The Booker Prize-winning novel--now a major motion picture from Fox Searchlight Pictures. This sweeping, irrepressibly inventive novel, is a romance, but a romance of the sort that could only take place in nineteenth-century Australia. For only on that sprawling continent--a haven for misfits of both the animal and human kingdoms--could a nervous Anglican minister who gambles on the instructions of the Divine become allied with a teenaged heiress who buys a glassworks to help liberate her sex. And only the prodigious imagination of Peter Carey could implicate Oscar and Lucinda in a narrative of love and commerce, religion and colonialism, that culminates in a half-mad expedition to transport a glass church across the Outback.
John Barth's lively, highly original collection of short pieces is a major landmark of experimental fiction. Though many of the stories gathered here were published separately, there are several themes common to them all, giving them new meaning in the context of this collection. As the characters search, each in his own way, for their purpose and the meaning of their existence, Lost in the Funhouse takes on a hiliarious, often moving significance.
The Tale of Genji was written in the eleventh century by Murasaki Shikibu, a lady of the Heian court. It is universally recognized as the greatest masterpiece of Japanese prose narrative, perhaps the earliest true novel in the history of the world. Until now there has been no translation that is both complete and scrupulously faithful to the original text. Edward G. Seidensticker's masterly rendering was first published in two volumes in 1976 and immediately hailed as a classic of the translator's art. It is here presented in one unabridged volume, illustrated throughout by woodcuts taken from a 1650 Japanese edition of The Tale of Genji.
