Irving Stone’s classic biographical novel of Michelangelo—the #1 New York Times bestseller in which both the artist and the man are brought to vivid, captivating life. His time—the turbulent Renaissance, the years of poisoning princes, warring Popes, and the all-powerful de'Medici family… His loves—the frail and lovely daughter of Lorenzo de'Medici, the ardent mistress of Marco Aldovrandi, and his last love, his greatest love—the beautiful, unhappy Vittoria Colonna... His genius—a God-driven fury from which he wrested brilliant work that made a grasp for heaven unmatched in half a millennium... His name—Michelangelo Buonarroti. Creator of the David, painter of the ceiling in the Sistine Chapel, architect of the dome of St. Peter's, Michelangelo lives once more in the tempestuous, powerful pages of Irving Stone's towering triumph. A masterpiece in its own right, this biographical novel offers a compelling portrait of one of the greatest artists the world has ever known.
'I think I shall be among the English Poets after my death,' John Keats soberly prophesied in 1818 as he started writing the blankverse epic Hyperion. Today he endures as the archetypal Romantic genius who explored the limits of the imagination and celebrated the pleasures of the senses but suffered a tragic early death. Edmund Wilson counted him as 'one of the half dozen greatest English writers,' and T. S. Eliot has paid tribute to the Shakespearean quality of Keats's greatness. Indeed, his work has survived better than that of any of his contemporaries the devaluation of Romantic poetry that began early in this century. This Modern Library edition contains all of Keats's magnificent verse: 'Lamia,' 'Isabella,' and 'The Eve of St. Agnes'; his sonnets and odes; the allegorical romance Endymion; and the five-act poetic tragedy Otho the Great. Presented as well are the famous posthumous and fugitive poems, including the fragmentary 'The Eve of Saint Mark' and the great 'La Belle Dame sans Merci,' perhaps the most distinguished literary ballad in the language. 'No one else in English poetry, save Shakespeare, has in expression quite the fascinating felicity of Keats, his perception of loveliness,' said Matthew Arnold. 'In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare.'
