One of America's most famous 'unpublishable' novels, Hogg explores America's culture of sexual violence and degneration. Delany explores his disturbing protagonist Hogg on his own turf
Tells the story of a remote prairie town and its bizarre inhabitants, includi Moertle, who drives steers to the slaughterhouse, a doctor obsessed with dea and Dinah, a burlesque star.
This 1979 American Book Award nominee contains five interlocked stories that tell of the slave Gorgik in a long-ago land, and a masked swordswoman narrates an astonishing feminist creation myth.
In one of the most profound and bestselling science fiction novels of all time, Samuel R. Delany has produced a novel "to stand with the best American fiction of the 1970s" (Jonathan Lethem, bestselling author of Fortress of Solitude). Bellona is a city at the dead center of the United States. Something has happened there.... The population has fled. Madmen and criminals wander the streets. Strange portents appear in the cloud-covered sky. Into this disaster zone comes a young man—poet, lover, and adventurer—known only as the Kid. Tackling questions of race, gender, and sexuality, Dhalgren is a literary marvel and groundbreaking work of American magical realism.
Come and enter Samuel Delany’s tomorow, in this trilogy of high adventure, with acrobats and urchins, criminals and courtiers, fishermen and factory-workers, madmen and mind-readers, dwarves and ducheses, giants and geniuses, merchants and mathematicians, soldiers and scholars, pirates and poets, and a gallery of aliens who fly, crawl, burrow, or swim.
Given that the suns of Draco stretch almost sixteen light years from end to end, it stands to reason that the cost of transportation is the most important factor of the 32nd century. And since Illyrion is the element most needed for space travel, Lorq von Ray is plenty willing to fly through the core of a recently imploded sun in order to obtain seven tons of it. The potential for profit is so great that Lorq has little difficulty cobbling together an alluring crew that includes a gypsy musician and a moon-obsessed scholar interested in the ancient art of writing a novel. What the crew doesn’t know, though, is that Lorq’s quest is actually fueled by a private revenge so consuming that he’ll stop at nothing to achieve it. In the grandest manner of speculative fiction, Nova is a wise and witty classic that casts a fascinating new light on some of humanity’s oldest truths and enduring myths.
Author of the bestselling Dhalgren and winner of four Nebulas and one Hugo, Samuel R. Delany is one of the most acclaimed writers of speculative fiction. Babel-17, winner of the Nebula Award for best novel of the year, is a fascinating tale of a famous poet bent on deciphering a secret language that is the key to the enemy’s deadly force, a task that requires she travel with a splendidly improbable crew to the site of the next attack. For the first time, Babel-17 is published as the author intended with the short novel Empire Star, the tale of Comet Jo, a simple-minded teen thrust into a complex galaxy when he’s entrusted to carry a vital message to a distant world. Spellbinding and smart, both novels are testimony to Delany’s vast and singular talent.
A father must come to terms with his son's death in the war. In Venice an architecture student commits a crime of passion. A white southern airport loader tries to do a favor for a black northern child. The ordinary stuff of ordinary fiction--but with a difference! These tales take place twenty-five, fifty, a hundred-fifty years from now, when men and women have been given gills to labor under the sea. Huge repair stations patrol the cables carrying power to the ends of the earth. Telepathic and precocious children so passionately yearn to visit distant galaxies that they'll kill to go. Brilliantly crafted, beautifully written, these are Samuel Delany's award-winning stories, like no others before or since.
A dazzling debut novel by the prize-winning author of Yellow, set in the unique and exotic nightworld of Tokyo. In this "poignant story of prejudice, betrayal and the search for identity" (Newsweek International), the trials and tribulations of these three remarkable characters are "at turns trenchantly funny and heartbreakingly sad" (Publishers Weekly). "[An] elegant and haunting debut" (Entertainment Weekly), Country of Origin is a "swirl of action, a whirl of love and sex and race and politics, local and international" (Chicago Tribune)—a "quiet literary triumph" (Booklist) Lisa Countryman is a woman of complex origins. Half-Japanese, adopted by African American parents, she returns to Tokyo, ostensibly to research her thesis on Japan's "sad, brutal reign of conformity." When she vanishes, Tom Hurley, who is half-Korean and half-white, is assigned to her case at the American embassy, as is local cop Kenzo Ota, who is 100 percent Japanese but deemed an outsider.
The story Arnold Hawley, a gay African-American poet living in New York City's East Village, beginning in his disillusioned elder years and ending with his ambitious youth.
Samuel R. Delany’s The Jewel-Hinged Jaw appeared originally in 1977, and is now long out of print and hard to find. The impact of its demonstration that science fiction was a special language, rather than just gadgets and green-skinned aliens, began reverberations still felt in science fiction criticism. This edition includes two new essays, one written at the time and one written about those times, as well as an introduction by writer and teacher Matthew Cheney, placing Delany’s work in historical context. Close textual analyses of Thomas M. Disch, Ursula K. Le Guin, Roger Zelazny, and Joanna Russ read as brilliantly today as when they first appeared. Essays such as “About 5,750 Words” and “To Read The Dispossessed” first made the book a classic; they assure it will remain one.
As issues of history and memory collide in our society and in the classroom, the time is ripe to rethink the place of history in our schools. Knowing, Teaching, and Learning History represents a unique effort by an international group of scholars to understand the future of teaching and learning about the past. It will challenge the ways in which historians, teachers, and students think about teaching history. The book concerns itself first and foremost with the question, "How do students develop sophisticated historical understandings and how can teachers best encourage this process?" Recent developments in psychology, education, and historiography inform the debates that take place within Knowing, Teaching, and Learning History. This four-part volume identifies the current issues and problems in history education, then works towards a deep and considered understanding of this evolving field. The contributors to this volume link theory to practice, making crucial connections with those who teach history. Published in conjunction with the American Historical Association.
"Focuses on the phenomenon of self-deception, and proposes a radical revision of our commonplace understanding of it as a token of irrationality. Argues that self-deception can illuminate the rationalistic functions of character"--Provided by publisher.
Declared obscene in Japan, where it has never been shown in its entirety, Oshima Nagisa's In the Realm of the Senses, was shown uncut at the Cannes Film Festival in 1976: thirteen screenings were required to satisfy audience demand. The unprecedented explicitness with which the film presented sexual acts inevitably caused widespread controversy. But this is not a film which sets out simply to shock. Oshima's account of a couple whose sexual obsession finds its ultimate expression in murder (based on a notorious true-life incident in 1936 Tokyo) was animated by deep political convictions. As Joan Mellen explains, Oshima wished to break with social conventions as well as the film-making culture of the past. He took a revolutionary position. Refusing to follow the lead of the masters who had gone before him (Mizoguchi, Ozu, Naruse, Kurosawa), disdaining costume drama and poignant family portraits, Oshima attacked the sense of victimhood he saw everywhere in his country's psychic make-up. In the Realm of the Senses is the fullest expression of this political intent. Oshima's lovers seek to combat social repression through sexual transgression--but they fail.
In the first dual biography of Lillian Hellman and Dashiell Hammett, New York Times bestselling author Joan Mellen sheds new light on two of the twentieth century's most intriguing characters. The first biographer to draw from the Hellman-Hammett archives at the University of Texas, and with unprecedented access to their circle of friends, Mellen taps mines of fresh material to produce a groundbreaking look at these extraordinary American nonconformists, separately and together. Cutting against the social and political grain of their day, Hellman and Hammett as proud American radicals were persecuted during McCarthyism. They also turned out some of the most compelling prose of our country: Hammett's classic Red Harvest, The Maltese Falcon, and The Thin Man, and Hellman's plays The Little Foxes, Watch on the Rhine, and her memoirs An Unfinished Woman and Pentimento. Meanwhile, Lillian Hellman and Dashiell Hammett defied every accepted formula of how a man and woman should love each other: intimate as a couple, they lived together infrequently, drank to excess, participated in orgies, and engaged in flagrant infidelities. For the first time, members of Hellman and Hammett's circle, including Peter Feibleman, Norman Mailer, and Rose Styron, have agreed to speak openly about this enigmatic relationship which defined an era.