Edgar Allan Poe’s gift for the macabre–his genius in finding the strangeness lurking at the heart of things–was so extraordinary that he exerted a major influence on Baudelaire and French symbolism, on Freudian analysis, and also on the detective novel and the Hollywood movie. His psychologically profound stories of encounters with the marvelous, the uncanny, and the dreadful represent–in contrast to the optimism of writers like Emerson and Whitman–the other, darker side of the nineteenth-century American sensibility. (Jacket Status: Jacketed)
Herman Melville (1819-91) brought as much genius to the smaller-scale literary forms as he did to the full-blown novel: his poems and the short stories and novellas collected in this volume reveal a deftness and a delicacy of touch that is in some ways even more impressive than the massive, tectonic passions of Moby-Dick. In a story like "Bartleby, the Scrivener" -- one of the very few perfect representatives of the form in the English language -- he displayed an unflinching precision and insight and empathy in his depiction of the drastically alienated inner life of the title character. In "Benito Cereno," he addressed the great racial dilemmas of the nineteenth century with a profound, almost surreal imaginative clarity. And in Billy, Budd, Sailor, the masterpiece of his last years, he fused the knowledge and craft gained from a lifetime's magnificent work into a pure, stark, flawlessly composed tale of innocence betrayed and destroyed. Melville is justly honored for the epic sweep of his mind, but his lyricism, his skill in rendering the minute, the particular, the local, was equally sublime.
The only complete edition of stories by the undisputed master of detective literature, collected here for the first time in one volume, including some stories that have been unavailable for decades. When Raymond Chandler turned to writing at the age of forty-five, he began by publishing stories in pulp magazines such as “Black Mask” before later writing his famous novels. These stories are where Chandler honed his art and developed his uniquely vivid underworld, peopled with good cops and bad cops, informers and extortionists, lethally predatory blondes and redheads, and crime, sex, gambling, and alcohol in abundance. In addition to his classic hard-boiled stories–in which his signature atmosphere of depravity and violence swirls around the cool, intuitive loners whose type culminated in the famous detective Philip Marlowe–Chandler also turned his hand to fantasy and even a gothic romance. This rich treasury of twenty-five stories shows Chandler developing the terse, laconic, understated style that would serve him so well in his later masterpieces, and immerses the reader in the richly realized fictional universe that has become an enduring part of our literary landscape
Written over a period of more than half a century, Leo Tolstoy’s stories reflect every aspect of his art and personality. They cover his experiences as a soldier in the Caucasus, his married life, his passionate interest in the peasantry, his cult of truth and simplicity, and his growing preoccupation with religion. The stories in Volume 1 of the Collected Shorter Fiction date from the period in which the young Tolstoy wrote Anna Karenina and War and Peace. Ranging from brief, masterfully sketches of military life such as “The Wood-Felling” to novellas like Family Happiness, an uneasy imagining of the idyllic possibilities of marriage by the not-yet-married writer, all feature Tolstoy’s characteristically lavish deployment of detail, shrewd observation, and imaginative power.
Ranging in scope from lengthy novellas to fables and folktales only a few pages long, Leo Tolstoy’s short fiction provides a marvelous opportunity to become closely acquainted with Russia’s great novelist. Volume 2 of the Collected Shorter Fiction reveals how Tolstoy’s growing spiritual preoccupations flowered into a series of extraordinary late masterpieces that equal anything in the earlier novels for intensity and power. Readers of The Death of Iván Ilých, The Kreutzer Sonata, Father Sergius, Master and Man, and Hadji Murád will recognize the brilliant novelist now transfigured by his passionate quest for salvation and forgiveness. Aylmer and Louise Maude’s classic translations are supplemented by new translations by Nigel J. Cooper of six stories, including two that have never before appeared in English.
Named one of America’s best-loved novels by PBS’s The Great American Read. One of the funniest books ever written, Joseph Heller's masterpiece about a bomber squadron in the Second World War's Italian theater features a gallery of magnificently strange characters seething with comic energy. The malingering hero, Yossarian, is endlessly inventive in his schemes to save his skin from the horrible chances of war, and his story is studded with incidents and devices (including the Glorious Loyalty Oath Crusade and the hilariously sinister bureaucratic rule that gives the book its title) that propel the narrative in a headlong satiric rush. But the reason Catch-22's satire never weakens and its jokes never date stems not from the comedy itself but from the savage, unerring, Swiftian indignation out of which that comedy springs. This fractured anti-epic, with all its aggrieved humanity, has given us the most enduring image we have of modern warfare. This hardcover Everyman's Library edition includes an introduction by Malcolm Bradbury, a chronology of the author's life and times, and a select bibliography. It is printed on acid-free paper, with sewn bindings, full-cloth covers, foil stamping, and a silk ribbon marker.
