From the author of the beloved novel "Three Junes" comes a rich and commanding story about the accidents, both grand and small, that determine our choices in love and marriage. Greenie Duquette, openhearted yet stubborn, devotes most of her passionate attention to her Greenwich Village bakery and her four- year- old son, George. Her husband, Alan, seems to have fallen into a midlife depression, while Walter, a traditional gay man who has become her closest professional ally, is nursing a broken heart. It is at Walter' s restaurant that the visiting governor of New Mexico tastes Greenie' s coconut cake and decides to woo her away from the city to be his chef. For reasons both ambitious and desperate, she accepts-- and finds herself heading west without her husband. This impulsive decision will change the course of several lives within and beyond Greenie' s orbit. Alan, alone in New York, must face down his demons; Walter, eager for platonic distraction, takes in his teenage nephew. Yet Walter cannot steer clear of love trouble, and despite his enforced solitude, Alan is still surrounded by women: his powerful sister, an old flame, and an animal lover named Saga, who grapples with demons all her own. As for Greenie, living in the shadow of a charismatic politician leads to a series of unforeseen consequences that separate her from her only child. We watch as folly, chance, and determination pull all these lives together and apart over a year that culminates in the fall of the twin towers at the World Trade Center, an event that will affirm or confound the choices each character has made-- or has refused to face. Julia Glass is at her besthere, weaving a glorious tapestry of lives and lifetimes, of places and people, revealing the subtle mechanisms behind our most important, and often most fragile, connections to others. In "The Whole World Over" she has given us another tale that pays tribute to the extraordinary complexities of love.
The unforgettable, heartbreaking story of the unlikely friendship between a wealthy boy and the son of his father's servant, The Kite Runner is a beautifully crafted novel set in a country that is in the process of being destroyed. It is about the power of reading, the price of betrayal, and the possibility of redemption, and it is also about the power of fathers over sons—their love, their sacrifices, their lies. The first Afghan novel to be written in English, The Kite Runner tells a sweeping story of family, love, and friendship against a backdrop of history that has not been told in fiction before, bringing to mind the large canvases of the Russian writers of the nineteenth century. But just as it is old-fashioned in its narration, it is contemporary in its subject-the devastating history of Afghanistan over the last thirty years. As emotionally gripping as it is tender, The Kite Runner is an unusual and powerful debut.