Introduction by Peter Washington; Translation by William Weaver Italo Calvino’s masterpiece combines a love story and a detective story into an exhilarating allegory of reading, in which the reader of the book becomes the book’s central character. Based on a witty analogy between the reader’s desire to finish the story and the lover’s desire to consummate his or her passion, IF ON A WINTER’S NIGHT A TRAVELER is the tale of two bemused readers whose attempts to reach the end of the same book—IF ON A WINTER’S NIGHT A TRAVELER, by Italo Calvino, of course—are constantly and comically frustrated. In between chasing missing chapters of the book, the hapless readers tangle with an international conspiracy, a rogue translator, an elusive novelist, a disintegrating publishing house, and several oppressive governments. The result is a literary labyrinth of storylines that interrupt one another—an Arabian Nights of the postmodern age.
The inspiration for the Syfy miniseries. Childhood’s End is one of the defining legacies of Arthur C. Clarke, the author of 2001: A Space Odyssey and many other groundbreaking works. Since its publication in 1953, this prescient novel about first contact gone wrong has come to be regarded not only as a science fiction classic but as a literary thriller of the highest order. Spaceships have suddenly appeared in the skies above every city on the planet. Inside is an intellectually, technologically, and militarily superior alien race known as the Overlords. At first, their demands seem benevolent: unify Earth, eliminate poverty, end war. But at what cost? To those who resist, it’s clear that the Overlords have an agenda of their own. Has their arrival marked the end of humankind . . . or the beginning? Praise for Childhood’s End “A first-rate tour de force.”—The New York Times “Frighteningly logical, believable, and grimly prophetic . . . Clarke is a master.”—Los Angeles Times “There has been nothing like it for years; partly for the actual invention, but partly because here we meet a modern author who understands that there may be things that have a higher claim on humanity than its own ‘survival.’ ”—C. S. Lewis “As a science fiction writer, Clarke has all the essentials.”—Jeremy Bernstein, The New Yorker
