Kurt Vonnegut’s masterpiece, Slaughterhouse-Five is “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time). Selected by the Modern Library as one of the 100 best novels of all time • One of The Atlantic’s Great American Novels of the Past 100 Years Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.” An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Authors as wide-ranging as Norman Mailer, John Irving, Michael Crichton, Tim O’Brien, Margaret Atwood, Elizabeth Strout, David Sedaris, Jennifer Egan, and J. K. Rowling have all found inspiration in Vonnegut’s words. Jonathan Safran Foer has described Vonnegut as “the kind of writer who made people—young people especially—want to write.” George Saunders has declared Vonnegut to be “the great, urgent, passionate American writer of our century, who offers us . . . a model of the kind of compassionate thinking that might yet save us from ourselves.” More than fifty years after its initial publication at the height of the Vietnam War, Vonnegut’s portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties.
In this ambitious, ingenious narrative, celebrated historical novelist Mary Renault take legendary hero Theseus and spins his myth into a fast-paced and exciting story. Renault starts with Theseus' early years, showing how the mystery of his father's identity and his small stature breed the insecurities that spur his youthful hijinx. As he moves on to Eleusis, Athens, and Crete, his playfulness and fondness for pranks matures into the courage to attempt singular heroic feats, the gallantry and leadership he was known for on the battlefield, and the bold-hearted ingenuity he shows in navigating the labyrinth and slaying the Minotaur. In what is perhaps the most inventive of all her novels of Ancient Greece, Renault casts Theseus in a surprisingly original pose; she teases the flawed human out of the bronze hero, and draws the plausible out of the fantastic.
The masterpiece of the German experience during World War I, considered by many the greatest war novel of all time—with an Oscar–winning film adaptation now streaming on Netflix. “[Erich Maria Remarque] is a craftsman of unquestionably first rank.”—The New York Times Book Review I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. . . . This is the testament of Paul Bäumer, who enlists with his classmates in the German army during World War I. They become soldiers with youthful enthusiasm. But the world of duty, culture, and progress they had been taught breaks in pieces under the first bombardment in the trenches. Through years of vivid horror, Paul holds fast to a single vow: to fight against the principle of hate that meaninglessly pits young men of the same generation but different uniforms against one another . . . if only he can come out of the war alive.
From the Publisher: Acclaimed as the greatest novel ever written about the War Between the States, this searing Pulitzer Prize-winning book captures all the glory and shame of America's most tragic conflict in the vivid, crowded world of Andersonville, and the people who lived outside its barricades. Based on the author's extensive research and nearly twenty-five years in the making, MacKinlay Kantor's bestselling masterwork tells the heartbreaking story of the notorious Georgia prison where 50,000 Northern soldiers suffered-and 14,000 died-and of the people whose lives were changed by the grim camp where the best and the worst of the Civil War came together. Here is the savagery of the camp commandant, the deep compassion of a nearby planter and his gentle daughter, the merging of valor and viciousness within the stockade itself, and the day-to-day fight for survival among the cowards, cutthroats, innocents, and idealists thrown together by the brutal struggle between North and South. A moving portrait of the bravery of people faced with hopeless tragedy, this is the inspiring American classic of an unforgettable period in American history.
Moving from Ireland to New York City in 1741, Cormac O'Connor witnesses the city's transformation into a thriving metropolis while he explores the mysteries of time, loss, and love. By the author of Snow in August and A Drinking Life. Reprint. 100,000 first printing.
NATIONAL BESTSELLER • “Steven Pressfield brings the battle of Thermopylae to brilliant life.”—Pat Conroy At Thermopylae, a rocky mountain pass in northern Greece, the feared and admired Spartan soldiers stood three hundred strong. Theirs was a suicide mission, to hold the pass against the invading millions of the mighty Persian army. Day after bloody day they withstood the terrible onslaught, buying time for the Greeks to rally their forces. Born into a cult of spiritual courage, physical endurance, and unmatched battle skill, the Spartans would be remembered for the greatest military stand in history—one that would not end until the rocks were awash with blood, leaving only one gravely injured Spartan squire to tell the tale. . . .
