Louis-Ferdinand Celine's revulsion and anger at what he considered the idiocy and hypocrisy of society explodes from nearly every page of this novel. Filled with slang and obscenities and written in raw, colloquial language, Journey to the End of the Night is a literary symphony of violence, cruelty and obscene nihilism. This book shocked most critics when it was first published in France in 1932, but quickly became a success with the reading public in Europe, and later in America where it was first published by New Directions in 1952. The story of the improbable yet convincingly described travels of the petit-bourgeois (and largely autobiographical) antihero, Bardamu, from the trenches of World War I, to the African jungle, to New York and Detroit, and finally to life as a failed doctor in Paris, takes the readers by the scruff and hurtles them toward the novel's inevitable, sad conclusion.
Eric Sanderson wakes up in a place he doesn't recognise, unable to remember who he is. Attacked by a force he cannot see and confronted with memories he cannot ignore, Eric discovers he is being hunted by a psychic predator, a shark. This creature may exist only in his mind, but it soon starts making some very real appearances in his world. Loaded with letters from his past self, each signed 'With regret and also hope, The First Eric Sanderson', Eric embarks on a quest to recover his life. A love story, an adventure, a psychological drama - this wild, touching, modern tale is cut through with an understated humour and warmth. The depths of love, language, memory and the inevitability of loss have never been plumbed with such deep-hearted imagination.
"One of the greatest creative writing teachers we've ever had." —Frederick Busch On Becoming a Novelist contains the wisdom accumulated during John Gardner's distinguished twenty-year career as a fiction writer and creative writing teacher. With elegance, humor, and sophistication, Gardner describes the life of a working novelist; warns what needs to be guarded against, both from within the writer and from without; and predicts what the writer can reasonably expect and what, in general, he or she cannot. "For a certain kind of person," Gardner writes, "nothing is more joyful or satisfying than the life of a novelist." But no other vocation, he is quick to add, is so fraught with professional and spiritual difficulties. Whether discussing the supposed value of writer's workshops, explaining the role of the novelist's agent and editor, or railing against the seductive fruits of literary elitism, On Becoming a Novelist is an indispensable, life-affirming handbook for anyone authentically called to the profession. "A miraculously detailed account of the creative process."—Anne Tyler, Baltimore Sun
