In seventeenth-century France, young d'Artagnan initially quarrels with, then befriends, three musketeers and joins them in trying to outwit the enemies of the king and queen.
Traditional Chinese edition of The Old Man and The Sea edited for young adults. The story is told with text and graphics and accompanied with Zhuying (phonetic annotation). A reading guide of this Hemingway classic helps young readers develop their writing skills. In Traditional Chinese. Distributed by Tsai Fong Books, Inc.
Nominated as one of America’s best-loved novels by PBS’s The Great American Read “It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.” So begins Pride and Prejudice, Jane Austen’s witty comedy of manners—one of the most popular novels of all time—that features splendidly civilized sparring between the proud Mr. Darcy and the prejudiced Elizabeth Bennet as they play out their spirited courtship in a series of eighteenth-century drawing-room intrigues. Renowned literary critic and historian George Saintsbury in 1894 declared it the “most perfect, the most characteristic, the most eminently quintessential of its author’s works,” and Eudora Welty in the twentieth century described it as “irresistible and as nearly flawless as any fiction could be.”
Journeys to the end of the world, fantastic creatures, and epic battles between good and evil -- what more could any reader ask for in one book? The book that has it all is the lion, the witch and the wardrobe, written in 1949 by C. S. Lewis. But Lewis did not stop there. Six more books followed, and together they became known as The Chronicles of Narnia. For the past fifty years, The Chronicles of Narnia have transcended the fantasy genre to become part of the canon of classic literature. Each of the seven books is a masterpiece, drawing the reader into a world where magic meets reality, and the result is a fictional world whose scope has fascinated generations. This edition presents all seven books -- unabridged -- in one impressive volume. The books are presented here according to Lewis's preferred order, each chapter graced with an illustration by the original artist, Pauline Baynes. This edition also contains C. S. Lewis's essay "On Three Ways of Writing for Children," in which he explains precisely how the magic of Narnia and the realm of fantasy appeal not only to children but to discerning readers of all ages. Deceptively simple and direct, The Chronicles of Narnia continue to captivate fans with adventures, characters, and truths that speak to all readers, even fifty years after the books were first published.
Nevill Coghill’s masterly and vivid modern English verse translation with all the vigor and poetry of Chaucer’s fourteenth-century Middle English A Penguin Classic In The Canterbury Tales Chaucer created one of the great touchstones of English literature, a masterly collection of chivalric romances, moral allegories and low farce. A story-telling competition between a group of pilgrims from all walks of life is the occasion for a series of tales that range from the Knight’s account of courtly love and the ebullient Wife of Bath’s Arthurian legend, to the ribald anecdotes of the Miller and the Cook. Rich and diverse, The Canterbury Tales offer us an unrivalled glimpse into the life and mind of medieval England. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
First published in 1865, these endearing tales of an imaginative child's dream world by Lewis Carroll, pen name for Charles Lutwidge Dodgson, are written with charming simplicity. While delighting children with a heroine who represents their own thoughts and feelings about growing up, the tale is appreciated by adults as a gentle satire on education, politics, literature, and Victorian life in general. All the delightful and bizarre inhabitants of Wonderland are here: the White Rabbit and the Cheshire Cat, the hooka-smoking Caterpillar and the Mad Hatter, the March Hare and the Ugly Duchess. . . and, of course, Alice herself - growing alternately taller and smaller, attending demented tea parties and eccentric croquet games, observing everything with clarity and rational amazement.