First published in 1888 and a phenomenal best-seller, "Looking Backward" is Edward Bellamy's utopian novel about ninteenth-century Bostonian who awakes after a sleep for more than one hundred years to find himself in the year 2000 in a world of near-perfect cooperation, harmony, and prosperity. More than just a fanciful novel, "Looking Backward" was, in effect, Bellamy's blueprint for a socialist-type state, conceived in response to problems of the Gilded Age brought on in part by the pace of the late-nineteenth-century industrialization. The novel had an enormous impact at the time of its publication, setting in motion a wave of reform activity and creating a vogue for utopian novels that continued over the next three decades. In addition to an extensive introduction, Daniel Borus's new edition of "Looking Backward" contains a chronology of Bellamy's life, a bibliography, questions to consider when reading the novel, and an index.
One of the great innovative figures in American letters, Walt Whitman created a daringly new kind of poetry that became a major force in world literature. Leaves Of Grass is his one book. First published in 1855 with only twelve poems, it was greeted by Ralph Waldo Emerson as "the wonderful gift . . . the most extraordinary piece of wit and wisdom that America has yet contributed." Over the course of Whitman's life, the book reappeared in many versions, expanded and transformed as the author's experiences and the nation's history changed and grew. Whitman's ambition was to creates something uniquely American. In that he succeeded. His poems have been woven into the very fabric of the American character. From his solemn masterpieces "When Lilacs Last in the Dooryard Bloom'd" and "Out of the Cradle Endlessly Rocking" to the joyous freedom of "Song of Myself," "I Sing the Body Electric," and "Song of the Open Road," Whitman's work lives on, an inspiration to the poets of later generations.
The uncut version of Upton Sinclair's classic 1906 novel about the shocking working conditions endured by immigrants in early twentieth-century Chicago stockyards and packinghouses.
The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful, but slowly going under--maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experiece as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.
The "brilliant, funny, meaningful novel" (The New Yorker) that established J. D. Salinger as a leading voice in American literature--and that has instilled in millions of readers around the world a lifelong love of books. "If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth." The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caufield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days.