Historical Fiction About Venice

Enduring friendships and long-held vendettas come alive against the splendor and decadence of eighteenth-century Venice. In 1775 Venice--known to outsiders as “the brothel of Europe”--the tradition of mask-wearing has allowed adultery and debauchery to flourish. But Marietta and Elena, two friends at the Ospedale della Pietà, a world-famous orphanage and music school for girls, know little of that milieu--until they come of age. Elena is forced to wed the head of the Celano clan, a jealous, brutal man, while Marietta marries Domenico Torrisi, whose family vendetta with the Celanos is centuries old. Tradition dictates that the friends should never speak again, but their bond is too strong to break. As the French Revolution unsettles all of Europe, Elena’s husband frames Domenico and he becomes a political prisoner. Marietta and Elena plot to save him, and the women discover that Venetian masks have noble purposes, too--but will their efforts put their own lives at risk? Embodying the glitter and the treachery of the city it portrays, The Venetian Mask will keep you turning pages long into the night.

"The Rossetti Letter" is a captivating debut that blends fact and fiction, past and present into a vibrant, richly imagined masterpiece that traces the adventures of a 17th-century Venetian courtesan and the contemporary historian researching her fate.

Annina Giro, a young singer in 18th century Venice, dreams of studying with Antonio Vivaldi to become an opera singer.

In 1592, Donata is a noble girl living in a palazzo on the Grand Canal. Girls of her class receive no education and rarely leave the palazzo. In a noble family, only one daughter and one son will be allowed to marry; Donata, like all younger daughters, will be sent to a convent. Donata longs to be tutored like her brothers and to see the Venice she has glimpsed only on the map. What is the world beyond her balcony, beyond what she sees when she glides, veiled, in a gondola down the canal? She dresses as a boy and escapes the palazzo on the Grand Canal to see the world before she is shut away, and to try to find a way to escape her fate. Donata risks everything; she changes her life, and her family’s life, forever when she walks through the door and encounters a Venice she never knew existed.

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The dazzling city on the lagoon is sailing toward the ruin of her maritime empire, determined to go down in a maelstrom of pleasure, music, and masquerade. Venice, 1731. Opera is the popular entertainment of the day and the castrati are its reigning divas. Tito Amato, mutilated as a boy to preserve his enchanting soprano voice, returns to the city of his birth with his friend Felice, a castrato whose voice has failed. Disaster strikes Tito's opera premier when the singer loses one beloved friend to poison and another to unjust accusation and arrest. Alarmed that the merchant-aristocrat who owns the theater is pressing the authorities to close the case, Tito races the executioner to find the real killer. The possible suspects could people the cast of one of his operas: a libertine nobleman and his spurned wife, a jealous soprano, an ambitious composer, and a patrician family bent on the theater's ruin. With carnival gaiety swirling around him and rousing Venetian passions to an ominous crescendo, Tito finds that the most astonishing secrets lurk behind the masks of his own family and friends.

Anetta, Rosalba, and Luisa, find their lives taking unexpected paths while growing up in eighteenth century Venice at the orphanage Ospedale della Pieta, where concerts are given to support the orphanage as well as expose the girls to potential suitors.

Abandoned as an infant, fourteen-year-old Anna Maria dal Violin is one of the elite musicians living in the foundling home where the "Red Priest," Antonio Vivaldi, is maestro and composer. Fiercely determined to find out where she came from, Anna Maria embarks on a journey of self-discovery that carries her into a wondrous and haunting world of music and spectacle, bringing eighteenth-century Venice magically to life.

In glittering 18th-century Venice, music and love are prized above all else--and for two sisters coming of age, the city's passions blend in intoxicating ways. Chiaretta and Maddalena are as different as night and day. The two sisters were abandoned as babies on the steps of the Ospedale della Pietß, Venice's world-famous foundling hospital and musical academy. High-spirited and rebellious, Chiaretta marries into a great aristocratic Venetian family and eventually becomes one of the most powerful women in Venice. Maddalena becomes a violin virtuoso and Antonio Vivaldi's muse. The Four Seasons is a rich, literary imagination of the world of 18th-century Venice and the lives and loves of two extraordinary women. Praise for THE FOUR SEASONS "Pop Vivaldi's masterpiece into the CD player, brew a pot of tea, and prepare to relinquish the rest of your afternoon. Corona brings Venice and Vivaldi to life, delivering a stirring story of love, ambition, and music that will keep you reading long after the last note of the concerto has ended." --Lauren Willig, author of The Secret History of the Pink Carnation "Corona does a magnificent job of showing us the violent contradictions of life in 18th-century Venice, through the eyes of two musically gifted orphan sisters. Their relationships with music and particularly with the complex, enigmatic figure of Antonio Vivaldi are sensitively explored. This novel resists the easy clich and really succeeds in drawing a world that is both panoramic and intimate." --Susanne Dunlap, author of Liszt's Kiss "Music and the dangerous, exquisite world of 18th-century Venice form the setting of this poetic, sensual story of two orphaned sisters. The Four Seasons is a beautifully written addition to the handful of fascinating novels about women and the arts in this most intriguing of cities." --Stephanie Cowell, author of Marrying Mozart "Laurel Corona's The Four Seasons is a poignant tale of two sisters, layered exquisitely over the exotic world of brilliant priest/composer Vivaldi and his 18th-century Venice. The result: a vibrant crescendo of hearts and history." --Karen Harper, author of The Last Boleyn and The First Princess of Wales "I've never been to Venice, played a violin, or for that matter carried a tune, but after reading The Four Seasons I feel that I've experienced all three, and through them come to a better understanding of the many forms love takes. Brava, Laurel Corona." --Sally Gunning, author of The Widow's War and Bound