recent adult fiction for teens

“I finally understand what the poets have written. In spring, moved to passion; in autumn only regret.” For young Peony, betrothed to a suitor she has never met, these lyrics from The Peony Pavilion mirror her own longings. In the garden of the Chen Family Villa, amid the scent of ginger, green tea, and jasmine, a small theatrical troupe is performing scenes from this epic opera, a live spectacle few females have ever seen. Like the heroine in the drama, Peony is the cloistered daughter of a wealthy family, trapped like a good-luck cricket in a bamboo-and-lacquer cage. Though raised to be obedient, Peony has dreams of her own. Peony’s mother is against her daughter’s attending the production: “Unmarried girls should not be seen in public.” But Peony’s father assures his wife that proprieties will be maintained, and that the women will watch the opera from behind a screen. Yet through its cracks, Peony catches sight of an elegant, handsome man with hair as black as a cave–and is immediately overcome with emotion. So begins Peony’s unforgettable journey of love and destiny, desire and sorrow–as Lisa See’s haunting new novel, based on actual historical events, takes readers back to seventeenth-century China, after the Manchus seize power and the Ming dynasty is crushed. Steeped in traditions and ritual, this story brings to life another time and place–even the intricate realm of the afterworld, with its protocols, pathways, and stages of existence, a vividly imagined place where one’s soul is divided into three, ancestors offer guidance, misdeeds are punished, and hungry ghosts wander the earth. Immersed in the richness and magic of the Chinese vision of the afterlife, transcending even death, Peony in Love explores, beautifully, the many manifestations of love. Ultimately, Lisa See’s new novel addresses universal themes: the bonds of friendship, the power of words, and the age-old desire of women to be heard.

Three orphaned immigrant children are separated, but long to find each other again. A prairie story in the tradition of Janette Oke.

New fiction about friendship, intimacy, and the healing power of love by acclaimed author Francesca Lia Block.

An international sensation, this startling and heartbreaking debut recounts the adventures of eleven-year-old Djata in one life-changing year. To be published in twenty countries around the world this spring. Djata doesn't know what to make of the two men who lead his father away one day, or understand why his mother bursts into tears when he brings her tulips on her anniversary. He does know that he must learn to fill his father's shoes, even though among his friends he is still a boy: fighting neighborhood gang wars, volunteering to dig ditches, playing soccer on radioactive grass, having inappropriate crushes, sneaking into secret screening rooms, and shooting at stray cats with his gun-happy (and politically influential) grandfather. But this depiction of life in a totalitarian state--the only world Djata knows--is tempered by the sheer, hilarious absurdity of the situations he finds himself in, by his enduring faith in his father's return, and by the moments of unexpected beauty and hope and the small acts of kindness that mark out any life. As in the works of Mark Haddon, David Mitchell, and Marjane Satrapi, Djata's child's-eye view lends a power and immediacy to his story, making us laugh and ache in recognition and reminding us all of our shared humanity.

In New York's Long Island, in the unpredictable decade of the 1960s, a young boy laments the approaching close of summer and the advent of sixth grade. Growing up in a household with an overworked father whom he rarely sees, an alcoholic mother who paints wonderful canvases that are never displayed, an older brother who serves as both tormentor and protector, and a younger sister who inhabits her own secret world, the boy takes his amusements where he can find them. Some of his free time is spent in the basement of the family's modest home, where he and his brother, Jim, have created Botch Town, a detailed cardboard replica of their community, complete with clay figurines representing friends and neighbors. And so the time passes with a not-always-reassuring sameness—until the night a prowler is reported stalking the neighborhood. Appointing themselves ad hoc investigators, the brothers set out to aid the police—while their little sister, Mary, smokes cigarettes, speaks in other voices, inhabits alternate personas . . . and, unbeknownst to her older siblings, moves around the inanimate residents of Botch Town. But ensuing events add a shadowy cast to the boys' night games: disappearances, deaths, and spectral sightings capped off by the arrival of a sinister man in a long white car trawling the neighborhood after dark. Strangest of all is the inescapable fact that every one of these troubling occurrences seems to correspond directly to the changes little Mary has made to the miniature town in the basement. Not since Ray Bradbury's classic Dandelion Wine has a novel so richly evoked the dark magic of small-town boyhood. At once a hypnotically compelling mystery, a masterful re-creation of a unique time and place, a celebration of youth, and a poignant and disquieting portrait of home and family—all balancing on a razor's edge separating reality from the unsettlingly remarkable—The Shadow Year is a monumental new work from one of contemporary fiction's most fearless and inventive artists.

Two people trapped by life's circumstances break free and find a place in the world where love is genuine and selfless. By the author of Pay It Forward.

Traditional Chinese edition of The Outcast by Costa Novel Award winner Sadie Jones. In Traditional Chinese. Distributed by Tsai Fong Books, Inc.