The novel that established Virginia Woolf as a leading writer of the twentieth century, To the Lighthouse is made up of three powerfully charged visions into the life of one family living in a summer house off the rocky coast of Scotland. As time winds its way through their lives, the Ramseys face, alone and simultaneously, the greatest of human challenges and its greatest triumph-the human capacity for change. A moving portrait in miniature of family life, it also has profoundly universal implications, giving language to the silent space that separates people and the space that they transgress to reach each other.
“Gaudy Night stands out even among Miss Sayers’s novels. And Miss Sayers has long stood in a class by herself.” —Times Literary Supplement The great Dorothy L. Sayers is considered by many to be the premier detective novelist of the Golden Age, and her dashing sleuth, Lord Peter Wimsey, one of mystery fiction’s most enduring and endearing protagonists. Acclaimed author Ruth Rendell has expressed her admiration for Sayers’s work, praising her “great fertility of invention, ingenuity, and wonderful eye for detail.” The third Dorothy L. Sayers classic to feature mystery writer Harriet Vane, Gaudy Night is now back in print with an introduction by Elizabeth George, herself a crime fiction master. Gaudy Night takes Harriet and her paramour, Lord Peter, to Oxford University, Harriet’s alma mater, for a reunion, only to find themselves the targets of a nightmare of harassment and mysterious, murderous threats.
The remarkable, acclaimed series of interconnected detective novels City of Glass, Ghosts, and The Locked Room, from New York Times bestselling author Paul Auster “Exhilarating . . . a brilliant investigation of the storyteller’s art guided by a writer-detective who’s never satisfied with just the facts.”—The Philadelphia Inquirer City of Glass: As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might have written. Ghosts: Blue, a student of Brown, has been hired by White to spy on Black. From a window of a rented room on Orange Street, Blue keeps watch on his subject, who is across the street, staring out of his own window. The Locked Room: Fanshawe has disappeared, leaving behind his wife and baby and a cache of extraordinary novels, plays, and poems. What happened to him and why is the narrator, Fanshawe’s boyhood friend, lured obsessively into his life? Moving at the breathless pace of a thriller, this is a uniquely stylized trilogy of detective novels that The Washington Post Book World has classified as “post-existential private eye. . . . It’s as if Kafka has gotten hooked on the gumshoe game and penned his own ever-spiraling version.”
