Postmodernist Fiction

Explore the best postmodernist fiction books with our curated list. Discover groundbreaking works that challenge conventions, blend genres, and redefine storytelling in literature.

The New York Trilogy Cover
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The New York Trilogy

by Paul Auster

The remarkable, acclaimed series of interconnected detective novels City of Glass, Ghosts, and The Locked Room, from New York Times bestselling author Paul Auster “Exhilarating . . . a brilliant investigation of the storyteller’s art guided by a writer-detective who’s never satisfied with just the facts.”—The Philadelphia Inquirer City of Glass: As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might have written. Ghosts: Blue, a student of Brown, has been hired by White to spy on Black. From a window of a rented room on Orange Street, Blue keeps watch on his subject, who is across the street, staring out of his own window. The Locked Room: Fanshawe has disappeared, leaving behind his wife and baby and a cache of extraordinary novels, plays, and poems. What happened to him and why is the narrator, Fanshawe’s boyhood friend, lured obsessively into his life? Moving at the breathless pace of a thriller, this is a uniquely stylized trilogy of detective novels that The Washington Post Book World has classified as “post-existential private eye. . . . It’s as if Kafka has gotten hooked on the gumshoe game and penned his own ever-spiraling version.”
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The Crying of Lot 49

by Thomas Pynchon

Oedipa Maas finds herself enmeshed in a worldwide conspiracy.
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Gravity's Rainbow

by Thomas Pynchon

In the mid-1960s, the publication of Pynchon's V and The Crying of Lot 49 introduced a brilliant new voice to American literature. Gravity's Rainbow, his convoluted, allusive novel about a metaphysical quest, published in 1973, further confirmed Pynchon's reputation as one of the greatest writers of the century.
V. Cover
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V.

by Thomas Pynchon

The wild, macabre tale of the twentieth century and of two men -- one looking for something he has lost, the other with nothing much to lose -- and "V.," the unknown woman of the title.
J R Cover
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J R

by William Gaddis

At the center of this hugely comic tale of "free enterprise" America stands JR--an eleven-year-old capitalist, eagerly following the example of the grasping world around him. Operating through pay phones and post-office money orders, JR inadvertently parlays a shipment of Navy surplus picnic forks, a defaulted bond issue, and a single share of common stock into a vast paper empire embracing timber, mineral and natural gas rights, publishing, and a brewery. At once a novel of epic comedy and a biting satire of the American dream, JR displays the style and extraordinary inventiveness that has made Gaddis one of the most acclaimed writers of our time.
The Recognitions (Penguin Classics) Cover
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The Recognitions (Penguin Classics)

 

No summary available.
Carpenter's Gothic Cover
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Carpenter's Gothic

 

No summary available.
Agapē agape Cover
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Agapē agape

 

No summary available.
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Frolic of His Own

by William Gaddis

A satirically jaundiced view of modern law and justice chronicles the fortunes of Oscar Crease, a middle-aged college instructor and playwright, as he sues a Hollywood producer for pirating a play
Omensetter's Luck Cover
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Omensetter's Luck

by William H. Gass

"The most important work of fiction by an American in this literary generation." -The New Republic Now celebrating the 50th anniversary of its publication, Omensetter's Luck is the masterful first novel by the author of The Tunnel, Middle C, On Being Blue, and Eyes: Novellas and Stories. Greeted as a masterpiece when it was first published in 1966, Omensetter's Luck is the quirky, impressionistic, and breathtakingly original story of an ordinary community galvanized by the presence of an extraordinary man. Set in a small Ohio town in the 1890s, it chronicles - through the voices of various participants and observers - the confrontation between Brackett Omensetter, a man of preternatural goodness, and the Reverend Jethro Furber, a preacher crazed with a propensity for violent thoughts. Omensetter's Luck meticulously brings to life a specific time and place as it illuminates timeless questions about life, love, good, and evil. This edition includes an afterword written by William Gass in 1997. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The tunnel Cover
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The tunnel

 

No summary available.
Invisible Cities Cover
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Invisible Cities

by Italo Calvino

In Kublai Khan's garden, at sunset, the young Marco Polo diverts the aged emperor from his obsession with the impending end of his empire with tales of countless cities past, present, and future.
If on a Winter's Night a Traveler Cover
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If on a Winter's Night a Traveler

by Italo Calvino

Italo Calvino's classic, multifaceted novel about writing and readers.
Life, a User's Manual Cover
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Life, a User's Manual

by Georges Perec

Represents an exploration of the relationship between imagination and reality as seen through the eyes of the dying Serge Valene, an inhabitant of a large Parisian apartment block.
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Two Novels

by Alain Robbe-Grillet

Jealousy: "In a tropical jungle overlooking a banana plantation, a jealous husband is obsessed by his suspicion of adultery between his wife and his neighbor. Robbe-Grillet's handling of the devastating effect on the tormented husband and his subsequent violence gives us one of the most disturbing treatment of jealousy in contemporary fiction."--Publisher description
The Erasers Cover
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The Erasers

 

No summary available.
The Voyeur Cover
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The Voyeur

by Alain Robbe-Grillet

Mathias, the voyeur, returns to the island of his birth and wanders about for several days. When a thirteen-year-old girl is found drowned, murder is suspected. Did Mathias do it?
The Sot-weed Factor Cover
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The Sot-weed Factor

by John Barth

A parody of life in colonial America relates the adventures of Ebenezer Cooke who became the poet laureate of Maryland.
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Lost in the Funhouse

by John Barth

John Barth's lively, highly original collection of short pieces is a major landmark of experimental fiction. Though many of the stories gathered here were published separately, there are several themes common to them all, giving them new meaning in the context of this collection. As the characters search, each in his own way, for their purpose and the meaning of their existence, Lost in the Funhouse takes on a hiliarious, often moving significance.
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Pricksongs and Descants

by Robert Coover

Pricksongs & Descants, originally published in 1969, is a virtuoso performance that established its author - already a William Faulkner Award winner for his first novel - as a writer of enduring power and unquestionable brilliance, a promise he has fulfilled over a stellar career. It also began Coover's now-trademark riffs on fairy tales and bedtime stories. In these riotously word-drunk fictional romps, two children follow an old man into the woods, trailing bread crumbs behind and edging helplessly toward a sinister end that never comes; a husband walks toward the bed where his wife awaits his caresses, but by the time he arrives she's been dead three weeks and detectives are pounding down the door; a teenaged babysitter's evening becomes a kaleidoscope of dangerous erotic fantasies-her employer's, her boyfriend's, her own; an aging, humble carpenter marries a beautiful but frigid woman, and after he's waited weeks to consummate their union she announces that God has made her pregnant. Now available in a Grove paperback, Pricksongs & Descants is a cornerstone of Robert Coover's remarkable career and a brilliant work by a major American writer.
Hopscotch Cover
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Hopscotch

by Julio Cortazar

"Cortazar's masterpiece ... The first great novel of Spanish America" (The Times Literary Supplement) • Winner of the National Book Award for Translation in 1967, translated by Gregory Rabassa Horacio Oliveira is an Argentinian writer who lives in Paris with his mistress, La Maga, surrounded by a loose-knit circle of bohemian friends who call themselves "the Club." A child's death and La Maga's disappearance put an end to his life of empty pleasures and intellectual acrobatics, and prompt Oliveira to return to Buenos Aires, where he works by turns as a salesman, a keeper of a circus cat which can truly count, and an attendant in an insane asylum. Hopscotch is the dazzling, freewheeling account of Oliveira's astonishing adventures.
Blow-Up Cover
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Blow-Up

by Julio Cortázar

A young girl spends her summer vacation in a country house where a tiger roams . . . A man reading a mystery finds out too late that he is the murderer’s intended victim . . . Originally published in hardcover as End of the Game and Other Stories, the fifteen stories collected here—including “Blow-Up,” which was the basis for Michelangelo Antonioni’s film of the same name—shows Julio Cortázar's nimble capacity to explore the shadowy realm where the everyday meets the mysterious, perhaps even the terrible.
Forty stories Cover
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Forty stories

 

No summary available.
Sixty stories Cover
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Sixty stories

 

No summary available.
Collected Fictions Cover
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Collected Fictions

by Jorge Luis Borges

For the first time in English, all the fiction by the writer who has been called “the greatest Spanish-language writer of our century” collected in a single volume “An event, and cause for celebration.”—The New York Times A Penguin Classics Deluxe Edition with flaps and deckle-edged paper For some fifty years, in intriguing and ingenious fictions that reimagined the very form of the short story—from his 1935 debut with A Universal History of Iniquity through his immensely influential collections Ficciones and The Aleph, the enigmatic prose poems of The Maker, up to his final work in the 1980s, Shakespeare’s Memory—Jorge Luis Borges returned again and again to his celebrated themes: dreams, duels, labyrinths, mirrors, infinite libraries, the manipulations of chance, gauchos, knife fighters, tigers, and the elusive nature of identity itself. Playfully experimenting with ostensibly subliterary genres, he took the detective story and turned it into metaphysics; he took fantasy writing and made it, with its questioning and reinventing of everyday reality, central to the craft of fiction; he took the literary essay and put it to use reviewing wholly imaginary books. Bringing together for the first time in English all of Borges’s magical stories, and all of them newly rendered into English in brilliant translations by Andrew Hurley, Collected Fictions is the perfect one-volume compendium for all who have long loved Borges, and a superb introduction to the master’s work for all who have yet to discover this singular genius. For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.