Classic Sword & Sorcery - Tales From The Days Of High Adventure
Dive into classic Sword & Sorcery tales from the golden age of adventure! Explore legendary books filled with magic, heroes, and epic battles that defined the genre.

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The Coming of Conan the Cimmerian
by Robert E. Howard
Conan is one of the greatest fictional heroes ever createdâ a swordsman who cuts a swath across the lands of the Hyborian Age, facing powerful sorcerers, deadly creatures, and ruthless armies of thieves and reavers. âBetween the years when the oceans drank Atlantis and the gleaming cities . . . there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars. . . . Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand . . . to tread the jeweled thrones of the Earth under his sandalled feet.â In a meteoric career that spanned a mere twelve years before his tragic suicide, Robert E. Howard single-handedly invented the genre that came to be called sword and sorcery. Collected in this volume, profusely illustrated by artist Mark Schultz, are Howardâs first thirteen Conan stories, appearing in their original versionsâin some cases for the first time in more than seventy yearsâand in the order Howard wrote them. Along with classics of dark fantasy like âThe Tower of the Elephantâ and swashbuckling adventure like âQueen of the Black Coast,â The Coming of Conan the Cimmerian contains a wealth of material never before published in the United States, including the first submitted draft of Conanâs debut, âPhoenix on the Sword,â Howardâs synopses for âThe Scarlet Citadelâ and âBlack Colossus,â and a map of Conanâs world drawn by the author himself. Here are timeless tales featuring Conan the raw and dangerous youth, Conan the daring thief, Conan the swashbuckling pirate, and Conan the commander of armies. Here, too, is an unparalleled glimpse into the mind of a genius whose bold storytelling style has been imitated by many, yet equaled by none.

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The Bloody Crown of Conan
by Robert E. Howard
In his hugely influential and tempestuous career, Robert E. Howard created the genre that came to be known as sword and sorceryâand brought to life one of fantasyâs boldest and most enduring figures: Conan the Cimmerianâreaver, slayer, barbarian, king. âStories such as âThe People of the Black Circleâ glow with the fierce and eldritch light of [Howardâs] frenzied intensity.ââStephen King This lavishly illustrated volume gathers together three of Howardâs longest and most famous Conan storiesâtwo of them printed for the first time directly from Howardâ s typescriptâalong with a collection of the authorâs previously unpublished and rarely seen outlines, notes, and drafts. Longtime fans and new readers alike will agree that The Bloody Crown of Conan merits a place of honor on every fantasy loverâs bookshelf. THE PEOPLE OF THE BLACK CIRCLE Amid the towering crags of Vendhya, in the shadowy citadel of the Black Circle, Yasmina of the golden throne seeks vengeance against the Black Seers. Her only ally is also her most formidable enemyâConan, the outlaw chief. THE HOUR OF THE DRAGON Toppled from the throne of Aquilonia by the evil machinations of an undead wizard, Conan must find the fabled jewel known as the Heart of Ahriman to reclaim his crown . . . and save his life. A WITCH SHALL BE BORN A malevolent witch of evil beauty. An enslaved queen. A kingdom in the iron grip of ruthless mercenaries. And Conan, who plots deadly vengeance against the human wolf who left him in the desert to die.

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The Conquering Sword of Conan
by Robert E. Howard
This volume completes the set of Howard's Conan stories with some of his finest work, including "Beyond the Black River" and "Red Nails" alongside rare early drafts and synopses.

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Kull
by Robert E. Howard
In a meteoric career that spanned a mere twelve years, Robert E. Howard single-handedly invented the genre that came to be called sword and sorcery. From his fertile imagination sprang some of fictionâs most enduring heroes. Yet while Conan is indisputably Howardâs greatest creation, it was in his earlier sequence of tales featuring Kull, a fearless warrior with the brooding intellect of a philosopher, that Howard began to develop the distinctive themes, and the richly evocative blend of history and mythology, that would distinguish his later tales of the Hyborian Age. Much more than simply the prototype for Conan, Kull is a fascinating character in his own right: an exile from fabled Atlantis who wins the crown of Valusia, only to find it as much a burden as a prize. This groundbreaking collection, lavishly illustrated by award-winning artist Justin Sweet, gathers together all Howardâs stories featuring Kull, from Kullâ s first published appearance, in âThe Shadow Kingdom,â to âKings of the Night,â Howardâ s last tale featuring the cerebral swordsman. The stories are presented just as Howard wrote them, with all subsequent editorial emendations removed. Also included are previously unpublished stories, drafts, and fragments, plus extensive notes on the texts, an introduction by Howard authority Steve Tompkins, and an essay by noted editor Patrice Louinet. Praise for Kull âRobert E. Howard had a gritty, vibrant styleâbroadsword writing that cut its way to the heart, with heroes who are truly larger than life.ââDavid Gemmell âHowardâs writing seems so highly charged with energy that it nearly gives off sparks.ââStephen King âHoward was a true storytellerâone of the first, and certainly among the best, youâll find in heroic fantasy. If youâve never read him before, youâ re in for a real treat.ââCharles de Lint âFor stark, living fear . . . what other writer is even in the running with Robert E. Howard?ââH. P. Lovecraft

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Jirel of Joiry
by Catherine Lucile Moore
"She is a commander of warriors. Fierce. Proud. Relentless. Her red hair and yellow eyes burning like fire, her armor streaked with blood, she stands tall before her enemies. Bold. Defiant. Simmering with rage. And in the deepest dungeons of a castle under siege, she bids farewell to the world of treacherous men--and walks, by her own will, through a forbidden door into Hell itself. For freedom. For justice. For revenge."--Back cover
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Imaro
by Charles Saunders
Imaro is a rousing adventure... a tale of a young manâs continuing struggle to gain acceptance amongst his people, and to break the cycle of alienation and violence that plagues his life. Imaro is heroic fantasy like itâs never been done before. Based on Africa, and African traditions and legends, Charles Saunders has created Nyumbani (which means âhomeâ in Swahili), an amalgam of the real, the semi-real, and the unreal. Imaro is the name of the larger-than-life warrior, an outcast, who travels across Nyumbani, searching for a home. Like his contemporaries, Karl Edward Wagner (Kane) and Michael Moorcock (Elric), Charles Saunders brings something new to the traditional heroic fantasy tale. A broad knowledge of, and passion for, the history and myths of Africa led to the creation of a heroic fantasy character the likes of which the world has never seen. Imaro is no Tarzan⊠no Conan⊠Imaro is a warrior out of African legend. Saunders' novel fuses the narrative style of fantasy fiction with a pre-colonial, alternate Africa. Inspired by and directly addresses the alienation of growing up an African American fan of Science Fiction and Fantasy, which to this day remains a very ethnically homogonous genre. It addresses this both structurally (via its unique setting) and thematically (via its alienated, tribeless hero-protagonist). The tribal tensions and histories presented in this fantasy novel reflect actual African tribal histories and tensions, and provide a unique perspective to current and recent conflicts in Africa, particularly the Rwandan genocide and the ongoing conflict in The Sudan.

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Imaro 2 : The Quest for Cush
by Charles Saunders
It begins with the reunion of Imaro and his kidnapped lover Tanisha, who has been taken to the ruined City of Madness. With the help of their new found friend Pomphis, a Pygmay from the eastern forests of Nyumbani, they learn of the sorcerous forces that may have been behind the dark wizard that destroyed Imaro's youth. The trio goes to Mavindi, the port capital of the Eastern Coastal kingdom of Azania, in search of the legendary Kingdom of Cush, where Imaro hopes to find answers to the questions that have plagued his life. Who is he? Who was his father, and why was he seemingly cursed, and hounded from birth by forces beyond his control. Like his contemporaries, Karl Edward Wagner (Kane) and Michael Moorcock (Elric), Charles Saunders brings something new to the traditional heroic fantasy tale. A broad knowledge of, and passion for, the history and myths of Africa led to the creation of a heroic fantasy character the likes of which the world has never seen. Imaro is no Tarzan⊠no Conan⊠Imaro is a warrior out of African legend. Saunders' novel fuses the narrative style of fantasy fiction with a pre-colonial, alternate Africa. Inspired by and directly addresses the alienation of growing up an African American fan of Science Fiction and Fantasy, which to this day remains a very ethnically homogonous genre. It addresses this both structurally (via its unique setting) and thematically (via its alienated, tribeless hero-protagonist). The tribal tensions and histories presented in this fantasy novel reflect actual African tribal histories and tensions, and provide a unique perspective to current and recent conflicts in Africa, particularly the Rwandan genocide and the ongoing conflict in The Sudan.

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Elric of Melnibone
by Michael Moorcock
Melniboné: No longer the mighty empire that once dominated the world but a waning kingdom, dependent on trade from the human nations which have begun the challenge her power. On his ruby Throne sits the albino Elric - sorcerer and warrior. A melancholy philosopher at odds with his destiny. As fleets of marauders probe the defences of the Dragon Isle, Elric faces treachery within his own court - from Yyrkoon, the cruel and ambitious cousin who dreams of usurping him.
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