Some Favorites

A powerful depiction of racial tensions arising over the death of a Cajun farmer at the hands of a black man--set on a Louisiana sugarcane plantation in the 1970s. The Village Voice called A Gathering of Old Men “the best-written novel on Southern race relations in over a decade.”

A controversial tale of friendship and tragedy during the Great Depression They are an unlikely pair: George is "small and quick and dark of face"; Lennie, a man of tremendous size, has the mind of a young child. Yet they have formed a "family," clinging together in the face of loneliness and alienation. Laborers in California's dusty vegetable fields, they hustle work when they can, living a hand-to-mouth existence. For George and Lennie have a plan: to own an acre of land and a shack they can call their own. When they land jobs on a ranch in the Salinas Valley, the fulfillment of their dream seems to be within their grasp. But even George cannot guard Lennie from the provocations of a flirtatious woman, nor predict the consequences of Lennie's unswerving obedience to the things George taught him. "A thriller, a gripping tale . . . that you will not set down until it is finished. Steinbeck has touched the quick." —The New York Times

Albert French lights up the monstrous face of American racism in this harrowing tale of ten-year-old Billy Lee Turner, who is convicted and executed for murdering a white girl in Banes County, Mississippi, in 1937. Constructed in a series of powerfully lean vignettes, Billy is a tour de force of dramatic compression, focusing on how this outrageous event affects an entire community. The high-spirited Billy, his mysterious and passionate mother, Cinder, and his friend Gumpy are realized with depth and authority. Told in classic, unrelieved terms yet with remarkable compassion and restraint, their story is an unsentimental and ultimately heart-rending vision of racial injustice. “A work of art . . . Billy never lets up, not for a minute . . . The images rush straight to your brain. . . . Magnificient.”—Bill McKibben, New York Daily News “Althought I only knew Billy Lee Turner for an all too brief 214 pages, I will mourn his death for the rest of my life. That’s how powerfully and dramatically written this book is.”—Claude Brown, author of Manchild in the Promised Land “Billy’s strength is not strictly as a novel; it lives as theater. It is a folk opera that . . . moves with unfaltering pace to its shattering climax.”—New York Newsday