The dramatization of Sir Thomas More's historic conflict with Henry VIII—a compelling portrait of a courageous man who died for his convictions and a modern classic that "challenges the mind, and, in the end, touches the heart" (New York Times). Sir Thomas More—the brilliant nobleman, lawyer, humanist, author of such works as Utopia—was a long-time friend and favorite of Henry VIII, ascending to the position of Lord Chancellor in 1529. Yet he was also a staunch Catholic, and when Henry broke with the Church in 1531 after the Pope had refused to grant him a divorce from Catherine of Aragon, More resigned the Chancellorship. In 1534, Parliament passed a bill requiring all subjects to take an oath acknowledging the supremacy of England's king over all foreign sovereigns—including the Pope. More refused, was imprisoned, and finally was executed in 1535.
A haunting examination of groupthink and mass hysteria in a rural community The place is Salem, Massachusetts, in 1692, an enclave of rigid piety huddled on the edge of a wilderness. Its inhabitants believe unquestioningly in their own sanctity. But in Arthur Miller's edgy masterpiece, that very belief will have poisonous consequences when a vengeful teenager accuses a rival of witchcraft—and then when those accusations multiply to consume the entire village. First produced in 1953, at a time when America was convulsed by a new epidemic of witch-hunting, The Crucible brilliantly explores the threshold between individual guilt and mass hysteria, personal spite and collective evil. It is a play that is not only relentlessly suspenseful and vastly moving but that compels readers to fathom their hearts and consciences in ways that only the greatest theater ever can. "A drama of emotional power and impact" —New York Post
