In the tradition of Tony Hillerman and Joseph Wambaugh comes this suspense thriller reuniting Bureau of Indian Affairs Criminal Investigator Emmett Quanah Parker and FBI Special Agent Anna Turnipseed, two Native American cops torn between their heritage and the law. A fire-gutted police cruiser found in a remote part of the Navajo reservation bears witness to a horrific crime: inside are the bodies of a tribal patrolman and his wife. As BIA Investigator Emmett Parker and FBI Special Agent Anna Turnipseed know, a cop's murder is never simple, raising countless questions and suspicions. When another murder is discovered, the case explodes into an otherworldly realm. Both Parker, a Comanche, and Turnipseed, a Modoc, are well acquainted with the eerie shadowland between native myth and modern homicide investigation. Now they will have to touch minds with a murderer who has woven personal madness with Navajo myth to create his own reality -- and with it the need to kill and kill again.
In A.D. 1150, the Great Sun Chief of the Anasazi people learns that his wife has given birth to the child of another man, and now that daughter, Cornsilk, with the help of a young man named Poor Singer, must flee the wrath of the Great Sun Chief.
After the Aztec empire falls to the Spaniards, a young Aztec named Tenamaxtli begins recruiting from among his fellow survivors of the Conquest to once again challenge the Spaniards and restore the Aztec empire.
As the separate bands of the Kiowa nation gather at Rainy Mountain in 1866, the bands finds themselves divided over the choice of a new principal chief, as a cloud of murder hangs over the event.
“A challenging and satisfying thriller . . . [with] many surprising twists.”—The New York Times Jane Whitefield is a Native American guide who leads people out of the wilderness—not the tree-filled variety but the kind created by enemies who want you dead. She is in the one-woman business of helping the desperate disappear. Thanks to her membership in the Wolf Clan of the Seneca tribe, she can fool any pursuer, cover any trail, and then provide her clients with new identities, complete with authentic paperwork. Jane knows all the tricks, ancient and modern; in fact, she has invented several of them herself. So she is only mildly surprised to find an intruder waiting for her when she returns home one day. An ex-cop suspected of embezzling, John Felker wants Jane to do for him what she did for his buddy Harry Kemple: make him vanish. But as Jane opens a door out of the world for Felker, she walks into a trap that will take all her heritage and cunning to escape. . . . Praise for Vanishing Act “Thomas Perry keeps pulling fresh ideas and original characters out of thin air. The strong-willed heroine he introduces in Vanishing Act rates as one of his most singular creations.”—The New York Times Book Review “One thriller that must be read. . . . Perry has created his most complex and compelling protagonist.”—San Francisco Examiner
“Compelling . . . Nobody writes a chase better than [Thomas] Perry.”—The Washington Post Book World Jane Whitefield is the patron saint of the pursued, a Native American “guide” who specializes in making victims vanish. Calling on the ancient wisdom of the Seneca tribe and her own razor-sharp cunning, she conjures up new identities for people with nowhere left to run. She's as quick and quiet as freshly fallen show, and she covers a trail just as completely. But when a calculating killer stalks an innocent eight-year-old boy, Jane faces dangerous obstacles that will put her powers—and her life—to a terrifying test. . . . Praise for Dance for the Dead “Spellbinding . . . Terrific . . . Jane Whitefield may be the most arresting protagonist in the 90s thriller arena. . . . Thrillers need good villains, and this one has a formidable SOB who is cold-blooded enough to satisfy anybody's taste.”—Entertainment Weekly “A terse thriller . . . Perry starts the story with a bang.”—San Francisco Chronicle “One of the most engaging heroines in contemporary suspense.”—The Flint Journal
Jane Whitefield is a name to be whispered like a prayer. A shadow woman who rescues the helpless and the hunted when their enemies leave them no place to hide. Now with the bone-deep cunning of her Native American forebears, she arranges a vanishing act for Pete Hatcher, a Las Vegas gambling executive. It should be a piece of cake, but she doesn't yet know about Earl and Linda--professional destroyers who will cash in if Hatcher dies, killers who love to kill . . . slowly. From Vegas to upstate New York to the Rockies, the race between predator and prey slowly narrows until at last they share an intimacy broken only by death. . . .
