Here is the world's most famous master plan for seizing and holding power. Astonishing in its candor The Prince even today remains a disturbingly realistic and prophetic work on what it takes to be a prince . . . a king . . . a president. When, in 1512, Machiavelli was removed from his post in his beloved Florence, he resolved to set down a treatise on leadership that was practical, not idealistic. In The Prince he envisioned would be unencumbered by ordinary ethical and moral values; his prince would be man and beast, fox and lion. Today, this small sixteenth-century masterpiece has become essential reading for every student of government, and is the ultimate book on power politics.
A “marvelous history”* of medieval Europe, from the bubonic plague and the Papal Schism to the Hundred Years’ War, by the Pulitzer Prize–winning author of The Guns of August *Lawrence Wright, author of The End of October, in The Wall Street Journal The fourteenth century reflects two contradictory images: on the one hand, a glittering age of crusades, cathedrals, and chivalry; on the other, a world plunged into chaos and spiritual agony. In this revelatory work, Barbara W. Tuchman examines not only the great rhythms of history but the grain and texture of domestic life: what childhood was like; what marriage meant; how money, taxes, and war dominated the lives of serf, noble, and clergy alike. Granting her subjects their loyalties, treacheries, and guilty passions, Tuchman re-creates the lives of proud cardinals, university scholars, grocers and clerks, saints and mystics, lawyers and mercenaries, and, dominating all, the knight—in all his valor and “furious follies,” a “terrible worm in an iron cocoon.” Praise for A Distant Mirror “Beautifully written, careful and thorough in its scholarship . . . What Ms. Tuchman does superbly is to tell how it was. . . . No one has ever done this better.”—The New York Review of Books “A beautiful, extraordinary book . . . Tuchman at the top of her powers . . . She has done nothing finer.”—The Wall Street Journal “Wise, witty, and wonderful . . . a great book, in a great historical tradition.”—Commentary
From one of the architects of the new science of simplicity and complexity comes a highly personal, unifying vision of the natural world. As a theoretical physicist, Murray Gell-Mann has explored nature at its most fundamental level. His achievements include the 1969 Nobel Prize for work leading up to his discovery of the quark—the basic building block of all atomic nuclei throughout the universe. But Gell-Mann is a man of many intellectual passions, with lifelong interests in fields that seek to understand existence at its most complex: natural history, biological evolution, the history of language, and the study of creative thinking. These seemingly disparate pursuits come together in Gell-Mann's current work at The Santa Fe Institute, where scientists are investigating the similarities and differences among complex adaptive systems—systems that learn or evolve by utilizing acquired information. They include a child learning his or her native language, a strain of bacteria becoming resistant to an antibiotic, the scientific community testing new theories, an artist implementing a creative idea, a society developing new customs or superstitions, a computer learning to play chess, or the human race evolving ways of living in greater harmony with itself and with other inhabitants of the Earth. The Quark and the Jaguar is an engaging, elegantly written introduction to the life's work of one of this century's most accomplished and influential scientists. This is Gell-Mann's own story of finding the connections between the basic laws of physics and the complexity and diversity of the natural world. The simple: a quark inside an atom. The complex: a jaguar prowling its jungle territory in the night. Exploring the relationships between them becomes a series of exciting intellectual adventures.
