A radical thinker, one of the rare modern heretics, said Mary McCarthy of Ivy Compton-Burnett, in whose austere, savage, and bitingly funny novels anything can happen and no one will ever escape. The long, endlessly surprising conversational duels at the center of Compton-Burnett's works are confrontations between the unspoken and the unspeakable, and in them the dynamics of power and desire are dramatized as nowhere else. New York Review Books is reissuing two of the finest novels of this singular modern genius—works that look forward to the blacky comic inventions of Muriel Spark as much as they do back to the drawing rooms of Jane Austen. A House and Its Head is Ivy Compton-Burnett's subversive look at the politics of family life, and perhaps the most unsparing of her novels. No sooner has Duncan Edgeworth's wife died than he takes a new, much younger bride whose willful ways provoke a series of transgressions that begins with adultery and ends, much to everyone's relief, in murder.
Gabriel Garcia Marquez, renowned as a master of magical realism, creates stories that grip the imagination. Set in exotic locals, peoples with unforgettable characters, and crafted with exquisite prose, his stories transport the reader to a world that is at once fanciful and real. One of Gabriel Garcia Marquez's most intricate and ambitious works, The Autumn of the Patriarch is a brilliant tale of a Caribbean tyrant and the corruption of power. Employing an innovative, dreamlike style, the novel is overflowing with symbolic descriptions as it vividly portrays the dying tyrant caught in the prison of his own dictatorship. From charity to deceit, benevolence to violence, fear of God to extreme cruelty, the dictator embodies at once the best and the worst of human nature.
From the Nobel Prize-winning author: an unforgettable comedy of manners inspired by the author's father that has been hailed as one of the twentieth century's finest novels. “A marvelous prose epic that matches the best nineteenth-century novels for richness of comic insight and final, tragic power.” —Newsweek In his forty-six short years, Mr. Mohun Biswas has been fighting against destiny to achieve some semblance of independence, only to face a lifetime of calamity. Shuttled from one residence to another after the drowning death of his father, for which he is inadvertently responsible, Mr. Biswas yearns for a place he can call home. But when he marries into the domineering Tulsi family on whom he indignantly becomes dependent, Mr. Biswas embarks on an arduous—and endless—struggle to weaken their hold over him and purchase a house of his own. A heartrending, dark yet comedic novel, A House for Mr. Biswas masterfully evokes a man’s quest for autonomy against an emblematic post-colonial canvas.
