“[W]ith Ironweed, William Kennedy is making American literature.”—The Washington Post Book World Francis Phelan has hit bottom. More than twenty years ago, the ex-ballplayer, part-time gravedigger, and full-time bum with the gift of gab left Albany after a tragic accident. Now, in 1938, Francis is back in town and faced with the wife and home he abandoned, roaming the old familiar streets, trying to make peace with the ghosts of the past and present. Winner of the Pultizer Prize and the National Book Critics Circle Award for Fiction, Ironweed “goes straight for the throat and the funnybone" (The New York Times). William Kennedy’s Albany Cycle of novels reflect what he once described as the fusion of his imagination with a single place. A native and longtime resident of Albany, New York, his work moves from the mid-nineteenth to the mid-twentieth century, chronicling family life, the city’s netherworld, and its spheres of power—financial, ethnic, political—often among the Irish-Americans who dominated the city in this period. The novels in his cycle include, Legs, Billy Phelan’s Greatest Game, Ironweed, Quinn’s Book, Very Old Bones, The Flaming Corsage, and Roscoe.
Winner of the 1989 National Book Award A classic tale of a man, a boat, and a storm, Spartina is the lyrical and compassionate story of Dick Pierce, a commercial fisherman along the shores of Rhode Island's Narragansett Bay. A kind, sensitive, family man, he is also prone to irascible outbursts against the people he must work for, now that he can no longer make his living from the sea. Pierce's one great passion, a fifty-foot fishing boat called Spartina, lies unfinished in his back yard. Determined to get the funds he needs to buy her engine, he finds himself taking a foolish, dangerous risk. But his real test comes when he must weather a storm at sea in order to keep his dream alive. Moving and poetic, Spartina is a masterly story of one man's ongoing struggle to find his place in the world.
This masterpiece from the Nobel Prize-winning author and acclaimed writer of Thousand Cranes is a powerful tale of wasted love set amid the desolate beauty of western Japan. • “Kawabata’s novels are among the most affecting and original works of our time.” —The New York Times Book Review At an isolated mountain hot spring, with snow blanketing every surface, Shimamura, a wealthy dilettante meets Komako, a lowly geisha. She gives herself to him fully and without remorse, despite knowing that their passion cannot last and that the affair can have only one outcome. In chronicling the course of this doomed romance, Kawabata has created a story for the ages—a stunning novel dense in implication and exalting in its sadness.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle). A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Look for Cormac McCarthy's new novel, The Passenger, coming October '22.
