fiction chronologically. Authorized by the author’s estate and endorsed by Arkham House, the stories in this series are accompanied by detailed background notes from editors Scott Connors and Ron Hilger, who in preparation for this collection meticulously compared original manuscripts, various typescripts, published editions, and Smith’s own notes and letters. Their efforts have resulted in the most definitive and complete collection of the author’s work to date. The End of the Story is the first of five volumes collecting all of Clark Ashton Smith’s tales of fantasy, horror, and science fiction. It includes all of his stories from “The Abominations of Yondo” (1925) to “A Voyage to Sfanomoë” (1930) and an introduction by Ramsey Campbell.
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The Coming of Conan the Cimmerian
by Robert E. Howard
Conan is one of the greatest fictional heroes ever created– a swordsman who cuts a swath across the lands of the Hyborian Age, facing powerful sorcerers, deadly creatures, and ruthless armies of thieves and reavers. “Between the years when the oceans drank Atlantis and the gleaming cities . . . there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars. . . . Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand . . . to tread the jeweled thrones of the Earth under his sandalled feet.” In a meteoric career that spanned a mere twelve years before his tragic suicide, Robert E. Howard single-handedly invented the genre that came to be called sword and sorcery. Collected in this volume, profusely illustrated by artist Mark Schultz, are Howard’s first thirteen Conan stories, appearing in their original versions–in some cases for the first time in more than seventy years–and in the order Howard wrote them. Along with classics of dark fantasy like “The Tower of the Elephant” and swashbuckling adventure like “Queen of the Black Coast,” The Coming of Conan the Cimmerian contains a wealth of material never before published in the United States, including the first submitted draft of Conan’s debut, “Phoenix on the Sword,” Howard’s synopses for “The Scarlet Citadel” and “Black Colossus,” and a map of Conan’s world drawn by the author himself. Here are timeless tales featuring Conan the raw and dangerous youth, Conan the daring thief, Conan the swashbuckling pirate, and Conan the commander of armies. Here, too, is an unparalleled glimpse into the mind of a genius whose bold storytelling style has been imitated by many, yet equaled by none.
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Zorn
by Graham Worthington
In the year 2035 it's cool to be bisexual - or at least pretend to be - and cool to be young, but to be both and on holiday in France is the coolest of all. Zorn and family are at The Anders Hotel, in the little port of Roknor, whose main attraction in daytime is its crowded beach, and in the evening its many clubs. Rejoicing in recently turning sixteen, Zorn has ten days to find Holiday Love, and isn't helped by the presence of Kevin, a coarse and violent homophobe. But despite their differences, neither can escape life's challenges, and find to their dismay that our joys and sorrows come mixed and inseparable. The mid twenty-first century is a time of looking back, a time laden with much nostalgia for the past, but little money. The Great World Depression of the 2020s has seen to that. It is a time of thumbing through the music, films and fashions of the last century, a time of imitating the lost Golden Age of the 1900s. It is also the era of core language, the final perfection of politically correct speech avoiding the use of such hideously offensive words as "he" and "she," with all their built-in stereotypes, all their dangerous assumptions about gender roles and sexuality. Yet it is a time when, though all has changed, nothing has changed. The sea still surges to the distant horizon, the waves still crash to the beach, and on these daily washed sands new people act out the ancient dramas afresh. Zorn is a story of romance, adventure and coming of age in this post-apocalyptic society.