Fiction by Philosophers

Explore captivating fiction books written by philosophers. Discover thought-provoking novels and stories that blend deep philosophical insights with imaginative storytelling.

Nightmares of Eminent Persons and Other Stories Cover
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Nightmares of Eminent Persons and Other Stories

by Bertrand Russell

No summary available.
The Good Apprentice Cover
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The Good Apprentice

by Iris Murdoch

Edward Baltram is overwhelmed with guilt. His nasty little prank has gone horribly wrong: He has fed his closest friend a sandwich laced with a hallucinogenic drug and the young man has fallen out of a window to his death. Edward searches for redemption through a reunion with his famous father, the reclusive painter Jesse Baltram. Funny and compelling, The Good Apprentice is at once a supremely sophisticated entertainment and an inquiry into the spiritual crises that afflict the modern world. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Adolphe Cover
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Adolphe

by Benjamin Constant

Adolphe is a privileged and refined young man, bored by the stupidity he perceives in the world around him. After a number of meaningless conquests, he at last encounters Ellenore, a beautiful and passionate older woman. Adolphe is enraptured and gradually wears down her resistance to his declarations of love. But as they embark on an intense and tortured affair, Ellenore gives way to a flood of emotion that only serves to repel her younger lover - yet he cannot bring himself to leave her and his procrastination can only bring tragedy. Partly inspired by Constant's own stormy affair with Madame de Staël, Adolphe (1816) is a penetrating psychological depiction of love that plumbs the depths of the passions, motives and inconsistencies of the human character.
Julie, Or, The New Heloise Cover
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Julie, Or, The New Heloise

by Jean-Jacques Rousseau

A novel in which Rousseau reconceptualized the relationship of the individual to the collective and articulated a new moral paradigm
Jacques the Fatalist and His Master Cover
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Jacques the Fatalist and His Master

by Denis Diderot

'Your Jacques is a tasteless mishmash of things that happen, some of them true, others made up, written without style and served up like a dog's breakfast.' Jacques the Fatalist is Diderot's answer to the problem of existence. If human beings are determined by their genes and their environment, how can they claim to be free to want or do anything? Where are Jacques and his Master going? Are they simply occupying space, living mechanically until they die, believing erroneously that they are in charge of their Destiny? Diderot intervenes to cheat our expectations of what fiction should be and do, and behaves like a provocative, ironic and unfailingly entertaining master of revels who finally show why Fate is not to be equated with doom. In the introduction to this brilliant new translation, David Coward explains the philosophical basis of Diderot's fascination with Fate and shows why Jacques the Fatalist pioneers techniques of fiction which, two centuries on, novelists still regard as experimental.
The Stranger Cover
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The Stranger

by Albert Camus

With the intrigue of a psychological thriller, The Stranger—Camus's masterpiece—gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie; translated by Matthew Ward. Behind the subterfuge, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life. “The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and ­devious narrator remains one of the key expressions of a postwar Western malaise, and one of the cleverest exponents of a literature of ambiguity.” –from the Introduction by Peter Dunwoodie First published in 1946; now in translation by Matthew Ward.
Nausea Cover
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Nausea

by Jean-Paul Sartre

Presents Jean-Paul Sartre's existentialist novel, first published in 1938, in which Antoine Roquentin, a French writer, chronicles his reactions to the world and people around him, which combine to give him an overpowering feeling of nausea.
The Mandarins Cover
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The Mandarins

by Simone de Beauvoir

In her most famous novel, The Mandarins, Simone de Beauvoir takes an unflinching look at Parisian intellectual society at the end of World War II. In fictionally relating the stories of those around her -- Jean-Paul Sartre, Albert Camus, Arthur Koestler, Nelson Algren -- de Beauvoir dissects the emotional and philosophical currents of her time. At once an engrossing drama and an intriguing political tale, The Mandarins is the emotional odyssey of a woman torn between her inner desires and her public life. "Much more than a roman a clef . . . a moving and engrossing novel." -- New York Times
The Samurai Cover
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The Samurai

by Julia Kristeva

Passionate and promiscuous intellectual warriors - the "samurai" for whom "writing is the only lasting act of pleasure and war combined." Readers will instantly recognize finely sketched and often searing portraits of some of this century's most influential minds: Lacan, Derrida, Barthes, Althusser, and many others. With an authorial voice that modulates between the erotic and the meditative, the ironic and the rancorous, The Samurai moves from Paris to Mao's China.
Women Cover
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Women

 

No summary available.
Omensetter's Luck Cover
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Omensetter's Luck

by William H. Gass

"The most important work of fiction by an American in this literary generation." -The New Republic Now celebrating the 50th anniversary of its publication, Omensetter's Luck is the masterful first novel by the author of The Tunnel, Middle C, On Being Blue, and Eyes: Novellas and Stories. Greeted as a masterpiece when it was first published in 1966, Omensetter's Luck is the quirky, impressionistic, and breathtakingly original story of an ordinary community galvanized by the presence of an extraordinary man. Set in a small Ohio town in the 1890s, it chronicles - through the voices of various participants and observers - the confrontation between Brackett Omensetter, a man of preternatural goodness, and the Reverend Jethro Furber, a preacher crazed with a propensity for violent thoughts. Omensetter's Luck meticulously brings to life a specific time and place as it illuminates timeless questions about life, love, good, and evil. This edition includes an afterword written by William Gass in 1997. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The Name of the Rose Cover
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The Name of the Rose

by Umberto Eco

In 1327, finding his sensitive mission at an Italian abbey further complicated by seven bizarre deaths, Brother William of Baskerville turns detective.
The Curious Enlightenment of Professor Caritat Cover
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The Curious Enlightenment of Professor Caritat

by Steven Lukes

By turns witty and profound, The Curious Enlightenment of Professor Caritat is a novel in the spirit of Gulliver's Travels or Animal Farm. Telling the story of the travels of a Professor Caritat, who is in search of the perfect world, Steven Lukes us on an irreverent romp through the history of western political philosophy. Doing for that discipline what Sophie's World did for philosophy in general, The Curious Enlightenment of Professor Caritat is both a refreshing humorous introduction to the clasing ideologies of our time, and a passionate defence of the much-abused Enlightenment and its core values of reason, freedom and tolerance.
Roberte Ce Soir Cover
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Roberte Ce Soir

by Pierre Klossowski

Together these two novels comprise the most fascinating, obsessive, and erotic works of contemporary Frech fiction. Like the works of Georges Bataille, and those of the Marquis de Sade before him, Klossowski's fiction explores the connections between the mind and the body through a lens of sexuality. Both of these novels feature Octave, an elderly cleric; his striking young wife Roberte; and their nephew, Antoine in a series of sexual situations. But Klossowski's books are about theology as well, and this merging of the sexual with the religious makes this book one of the most painstakingly baroque and intellectual novels of our time.
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Glas

by Jacques Derrida

Jacques Derrida is probably the most famous European philosopher alive today. The University of Nebraska Press makes available for the first English translation of his most important work to date, Glas. Its appearance will assist Derrida's readers pro and con in coming to terms with a complex and controversial book. Glas extensively reworks the problems of reading and writing in philosophy and literature; questions the possibility of linear reading and its consequent notions of theme, author, narrative, and discursive demonstration; and ingeniously disrupts the positions of reader and writer in the text. Glas is extraordinary in many ways, most obviously in its typography. Arranged in two columns, with inserted sections within these, the book simultaneously discusses Hegel’s philosophy and Jean Genet’s fiction, and shows how two such seemingly distinct kinds of criticism can reflect and influence one another. The customary segregation of philosophy, rhetoric, psychoanalysis, linguistics, history, and poetics is systematically subverted. In design and content, the books calls into question “types” of literature (history, philosophy, literary criticism), the ownership of ideas and styles, the glorification of literary heroes, and the limits of literary representation.
Story of the eye Cover
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Story of the eye

 

No summary available.
Darkness at Noon Cover
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Darkness at Noon

by Arthur Koestler

An aging Bolshevik falls victim to the revolutionary dictatorship he has helped create.
A Guide to Philosophy in Six Hours and Fifteen Minutes Cover
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A Guide to Philosophy in Six Hours and Fifteen Minutes

by Witold Gombrowicz

Witold Gombrowicz (1904-1969), novelist, essayist, and playwright, was one of the most important Polish writers of the twentieth century. A candidate for the Nobel Prize in Literature in 1968, he was described by Milan Kundera as “one of the great novelists of our century” and by John Updike as “one of the profoundest of the late moderns.” Gombrowicz’s works were considered scandalous and subversive by the ruling powers in Poland and were banned for nearly forty years. He spent his last years in France teaching philosophy; this book is a series of reflections based on his lectures. Gombrowicz discusses Kant, Hegel, Schopenhauer, Kierkegaard, Sartre, and Heidegger in six “one-hour” essays and addresses Marxism in a shorter “fifteen-minute” piece. The text—a small literary gem full of sardonic wit, brilliant insights, and provocative criticism—constructs the philosophical lineage of his work.
Tower of Babel Cover
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Tower of Babel

by Elias Canetti

Auto-da-FĂ©, Elias Canetti's only work of fiction, is a staggering achievement that puts him squarely in the ranks of major European writers such as Robert Musil and Hermann Broch. It is the story of Peter Kien, a scholarly recluse who lives among and for his great library. The destruction of Kien through the instrument of the illiterate, brutish housekeeper he marries constitutes the plot of the book. The best writers of our time have been concerned with the horror of the modern world--one thinks of Kafka, to whom Canetti has often been compared. But Auto-da-FĂ© stands as a completely original, unforgettable treatment of the modern predicament.
Thus Spake Zarathustra Cover
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Thus Spake Zarathustra

by Friedrich Wilhelm Nietzsche

The author uses the ancient Persian religious leader, Zarathustra (or Zoroaster) to voice his own views, including the introduction of the controversial doctrine of the "Ăśbermensch" or "superman."
The Penguin Complete Father Brown Cover
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The Penguin Complete Father Brown

by Gilbert Keith Chesterton

Father Brown is an eccentric priest with his own particular way of dealing with crime. David Timson, having completed the whole of Arthur Conan Doyle's Sherlock Holmes canon, turns his hand to the genial but certainly not innocent priest.
Death Sentence Cover
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Death Sentence

by Maurice Blanchot

A man finds himself witnessing the death of a young female friend. Years later, he is overcome by the suspicion that his current lover is the deceased friend--come back from the dead?
From the Book to the Book Cover
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From the Book to the Book

by Edmond Jabès

"The texts that Edmond Jabes has assembled here span seventeen books and the years between 1943 and 1985. They form a carefully composed jo.
The Gray Book Cover
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The Gray Book

by Aris Fioretos

Generally considered the least lively and most bleak of casts, gray is the taint of vagueness and uncertainty. Marking the threshold region where luminous life seems suspended but death has not yet darkened the horizon, it belongs to an evasive and evanescent world, carrying the tint of smoke, fog, ashes, and dust. As the ambiguous space of thought and remembrance where things blend and blur, gray measures the difference between distance and proximity, shading into tinges of hesitation, hues of taciturnity, tones of time past and lost. Thus it may also be the spectral medium of literature itself—that grainy gas of language. Written with a lead pencil akin to those found in Nabokov, Rilke, Svevo, Poe, and Dickinson, The Gray Book chronicles the vicissitudes of such equivocal articulation—registering the graphite traces it leaves behind but also recording the dwindling span of its life. The book situates itself in a region beyond criticism but this side of literature, characterized by forgetting and finitude, and investigating important yet seemingly inaccessible "gray areas" in texts as old as those of Homer, and as recent as those of Beckett. Loosely arranging these literary finds according to a revision of the four elements, The Gray Book distances itself from tradition and treats not water but tears, not fire but vapor, not earth but grain, not air but clouds. The narrative thus construed, proceeding in the meandering movements of volatile thought rather than in the prudent steps of a treatise, appears gradually affected by its subject. Themes and facts previously confined to the realm of quoted texts leak into the narrative itself. The border between fiction and fact slowly dissolves as the book approaches the curious void that the author locates at the heart of "gray literature." Shaped by an omnipresent though increasingly unreliable narrator, The Gray Book may thus ultimately yield a poetics cast in the form of a ghost story.
Parables of Kierkegaard Cover
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Parables of Kierkegaard

by Søren Kierkegaard

The mind of Kierkegaard has been kept alive in the common memory more by his parables than any other part of his authorship. Like all good parables, they have developed an oral tradition. Do not be surprised if you find here parables that you have heard imperfectly retold or partially revised. Now the reader can track down the original.