“I’m a failed poet. Maybe every novelist wants to write poetry first, finds he can’t and then tries the short story which is the most demanding form after poetry. And failing that, only then does he take up novel writing.” —William Faulkner Winner of the National Book Award Forty-two stories make up this magisterial collection by the writer who stands at the pinnacle of modern American fiction. Compressing an epic expanse of vision into hard and wounding narratives, Faulkner’s stories evoke the intimate textures of place, the deep strata of history and legend, and all the fear, brutality, and tenderness of the human condition. These tales are set not only in Yoknapatawpha County, but in Beverly Hills and in France during World War I. They are populated by such characters as the Faulknerian archetypes Flem Snopes and Quentin Compson, as well as by ordinary men and women who emerge so sharply and indelibly in these pages that they dwarf the protagonists of most novels.
One of the most original American writers, Edgar Allan Poe shaped the development of both the detectvie story and the science-fiction story. Some of his poems—"The Raven," "The Bells," "Annabel Lee"—remain among the most popular in American literature. Poe's tales of the macabre still thrill readers of all ages. Here are familiar favorites like "The Purloined Letter," "The Fall of the House of Usher," and "The Murders in the Rue Morgue," together with less-known masterpieces like "The Imp of the Perverse," "The Narrative of A. Gordon Pym," and "Ligeia," which is now recognized as one of the first science-fiction stories, a total of seventy-three tales in all, plus fifty-three poems and a generous sampling of Poe's essays, criticism and journalistic writings.