Pulp Fiction
Dive into the thrilling world of Pulp Fiction books! Explore a curated list of gripping, fast-paced fiction novels packed with action, mystery, and adventure. Perfect for fans of classic and modern pulp storytelling.
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The Blonde on the Street Corner
by David Goodis
Long out-of-print major work from a master of classic American crime fiction
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Shoot the Piano Player
by David Goodis
Once upon a time Eddie played concert piano to reverent audiences at Carnegie Hall. Now he bangs out honky-tonk for drunks in a dive in Philadelphia. But then two people walk into Eddie's life--the first promising Eddie a future, the other dragging him back into a treacherous past. Shoot the Piano Player is a bittersweet and nerve-racking exploration of different kinds of loyalty: the kind a man owes his family, no matter how bad that family is; the kind a man owes a woman; and, ultimately, the loyalty he owes himself. The result is a moody thriller that, like the best hard-boiled fiction, carries a moral depth charge.
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The Moon in the Gutter
by David Goodis
The Goodis revival goes on--many of his titles are back in print including The Blond on the Street Corner from Serpent's Tail.
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Red Harvest
by Dashiell Hammett
From one of the great pioneers of detective stories, a classic novel reissued with a new introduction by S.A. Cosby The steadfast and sturdy Continental Op has been summoned to the town of Personville—known as Poisonville—a dusty mining community splintered by competing factions of gangsters and petty criminals. The Op has been hired by Donald Willsson, publisher of the local newspaper, who gave little indication about the reason for the visit. No sooner does the Op arrive, than the body count begins to climb . . . starting with his client. With this last honest citizen of Poisonville murdered, the Op decides to stay on and force a reckoning—even if that means taking on an entire town. Red Harvest is more than a superb crime novel: it is a classic exploration of corruption and violence in the American grain.
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Double Indemnity
by James M. Cain
ONE OF TIME MAGAZINE'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • James M. Cain, virtuoso of the roman noir, gives us a tautly narrated and excruciatingly suspenseful story in Double Indemnity, an X-ray view of guilt, of duplicity, and of the kind of obsessive, loveless love that devastates everything it touches. Walter Huff was an insurance salesman with an unfailing instinct for clients who might be in trouble, and his instinct led him to Phyllis Nirdlinger. Phyllis wanted to buy an accident policy on her husband. Then she wanted her husband to have an accident. Walter wanted Phyllis. To get her, he would arrange the perfect murder and betray everything he had ever lived for.
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The Postman Always Rings Twice
by James M. Cain
The bestselling sensation—and one of the most outstanding crime novels of the 20th century—that was banned in Boston for its explosive mixture of violence and eroticism, and acknowledged by Albert Camus as the model for The Stranger. The basis for the acclaimed 1946 film. An amoral young tramp. A beautiful, sullen woman with an inconvenient husband. A problem that has only one grisly solution—a solution that only creates other problems that no one can ever solve. First published in 1934, The Postman Always Rings Twice is a classic of the roman noir. It established James M. Cain as a major novelist with an unsparing vision of America's bleak underside and was acknowledged by Albert Camus as the model for The Stranger.
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The Real Cool Killers
by Chester Himes
Many people had reasons for killing Galen, a big Greek with too much money and too great a liking for young black girls. But there are complications--like a drug addict, a disappearing suspect, and the fact that Coffin Ed's daughter is up to her neck in the whole explosive business.
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Savage Night
by Jim Thompson
Is Carl Bigelow a fresh-faced college kid looking for a room, or is he a poised hit man tracking down his victim? And if Carl is really two people, what about everyone around him? Savage Night is Thompson at his best, with plot reversals and nightmarish shifts of identity.