One of the great classics of Japanese literature, "The Pillow Book of Sei Shonagon" is by far our most detailed source of factual material on life in eleventh-century Japan at the height of Heian culture.
“H.P. Lovecraft has yet to be surpassed as the twentieth century’s greatest practitioner of the classic horror tale.”—Stephen King “The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.”—H.P. Lovecraft This is the collection that true fans of horror fiction must have: sixteen of H.P. Lovecraft’s most horrifying visions, including: The Call of Cthulu: The first story in the infamous Cthulhu mythos—a creature spawned in the stars brings a menace of unimaginable evil to threaten all mankind. The Dunwich Horror: An evil man’s desire to perform an unspeakable ritual leads him in search of the fabled text of The Necronomicon. The Colour Out of Space: A horror from the skies—far worse than any nuclear fallout—transforms a man into a monster. The Shadow Over Innsmouth: Rising from the depths of the sea, an unspeakable horror engulfs a quiet New England town. Plus twelve more terrifying tales!
‘It is best to do nothing! The best thing is conscious inertia! So long live the underground!’Alienated from society and paralysed by a sense of his own insignificance, the anonymous narrator of Dostoyevsky’s groundbreaking Notes from Underground tells the story of his tortured life. With bitter sarcasm, he describes his refusal to become a worker in the ‘ant-hill’ of society and his gradual withdrawal to an existence ‘underground’. The seemingly ordinary world of St Petersburg takes on a nightmarish quality in The Double when a government clerk encounters a man who exactly resembles him – his double perhaps, or possibly the darker side of his own personality. Like Notes from Underground, this is a masterly study of human consciousness.Jessie Coulson’s introduction discusses the stories’ critical reception and the themes they share with Dostoyevksy’s great novels.
The classic novel of a quest for knowledge that has delighted, inspired, and influenced generations of readers, writers, and thinkers—a perennial favorite for graduation gifts. Nominated as one of America’s best-loved novels by PBS’s The Great American Read Though set in a place and time far removed from the Germany of 1922, the year of the book’s debut, the novel is infused with the sensibilities of Hermann Hesse’s time, synthesizing disparate philosophies–Eastern religions, Jungian archetypes, Western individualism–into a unique vision of life as expressed through one man’s search for meaning. It is the story of the quest of Siddhartha, a wealthy Indian Brahmin who casts off a life of privilege and comfort to seek spiritual fulfillment and wisdom. On his journey, Siddhartha encounters wandering ascetics, Buddhist monks, and successful merchants, as well as a courtesan named Kamala and a simple ferryman who has attained enlightenment. Traveling among these people and experiencing life’s vital passages–love, work, friendship, and fatherhood–Siddhartha discovers that true knowledge is guided from within.
Haunted by tragic secrets, Sensei slowly opens up to his young disciple, confessing indiscretions from his own student days that have left him reeling with guilt.
"A classic of Japanese literature" (Chicago Sun-Times) and the first novel in the masterful tetralogy, The Sea of Fertility, set in 1912 Tokyo, featuring an aspiring lawyer who believes he has met the successive reincarnations of his childhood friend. It is 1912 in Tokyo, and the hermetic world of the ancient aristocracy is being breached for the first time by outsiders—rich provincial families unburdened by tradition, whose money and vitality make them formidable contenders for social and political power. Shigekuni Honda, an aspiring lawyer and his childhood friend, Kiyoaki Matsugae, are the sons of two such families. As they come of age amidst the growing tensions between old and new, Kiyoaki is plagued by his simultaneous love for and loathing of the spirited young woman Ayakura Satoko. But Kiyoaki’s true feelings only become apparent when her sudden engagement to a royal prince shows him the magnitude of his passion—and leads to a love affair both doomed and inevitable.
A Japanese novelist and his wife move to America, leaving the children behind. It befalls to the eldest daughter to look after a younger sister and a handicapped brother. The novel is a memoir of her experience.
'One of the greatest love stories in world literature' Vladimir Nabokov The heroine of Tolstoy's epic of love and self-destruction, Anna Karenina has beauty, wealth, popularity and an adored son, but feels that her life is empty until she encounters the impetuous officer Count Vronsky. Their subsequent affair scandalizes society and family alike, and brings jealousy and bitterness in its wake. Contrasting with this is the vividly observed story of Levin, a man striving to find contentment and a meaning to his life - and also a self-portrait of Tolstoy himself. This award-winning translation has been acclaimed as the definitive English version of Tolstoy's masterpiece. Translated by RICHARD PEVEAR and LARISSA VOLOKHONSKY with a Preface by JOHN BAYLEY
"This intensely modern novel … provides vivid insights into the alienated condition of a certain type of Japanese whom we may so often glimpse in the streets of Rome or New York—intelligent, perceptive, and desperately lost between two worlds."—Ivan Morris, author of The Nobility of Failure Darkness in Summer is the first serious work of Japanese fiction to focus on the Japanese experience in the West. A man and a woman, separated for ten years, meet again, traveling together in Germany. They had been lovers long ago, in Tokyo; now, incapable of love, they are brought together by sexual desire and by their mutual desperation. No new passion, but their old obsession, may give them back the key to their lives, release them from their terrors, their rootlessness. The woman is a scholar who has come to hate the Japan that allowed her no seriousness, forcing her to pursue a career in the West; the man is a novelist-reporter, lethargic, an uncommitted observer of other people's wars, sunk into detachment by his professional familiarity with tragedy and chaos. They need each other, and yet they cannot fulfill each other's needs. They savor their world together with urgency as they move restlessly from place to place, finally parting again, to survive separately as best they can.
A stunning new English translation—the first in more than forty years—of a major novel by the father of modern Japanese fiction Natsume Soseki's Kusamakura—meaning “grass pillow”—follows its nameless young artist-narrator on a meandering walking tour of the mountains. At the inn at a hot spring resort, he has a series of mysterious encounters with Nami, the lovely young daughter of the establishment. Nami, or "beauty," is the center of this elegant novel, the still point around which the artist moves and the enigmatic subject of Soseki's word painting. In the author's words, Kusamakura is "a haiku-style novel, that lives through beauty." Written at a time when Japan was opening its doors to the rest of the world, Kusamakura turns inward, to the pristine mountain idyll and the taciturn lyricism of its courtship scenes, enshrining the essence of old Japan in a work of enchanting literary nostalgia.
The Tale of Genji was written in the eleventh century by Murasaki Shikibu, a lady of the Heian court. It is universally recognized as the greatest masterpiece of Japanese prose narrative, perhaps the earliest true novel in the history of the world. Until now there has been no translation that is both complete and scrupulously faithful to the original text. Edward G. Seidensticker's masterly rendering was first published in two volumes in 1976 and immediately hailed as a classic of the translator's art. It is here presented in one unabridged volume, illustrated throughout by woodcuts taken from a 1650 Japanese edition of The Tale of Genji.
The Woman in the Dunes, by celebrated writer and thinker Kobo Abe, combines the essence of myth, suspense and the existential novel. After missing the last bus home following a day trip to the seashore, an amateur entomologist is offered lodging for the night at the bottom of a vast sand pit. But when he attempts to leave the next morning, he quickly discovers that the locals have other plans. Held captive with seemingly no chance of escape, he is tasked with shoveling back the ever-advancing sand dunes that threaten to destroy the village. His only companion is an odd young woman. Together their fates become intertwined as they work side by side at this Sisyphean task.
Translated by V. Harris. Japan's answer to the Harvard MBA...Written over three centuries ago by a Samurai warrior, the book has been hailed as a limitless source of psychological insight for businessmen-or anyone who relies on strategy and tactics for outwitting the competition.
A stunning deluxe edition of one of Penguin Classics' most popular translations Ryünosuke Akutagawa is one of Japan's foremost stylists—a modernist master whose short stories are marked by highly original imagery, cynicism, beauty and wild humour. "Rashömon"and "In a Bamboo Grove" inspired Kurosawa's magnificent film and depict a past in which morality is turned upside down, while tales such as "The Nose," "O-Gin" and "Loyalty" paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as "Death Register," "The Life of a Stupid Man," and "Spinning Gears," Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
NOBEL PRIZE WINNER • The successful writer Oki has reached middle age and is filled with regrets. He returns to Kyoto to find Otoko, a young woman with whom he had a terrible affair many years before. "Endlessly provocative and original." —The New York Times Otoko is now a painter, living with a younger woman as her lover. Otoko has continued to love Oki and has never forgotten him, but his return unsettles not only her but also her young lover. This is a work of strange beauty, with a tender touch of nostalgia and a heartbreaking sensitivity to those things lost forever.
Geisha in Rivalry, first published as Udekurabe in 1918, has a secure place among Kafu Nagai's masterpieces. Set against the backdrop of Tokyo's Shimbashi geisha district, a company of vivid characters play out their drama of illicit love, shady intrigue, and unrelenting rivalry. In the forefront are the geisha: some powerful and spiteful like the imperious Rikiji, some crude and obvious like the gaudy Kikuchiyo, some naive and pathetic like the heroine Komayo, and all engaged in finding a place for themselves in a world that offers no easy route of escape from their profession. Here, too, are the patrons of the geisha: the playboys, the actors, the successful businessmen, and the "upstart gentlemen" of late Meiji society. And here, again, are those who make the machinery of this world function: the geisha house proprietors, the teahouse mistresses, the actors' retainers, the servants. And, finally, here are the parasites of the demimonde, who live off its other denizens through guile and deceit. Through this often sordid but fascinating pageant move the figures of the geisha Komayo, her lovers, and the women who conspire to steal them from her.
Kagero Nikki, translated here as The Gossamer Years, belongs to the same period as the celebrated Tale of Genji by Murasaki Shikuibu. This remarkably frank autobiographical diary and personal confession attempts to describe a difficult relationship as it reveals two tempestuous decades of the author's unhappy marriage and her growing indignation at rival wives and mistresses. Too impetuous to be satisfied as a subsidiary wife, this beautiful (and unnamed) noblewoman of the Heian dynasty protests the marriage system of her time in one of Japanese literature's earliest attempts to portray difficult elements of the predominant social hierarchy. A classic work of early Japanese prose, The Gossamer Years is an important example of the development of Heian literature, which, at its best, represents an extraordinary flowering of realistic expression, an attempt, unique for its age, to treat the human condition with frankness and honesty. A timeless and intimate glimpse into the culture of ancient Japan, this translation by Edward Seidensticker paints a revealing picture of married life in the Heian period.
The Buddhist priest Kenko clung to tradition, Buddhism, and the pleasures of solitude, and the themes he treats in his "Essays, " written sometime between 1330 and 1332, are all suffused with an unspoken acceptance of Buddhist beliefs.