A mythmaker of the highest order, China Miéville has emblazoned the fantasy novel with fresh language, startling images, and stunning originality. Set in the same sprawling world of Miéville’s Arthur C. Clarke Award-winning novel, Perdido Street Station, this latest epic introduces a whole new cast of intriguing characters and dazzling creations. Aboard a vast seafaring vessel, a band of prisoners and slaves, their bodies remade into grotesque biological oddities, is being transported to the fledgling colony of New Crobuzon. But the journey is not theirs alone. They are joined by a handful of travelers, each with a reason for fleeing the city. Among them is Bellis Coldwine, a renowned linguist whose services as an interpreter grant her passage—and escape from horrific punishment. For she is linked to Isaac Dan der Grimnebulin, the brilliant renegade scientist who has unwittingly unleashed a nightmare upon New Crobuzon. For Bellis, the plan is clear: live among the new frontiersmen of the colony until it is safe to return home. But when the ship is besieged by pirates on the Swollen Ocean, the senior officers are summarily executed. The surviving passengers are brought to Armada, a city constructed from the hulls of pirated ships, a floating, landless mass ruled by the bizarre duality called the Lovers. On Armada, everyone is given work, and even Remades live as equals to humans, Cactae, and Cray. Yet no one may ever leave. Lonely and embittered in her captivity, Bellis knows that to show dissent is a death sentence. Instead, she must furtively seek information about Armada’s agenda. The answer lies in the dark, amorphous shapes that float undetected miles below the waters—terrifying entities with a singular, chilling mission. . . . China Miéville is a writer for a new era—and The Scar is a luminous, brilliantly imagined novel that is nothing short of spectacular.
Sailing the Stratoin oceans on her coming-of-age apprenticeship, Maia, a half-caste var, endures hardship, hunger, imprisonment, loneliness, battle, separation from her twin sister, and a rendezvous with a threatening long-distance traveler. By the author of Sundiver. Reprint.
“Willis effortlessly juggles comedy of manners, chaos theory and a wide range of literary allusions [with a] near flawlessness of plot, character and prose.”—Publishers Weekly (starred review) From Connie Willis, winner of multiple Hugo and Nebula Awards, comes a comedic romp through an unpredictable world of mystery, love, and time travel. Ned Henry is badly in need of a rest. He’s been shuttling between the twenty-first century and the 1940s in search of a hideous Victorian vase called “the bishop’s bird stump” as part of a project to restore the famed Coventry Cathedral, destroyed in a Nazi air raid. But then Verity Kindle, a fellow time traveler, inadvertently brings back something from the past. Now Ned must jump to the Victorian era to help Verity put things right—not only to save the project but also to prevent altering history itself.