In 1896 New York, psychologist--or in period terminology, an alienist--Laszlo Kreizler joins forces with journalist John Schuyler Moore to track a vicious serial killer.
When master mechanic Peter Lake attempts to rob a mansion on the Upper West Side, he is caught by young Beverly Penn, the terminally ill daughter of the house, and their subsequent love send Peter on a desperate personal journey. Reprint.
By day she is a caring school teacher, with her favourites. By night, she is a drug abusing, heavy drinking, hooker, chasing rough sex in bars and picking up whatever is available.
The wild, macabre tale of the twentieth century and of two men -- one looking for something he has lost, the other with nothing much to lose -- and "V.," the unknown woman of the title.
Simon Morley is selected by a secret government agency to test Einstein's theory of the past co-existing with the present and is transported back to 1880s New York.
When Henry Roth published Call It Sleep, his first novel, in 1934, it was greeted with critical acclaim. But in that dark Depression year, books were hard to sell, and the novel quickly dropped out of sight, as did its twenty-eight-year-old author. Only with its paperback publication in 1964 did the novel receive the recognition it deserves. Call It Sleep was the first paperback ever to be reviewed on the front page of The New York Times Book Review, and it proceeded to sell millions of copies both in the United States and around the world.
Moving from Ireland to New York City in 1741, Cormac O'Connor witnesses the city's transformation into a thriving metropolis while he explores the mysteries of time, loss, and love. By the author of Snow in August and A Drinking Life. Reprint. 100,000 first printing.
Selected by the Modern Library as one of the 100 best novels of all time Newland Archer saw little to envy in the marriages of his friends, yet he prided himself that in May Welland he had found the companion of his needs--tender and impressionable, with equal purity of mind and manners. The engagement was announced discreetly, but all of New York society was soon privy to this most perfect match, a union of families and circumstances cemented by affection. Enter Countess Olenska, a woman of quick wit sharpened by experience, not afraid to flout convention and determined to find freedom in divorce. Against his judgment, Newland is drawn to the socially ostracized Ellen Olenska, who opens his eyes and has the power to make him feel. He knows that in sweet-tempered May, he can expect stability and the steadying comfort of duty. But what new worlds could he discover with Ellen? Written with elegance and wry precision, Edith Wharton's Pulitzer Prize-winning masterpiece is a tragic love story and a powerful homily about the perils of a perfect marriage. Commentary by William Lyon Phelps and E. M. Forster
While walking down Broadway in lower Manhattan on a rainy morning in 1871, Martin Pemberton sees in a horse-drawn omnibus several old men in black, one of whom he recognizes as his supposedly dead and buried father.
A novel on turn-of-the century New York, portraying its various faces. The cast includes a Jewish seamstress who rebels against her rabbi father to become a union organizer, an Irish-American senator who rules the city with the help of corrupt police, and Freud who gives his views on crass America. By the author of Sometimes You See It Coming.
Washington Square follows the coming-of-age of its plain-faced, kindhearted heroine, Catherine Sloper. Much to her father’s vexation, a handsome opportunist named Morris Townsend woos the long-suffering heiress, intent on claiming her fortune. When Catherine stubbornly refuses to call off her engagement, Dr. Sloper forces Catherine to choose between her inheritance and the only man she will ever truly love. Cynthia Ozick, in her Introduction to what she calls Henry James’s “most American fiction,” writes that “every line, every paragraph, every chapter [of Washington Square] is a fleet-footed light brigade, an engine of irony.” Precise and understated, this charming novel endures as a matchless study of New York in the mid-nineteenth century.
A portrait of American manners and morals at the turn of the century offers the saga of Lily Bart, a beautiful heroine who lacks one important requirement for marrying well in New York society, her own money. Reissue.
An "expressionistic picture of New York" (New York Times) in the 1920s that reveals the lives of wealthy power brokers and struggling immigrants alike. From Fourteenth Street to the Bowery, Delmonico's to the underbelly of the city waterfront, Dos Passos chronicles the lives of characters struggling to become a part of modernity before they are destroyed by it.
Holly Golightly knows that nothing bad can ever happen to you at Tiffany's. In this seductive, wistful masterpiece, Capote created a woman whose name has entered the American idiom and whose style is a part of the literary landscape—her poignancy, wit, and naïveté continue to charm. This volume also includes three of Capote's best-known stories, “House of Flowers,” “A Diamond Guitar,” and “A Christmas Memory,” which the Saturday Review called “one of the most moving stories in our language.” It is a tale of two innocents—a small boy and the old woman who is his best friend—whose sweetness contains a hard, sharp kernel of truth.
From one of the most important American novelists of the twentieth century—a novel of sexual, racial, political, artistic passions, set in Greenwich Village, Harlem, and France. “Brilliant and fiercely told.”—The New York Times One of The Atlantic’s Great American Novels of the Past 100 Years Stunning for its emotional intensity and haunting sensuality, this book depicts men and women, blacks and whites, stripped of their masks of gender and race by love and hatred at the most elemental and sublime. Nominated as one of America’s best-loved novels by PBS’s The Great American Read.
Marian died by her own hand exactly one year ago. The author approaches Marian's death from the viewpoints of the people that touched her life including her lover, her best friend, and even her enemies.
Tom Wolfe’s modern American satire tells the story of Sherman McCoy, a Wall Street “Master of the Universe” who has it all — a Park Avenue apartment, a job that brings wealth, power and prestige, a beautiful wife, an even more beautiful mistress. Suddenly, one wrong turn makes it all go wrong, and Sherman spirals downward in a sudden fall from grace that sucks him into the ravenous heart of a New York City gone mad during the go-go, racially turbulent, socially hilarious 1980s. From the Trade Paperback edition.
In Sleepless Nights a woman looks back on her life—the parade of people, the shifting background of place—and assembles a scrapbook of memories, reflections, portraits, letters, wishes, and dreams. An inspired fusion of fact and invention, this beautifully realized, hard-bitten, lyrical book is not only Elizabeth Hardwick's finest fiction but one of the outstanding contributions to American literature of the last fifty years.
The remarkable, acclaimed series of interconnected detective novels City of Glass, Ghosts, and The Locked Room, from New York Times bestselling author Paul Auster “Exhilarating . . . a brilliant investigation of the storyteller’s art guided by a writer-detective who’s never satisfied with just the facts.”—The Philadelphia Inquirer City of Glass: As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might have written. Ghosts: Blue, a student of Brown, has been hired by White to spy on Black. From a window of a rented room on Orange Street, Blue keeps watch on his subject, who is across the street, staring out of his own window. The Locked Room: Fanshawe has disappeared, leaving behind his wife and baby and a cache of extraordinary novels, plays, and poems. What happened to him and why is the narrator, Fanshawe’s boyhood friend, lured obsessively into his life? Moving at the breathless pace of a thriller, this is a uniquely stylized trilogy of detective novels that The Washington Post Book World has classified as “post-existential private eye. . . . It’s as if Kafka has gotten hooked on the gumshoe game and penned his own ever-spiraling version.”