First published pseudonymously in 1764, The Castle of Otranto purported to be a translation of an Italian story of the time of the crusades. In it Walpole attempted, as he declared in the Preface to the second edition, `to blend the two kinds of romance: the ancient and the modern'. He gives us a series of catastrophes, ghostly interventions, revelations of identity, and exciting contests. Crammed with invention, entertainment, terror, and pathos, the novel was an immediate success and Walpole's own favourite among his numerous works. His friend, the poet Thomas Gray, wrote that he and his family, having read Otranto, were now `afraid to go to bed o'nights'. The novel is here reprinted from a text of 1798, the last that Walpole himself prepared for the press.
One of the most original American writers, Edgar Allan Poe shaped the development of both the detectvie story and the science-fiction story. Some of his poems—"The Raven," "The Bells," "Annabel Lee"—remain among the most popular in American literature. Poe's tales of the macabre still thrill readers of all ages. Here are familiar favorites like "The Purloined Letter," "The Fall of the House of Usher," and "The Murders in the Rue Morgue," together with less-known masterpieces like "The Imp of the Perverse," "The Narrative of A. Gordon Pym," and "Ligeia," which is now recognized as one of the first science-fiction stories, a total of seventy-three tales in all, plus fifty-three poems and a generous sampling of Poe's essays, criticism and journalistic writings.
