Rescued from the outrageous neglect of his aunt and uncle, a young boy with a great destiny proves his worth while attending Hogwarts School for Wizards and Witches.
Nominated as one of America’s best-loved novels by PBS’s The Great American Read “It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.” So begins Pride and Prejudice, Jane Austen’s witty comedy of manners—one of the most popular novels of all time—that features splendidly civilized sparring between the proud Mr. Darcy and the prejudiced Elizabeth Bennet as they play out their spirited courtship in a series of eighteenth-century drawing-room intrigues. Renowned literary critic and historian George Saintsbury in 1894 declared it the “most perfect, the most characteristic, the most eminently quintessential of its author’s works,” and Eudora Welty in the twentieth century described it as “irresistible and as nearly flawless as any fiction could be.”
“Gaudy Night stands out even among Miss Sayers’s novels. And Miss Sayers has long stood in a class by herself.” —Times Literary Supplement The great Dorothy L. Sayers is considered by many to be the premier detective novelist of the Golden Age, and her dashing sleuth, Lord Peter Wimsey, one of mystery fiction’s most enduring and endearing protagonists. Acclaimed author Ruth Rendell has expressed her admiration for Sayers’s work, praising her “great fertility of invention, ingenuity, and wonderful eye for detail.” The third Dorothy L. Sayers classic to feature mystery writer Harriet Vane, Gaudy Night is now back in print with an introduction by Elizabeth George, herself a crime fiction master. Gaudy Night takes Harriet and her paramour, Lord Peter, to Oxford University, Harriet’s alma mater, for a reunion, only to find themselves the targets of a nightmare of harassment and mysterious, murderous threats.
The irresistible novel that was adapted into a major motion picture starring Leonardo DiCaprio. The Khao San Road, Bangkok -- first stop for the hordes of rootless young Westerners traveling in Southeast Asia. On Richard's first night there, in a low-budget guest house, a fellow traveler slashes his wrists, bequeathing to Richard a meticulously drawn map to "the Beach." The Beach, as Richard has come to learn, is the subject of a legend among young travelers in Asia: a lagoon hidden from the sea, with white sand and coral gardens, freshwater falls surrounded by jungle, plants untouched for a thousand years. There, it is rumored, a carefully selected international few have settled in a communal Eden. Haunted by the figure of Mr. Duck -- the name by which the Thai police have identified the dead man -- and his own obsession with Vietnam movies, Richard sets off with a young French couple to an island hidden away in an archipelago forbidden to tourists. They discover the Beach, and it is as beautiful and idyllic as it is reputed to be. Yet over time it becomes clear that Beach culture, as Richard calls it, has troubling, even deadly, undercurrents. Spellbinding and hallucinogenic, The Beach by Alex Garland -- both a national bestseller and his debut -- is a highly accomplished and suspenseful novel that fixates on a generation in their twenties, who, burdened with the legacy of the preceding generation and saturated by popular culture, long for an unruined landscape, but find it difficult to experience the world firsthand.
