A mission to rid the seas of a monstrous creature becomes a terrifying nightmare when Professor Arronax, Conseil and Ned Land are thrown overboard. The huge marine animal which has haunted the water is no living beast, but a spectacular man-made vessel, and the three men find themselves the helpless prisoners of Captain Nemo. Resigned to their fate, they begin a miraculous journey on the submarine ship which can travel through waters never before explored. For the Professor, at least, this voyage is one he would not have missed for the world.
“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.” With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, “Kafka is important to us because his predicament is the predicament of modern man.”
Bilbo Baggins, a respectable, well-to-do hobbit, lives comfortably in his hobbit-hole until the day the wandering wizard Gandalf chooses him to take part in an adventure from which he may never return.
