"The Enchantress of Florence" is the story of a woman attempting to command her own destiny in a man's world. Vivid, gripping, and profoundly moving, this dazzling book is by one of the world's most important living writers.
In New York's Long Island, in the unpredictable decade of the 1960s, a young boy laments the approaching close of summer and the advent of sixth grade. Growing up in a household with an overworked father whom he rarely sees, an alcoholic mother who paints wonderful canvases that are never displayed, an older brother who serves as both tormentor and protector, and a younger sister who inhabits her own secret world, the boy takes his amusements where he can find them. Some of his free time is spent in the basement of the family's modest home, where he and his brother, Jim, have created Botch Town, a detailed cardboard replica of their community, complete with clay figurines representing friends and neighbors. And so the time passes with a not-always-reassuring sameness—until the night a prowler is reported stalking the neighborhood. Appointing themselves ad hoc investigators, the brothers set out to aid the police—while their little sister, Mary, smokes cigarettes, speaks in other voices, inhabits alternate personas . . . and, unbeknownst to her older siblings, moves around the inanimate residents of Botch Town. But ensuing events add a shadowy cast to the boys' night games: disappearances, deaths, and spectral sightings capped off by the arrival of a sinister man in a long white car trawling the neighborhood after dark. Strangest of all is the inescapable fact that every one of these troubling occurrences seems to correspond directly to the changes little Mary has made to the miniature town in the basement. Not since Ray Bradbury's classic Dandelion Wine has a novel so richly evoked the dark magic of small-town boyhood. At once a hypnotically compelling mystery, a masterful re-creation of a unique time and place, a celebration of youth, and a poignant and disquieting portrait of home and family—all balancing on a razor's edge separating reality from the unsettlingly remarkable—The Shadow Year is a monumental new work from one of contemporary fiction's most fearless and inventive artists.
When racecar driver Sara Hackett arrives home from a desert road race, she finds her niece and another girl have been kidnapped and a dead man has turned up in her bed. The kidnappers want a million dollars she doesn't have or they say they'll kill the kids.
“I finally understand what the poets have written. In spring, moved to passion; in autumn only regret.” For young Peony, betrothed to a suitor she has never met, these lyrics from The Peony Pavilion mirror her own longings. In the garden of the Chen Family Villa, amid the scent of ginger, green tea, and jasmine, a small theatrical troupe is performing scenes from this epic opera, a live spectacle few females have ever seen. Like the heroine in the drama, Peony is the cloistered daughter of a wealthy family, trapped like a good-luck cricket in a bamboo-and-lacquer cage. Though raised to be obedient, Peony has dreams of her own. Peony’s mother is against her daughter’s attending the production: “Unmarried girls should not be seen in public.” But Peony’s father assures his wife that proprieties will be maintained, and that the women will watch the opera from behind a screen. Yet through its cracks, Peony catches sight of an elegant, handsome man with hair as black as a cave–and is immediately overcome with emotion. So begins Peony’s unforgettable journey of love and destiny, desire and sorrow–as Lisa See’s haunting new novel, based on actual historical events, takes readers back to seventeenth-century China, after the Manchus seize power and the Ming dynasty is crushed. Steeped in traditions and ritual, this story brings to life another time and place–even the intricate realm of the afterworld, with its protocols, pathways, and stages of existence, a vividly imagined place where one’s soul is divided into three, ancestors offer guidance, misdeeds are punished, and hungry ghosts wander the earth. Immersed in the richness and magic of the Chinese vision of the afterlife, transcending even death, Peony in Love explores, beautifully, the many manifestations of love. Ultimately, Lisa See’s new novel addresses universal themes: the bonds of friendship, the power of words, and the age-old desire of women to be heard.
The bestselling author of "The Reading Group" returns with her most engaging novel yet, about four sisters who find hope and laughter in the wisdom their mother left behind.
"Always readable-sometimes compulsively so-Shreve's novels are typically emotionally resonant, nicely paced, and populated by memorable characters." -People At the age of 29, Sydney has already been once divorced and once widowed. Trying to regain her footing, she has signed on to tutor the teenage daughter of a well-to-do couple as they spend a sultry summer in their oceanfront New Hampshire cottage. But when the Edwardses' two grown sons arrive at the beach house, Sydney finds herself caught up in a destructive web of old tensions and bitter divisions. As the brothers vie for her affections, the fragile existence Sydney has rebuilt is threatened. With the subtle wit, lyrical language, and brilliant insight into the human heart that has led her to be called "an author at one with her métier" (Miami Herald), Shreve weaves a novel about marriage, family, and the supreme courage it takes to love. "Shreve excels at nuance and detail. She skillfully illuminates the tiniest of moments, offering readers a peek at the complex undertones coursing through the characters throughout the story." -Rocky Mountain News "There is something satisfyingly clean, well functioning, pale, and delicious about an Anita Shreve novel. . . . Shreve's characters, grappling with desire, juggling their shame against their regret, are entirely welcome." -Boston Globe "Shreve's writing is textured, reflective, and generally flows with ease, to the point where the reader may be surprised at how quickly the pages turn." -Newsday
Quiet, awkward Josey Cirrini's peaceful life caring for her elderly mother is turned upside down when Della Lee Baker, a sassy, confident, and bold waitress fleeing an abusive boyfriend, decides to hide out in Josey's home.
In this stunning successor to his bestseller "Peace Like a River," Enger pens a rugged and nimble story about an aging train robber on a quest to reconcile the claims of love and judgment on his life, and the failed writer who goes with him.
No one knows us quite the same way as the men and women who sit beside us in department meetings and crowd the office refrigerator with their labeled yogurts. Every office is a family of sorts, and the ad agency Joshua Ferris brilliantly depicts in his debut novel is family at its strangest and best, coping with a business downturn in the time-honored way: through gossip, pranks, and increasingly frequent coffee breaks. With a demon's eye for the details that make life worth noticing, Joshua Ferris tells a true and funny story about survival in life's strangest environment--the one we pretend is normal five days a week.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle). A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Look for Cormac McCarthy's new novel, The Passenger, coming October '22.
The unforgettable, heartbreaking story of the unlikely friendship between a wealthy boy and the son of his father's servant, The Kite Runner is a beautifully crafted novel set in a country that is in the process of being destroyed. It is about the power of reading, the price of betrayal, and the possibility of redemption, and it is also about the power of fathers over sons—their love, their sacrifices, their lies. The first Afghan novel to be written in English, The Kite Runner tells a sweeping story of family, love, and friendship against a backdrop of history that has not been told in fiction before, bringing to mind the large canvases of the Russian writers of the nineteenth century. But just as it is old-fashioned in its narration, it is contemporary in its subject-the devastating history of Afghanistan over the last thirty years. As emotionally gripping as it is tender, The Kite Runner is an unusual and powerful debut.
In this rousingly good ghost story, Setterfield's debut novel rejuvenates the genre with a closely plotted, clever foray into a world of secrets, confused identities, lies, and half-truths.
During the winter of 1944, three soldiers are sent on a reconnaissance mission up a mountain in Italy, near Mount Cassino, led by seventy-year-old Angelo, an Italian of indeterminate loyalty, and are confronted by the terror, confusion, and hardship of their mission, which is enhanced by a life-altering encounter with a sniper, in a story of the human cost of war. 35,000 first printing.
Sweeney, a druggist, takes a job at the fortresslike Peck Clinic, where he hopes his comatose son will be "resurrected" as other patients there have been, but finds that salvation may instead lie within a comic book.
Follows the fortunes of the Estanyol family in medieval Barcelona, whose rise from peasantry is marked by their stoneworker son's role in building the Santa Maria del Mar cathedral and his forbidden love for a Jewish woman.
Louise Erdrich's mesmerizing new novel, her first in almost three years, centers on a compelling mystery. The unsolved murder of a farm family haunts the small, white, off-reservation town of Pluto, North Dakota. The vengeance exacted for this crime and the subsequent distortions of truth transform the lives of Ojibwe living on the nearby reservation and shape the passions of both communities for the next generation. The descendants of Ojibwe and white intermarry, their lives intertwine; only the youngest generation, of mixed blood, remains unaware of the role the past continues to play in their lives. Evelina Harp is a witty, ambitious young girl, part Ojibwe, part white, who is prone to falling hopelessly in love. Mooshum, Evelina's grandfather, is a seductive storyteller, a repository of family and tribal history with an all-too-intimate knowledge of the violent past. Nobody understands the weight of historical injustice better than Judge Antone Bazil Coutts, a thoughtful mixed blood who witnesses the lives of those who appear before him, and whose own love life reflects the entire history of the territory. In distinct and winning voices, Erdrich's narrators unravel the stories of different generations and families in this corner of North Dakota. Bound by love, torn by history, the two communities' collective stories finally come together in a wrenching truth revealed in the novel's final pages. The Plague of Doves is one of the major achievements of Louise Erdrich's considerable oeuvre, a quintessentially American story and the most complex and original of her books.
Boasting the largest collection of treasures in Europe, Dresden's Green Vault is also among the continent's oldest museums, founded in the early eighteenth century. Since its extensive restoration and reopening in 2006, it has attracted more than three million visitors who have come from around the world to admire the splendid architecture and opulent riches on display there. Packed with beautiful full-color illustrations, this magnificent volume highlights a selection of masterpieces from this important collection of Baroque and classical art, including the Golden Coffee Service, the Ivory Frigate, the Dresden Green Diamond, the Royal Household of the Grand Mogul, and many other fascinating objects made of gold, silver, gemstones, and other precious materials. For those with an interest in the Baroque or classical periods--or those who simply enjoy exceptional works of art--this book will be a great pleasure.
From the bestselling author of The Handmaid's Tale and The Testaments • This brilliant collection of connected short stories strings together several decades of moments in the life of one woman—as an ambitious girl in the 1930s, as a young professional coming of age in the uncertain ‘50s and ‘60s, and as half of a couple growing old together. In a series of vividly evoked settings that span cities, backwoods, and farm country, we see this woman contending over time with an unstable sister, a married lover, aging parents, mystifying stepchildren, vulnerable farm animals, and her own changing self. By turns funny, lyrical, earthy, shocking, and deeply personal, Moral Disorder displays Margaret Atwood’s celebrated storytelling gifts and unmistakable style to their best advantage.
"Anne Rivers Siddons tells the beautiful, tragic, and redemptive story of a woman who searches for meaning after her husband dies"--Provided by publisher.