A masterpiece ahead of its time, a prescient rendering of a dark future, and the inspiration for the blockbuster film Blade Runner One of The Atlantic’s Great American Novels of the Past 100 Years By 2021, the World War has killed millions, driving entire species into extinction and sending mankind off-planet. Those who remain covet any living creature, and for people who can’t afford one, companies built incredibly realistic simulacra: horses, birds, cats, sheep. They’ve even built humans. Immigrants to Mars receive androids so sophisticated they are indistinguishable from true men or women. Fearful of the havoc these artificial humans can wreak, the government bans them from Earth. Driven into hiding, unauthorized androids live among human beings, undetected. Rick Deckard, an officially sanctioned bounty hunter, is commissioned to find rogue androids and “retire” them. But when cornered, androids fight back—with lethal force. Praise for Philip K. Dick “The most consistently brilliant science fiction writer in the world.”—John Brunner “A kind of pulp-fiction Kafka, a prophet.”—The New York Times “[Philip K. Dick] sees all the sparkling—and terrifying—possibilities . . . that other authors shy away from.”—Rolling Stone
In the 25th century, humankind has spread throughout the galaxy, monitored by the watchful eye of the U.N. While divisions in race, religion, and class still exist, advances in technology have redefined life itself - a person's consciousness can be easily downloaded into a new body, making death nearly obsolete. Ex-U.N. envoy Takeshi Kovacs has been killed before, but his last death was particularly brutal. Resleeved into a new body in Bay City (formerly San Francisco), Kovacs is thrown into a shady, far-reaching conspiracy that is vicious even by the standards of a society that buys and sells human existence. As a warrior-for-hire, he is called to help a far-flung planet's government put down a bloody revolution. But when a rogue pilot and a sleazy corporate fat cat offer him a lucrative role in a treacherous treasure hunt, he's only too happy to go AWOL with a band of resurrected soldiers of fortune. All that stands between them and the ancient alien spacecraft they mean to salvage are a massacred city bathed in deadly radiation, unleashed nanotechnology with a million ways to kill, and whatever surprises the highly advanced Martian race may have in store.
Sink your teeth into the first novel in the #1 New York Times bestselling Sookie Stackhouse series—the books that gave life to the Dead and inspired the HBO® original series True Blood. Sookie Stackhouse is just a small-time cocktail waitress in small-town Bon Temps, Louisiana. She's quiet, doesn't get out much, and tends to mind her own business—except when it comes to her “disability.” Sookie can read minds. And that doesn’t make her too dateable. Then along comes Bill Compton. He’s tall, dark, handsome—and Sookie can’t hear a word he’s thinking. He’s exactly the type of guy she’s been waiting for all her life... But Bill has a disability of his own: he’s a vampire with a bad reputation. And when a string of murders hits Bon Temps—along with a gang of truly nasty bloodsuckers looking for Bill—Sookie starts to wonder if having a vampire for a boyfriend is such a bright idea.
This state-of-the-art cyberpunk science fiction tale stars Ian Cormac, a legendary Earth Central Security agent in a wealthy future where "runcibles" (matter transmitters controlled by AIs) allow interstellar travel in the blink of a eye.
In the first novel in the #1 New York Times bestselling Dresden Files series, Harry Dresden’s investigation of a grisly double murder pulls him into the darkest depths of magical Chicago… As a professional wizard, Harry Dresden knows firsthand that the “everyday” world is actually full of strange and magical things—and most of them don’t play well with humans. And those that do enjoy playing with humans far too much. He also knows he’s the best at what he does. Technically, he’s the only at what he does. But even though Harry is the only game in town, business—to put it mildly—stinks. So when the Chicago P.D. bring him in to consult on a double homicide committed with black magic, Harry's seeing dollar signs. But where there's black magic, there's a black mage behind it. And now that mage knows Harry's name... “A great series—fast-paced, vividly realized and with a hero/narrator who’s excellent company.”—Cinescape
Taylor is the name, John Taylor. My card says I’m a detective, but what I really am is an expert on finding lost things. It’s part of the gift I was born with as a child of the Nightside. I left there a long time ago, with my skin and sanity barely intact. Now I make my living in the sunlit streets of London. But business has been slow lately, so when Joanna Barrett showed up at my door, reeking of wealth, asking me to find her runaway teenage daughter, I didn’t say no. Then I found out exactly where the girl had gone. The Nightside. That square mile of Hell in the middle of the city, where it’s always three A.M. Where you can walk beside myths and drink with monsters. Where nothing is what it seems and everything is possible. I swore I’d never return. But there’s a kid in danger and a woman depending on me. So I have no choice—I’m going home.
NEW YORK TIMES BESTSELLER • The first novel in the renowned Thursday Next series, which “combines elements of Monty Python, Harry Potter, Stephen Hawking, and Buffy the Vampire Slayer” (The Wall Street Journal). “A literary wonderland [that] recalls Douglas Adams’ Hitchhiker series [and] the works of Lewis Carroll.”—USA Today Meet Thursday Next, “part Bridget Jones, part Nancy Drew, and part Dirty Harry” (Michiko Kakutani, The New York Times), a literary detective without equal, fear, or boyfriend—and welcome to a surreal version of Great Britain, circa 1985, where time travel is routine, cloning is a reality (dodos are the resurrected pet of choice), and literature is taken very, very seriously. England is a virtual police state where an aunt can get lost (literally) in a Wadsworth poem, militant Baconians heckle performances of Hamlet, and forging Byronic verse is a punishable offense. All this is business as usual for Thursday, renowned Special Operative in literary detection, until someone begins kidnapping characters from works of literature. When Jane Eyre is plucked from the pages of Brontë’s novel, Thursday must track down the villain and enter a novel herself to avert a heinous act of literary homicide. Don’t miss any of Jasper Fforde’s delightfully entertaining Thursday Next novels: THE EYRE AFFAIR • LOST IN A GOOD BOOK • THE WELL OF LOST PLOTS • SOMETHING ROTTEN • FIRST AMONG SEQUELS • ONE OF OUR THURSDAYS IS MISSING • THE WOMAN WHO DIED A LOT
Jack sets out to seek his fortune in Toy City and hooks up with Eddie Baer as they try to stop a serial killer who is murdering old nursery rhyme characters.
In the vastness of space, the crimes just get bigger and Slippery Jim diGriz, the Stainless Steel Rat, is the biggest criminal of them all. He can con humans, aliens and any number of robots time after time. Jim is so slippery that all the inter-galactic cops can do is make him one of their own.
