Books I could NOT finish
Discover the books I couldn't finish and why—honest reviews on overhyped, slow-paced, or just not-for-me reads. Find out which titles didn’t make the cut!

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Paddy Clarke Ha Ha Ha
by Roddy Doyle
Winner of the Booker Prize – Roddy Doyle’s witty, exuberant novel about a young boy trying to make sense of his changing world It is 1968. Patrick Clarke is ten. He loves Geronimo, the Three Stooges, and the smell of his hot water bottle. He can't stand his little brother Sinbad. His best friend is Kevin, and their names are all over Barrytown, written with sticks in wet cement. They play football, lepers, and jumping to the bottom of the sea. But why didn't anyone help him when Charles Leavy had been going to kill him? Why do his ma and da argue so much, but act like everything is fine? Paddy sees everything, but he understands less and less. Hilarious and poignant, Paddy Clarke Ha Ha Ha charts the triumphs, indignities, and bewilderment of a young boy and his world, a place full of warmth, cruelty, confusion and love.

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Kitchen
by Banana Yoshimoto
Two stories, "Kitchen" and "Moonlight Shadow," told through the eyes of a pair of contemporary young japanese women, deal with the themes of mothers, love, transsexuality, kitchens, and tragedy.
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ID: 0805057862
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ID: 1573225290
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ID: 8420633119
(Type: books)

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Pedro Páramo
by Juan Rulfo
Deserted villages of rural Mexico, where images and memories of the past linger like unquiet ghosts, haunted the imaginations of the author. In one such village of the mind, Comala, he set his classic novel Pedro Páramo, a dream-like tale that intertwines a man's quest to find his lost father and reclaim his patrimony with the father's obsessive love for a woman who will not be possessed, Susana San Juan.
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ID: 0671526723
(Type: books)

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A Widow for One Year
by John Irving
“A Widow For One Year will appeal to readers who like old-fashioned storytelling mixed with modern sensitivities. . . . Irving is among the few novelists who can write a novel about grief and fill it with ribald humor soaked in irony.”—USA Today In A Widow for One Year, we follow Ruth Cole through three of the most pivotal times in her life: from her girlhood on Long Island (in the summer of 1958) through the fall of 1990 (when she is an unmarried woman whose personal life is not nearly as successful as her literary career), and at last in the autumn of 1995, when Ruth is a forty-one-year-old widow and mother (and she’s about to fall in love for the first time). Both elegiac and sensual, A Widow for One Year is a multilayered love story of astonishing emotional force. Praise for A Widow for One Year “Compelling . . . By turns antic and moving, lusty and tragic, A Widow for One Year is bursting with memorable moments. . . . A testament to one of life’s most difficult lessons: In the end, you just have to find a way to keep going.”—San Francisco Examiner-Chronicle “A sprawling 19th-century production, chock full of bizarre coincidences, multiple plot lines, lengthy digressions, and stories within stories. . . . An engaging and often affecting fable, a fairy tale that manages to be old-fashioned and modern all at once.”—The New York Times “[Irving’s] characters can beguile us onto thin ice and persuade us to dance there. His instinctive mark is the moral choice stripped bare, and his aim is impressive. What’s more, there’s hardly a writer alive who can match his control of the omniscient point of view.”—The Washington Post Book World “In the sprawling, deeply felt A Widow for One Year, John Irving has delivered his best novel since The World According to Garp. . . . Like a warm bath, it’s a great pleasure to immerse yourself in.”—Entertainment Weekly “John Irving is arguably the American Balzac, or perhaps our Dickens—a rip-roaring storyteller whose intricate plot machinery is propelled by good old-fashioned greed, foolishness and passion.”—The Nation “Powerful . . . a masterpiece.”—St. Louis Post-Dispatch
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ID: 0374134650
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ID: 0156260557
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The Information
by Martin Amis
Fame, envy, lust, violence, intrigues literary and criminal—they're all here in The Information, as one of the most gifted and innovative novelists of our time explores the question, How does one writer hurt another writer? "Satirical and tender, funny and disturbing...wonderful." —The New York Times "A portrait of middle-age realignment with more verbal felicity and unbridled reach than [anything] since Tom Wolfe forged Bonfire of the Vanities." —Houston Chronicle Richard Tull, a frustrated, failed novelist, stews with envy and humiliation at the success of his oldest friend, Gwyn Barry, who is a darling of book buyers, award committees, and TV interviewers. He's a terrible writer, but that doesn't comfort Tull as he sinks deeper into the sub-basement of literary obscurity. The only way out of this predicament, Tull believes, is to plot the demise of Barry—to gather the information that will lead to his downfall. Meanwhile, both men are being watched by a psychopathic ex-con and a young thug, who have staked out their homes, watching their wives and Richard's small twin boys, waiting until the time is right... Amis is at his savage best in what has been hailed as one of his greatest books, full of wicked humor and exquisitely turned, cutthroat sentences, "never out of reach of a sparkly phrase, stiletto metaphor or drop-dead insight into the human condition," as the critic Christopher Buckley put it. This is a mesmerizing and entertaining novel of midlife crisis and male friendship, of our brutal culture of fame and fortune and too much information. "The Information contains some of the most pleasantly wicked passages Amis ever written." (San Franciso Chronicle)
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ID: 0002711192
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ID: 0571092209
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ID: 023398917X
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ID: 8432245674
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ID: 0375705775
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Song of Solomon
by Toni Morrison
This novel takes readers into a magical and richly peopled world which encompasses four generations of African American life. Copyright © Libri GmbH. All rights reserved.
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ID: 0140159754
(Type: books)

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London
by Edward Rutherfurd
“A TOUR DE FORCE . . . London tracks the history of the English capital from the days of the Celts until the present time. . . . Breathtaking.”—The Orlando Sentinel A master of epic historical fiction, Edward Rutherford gives us a sweeping novel of London, a glorious pageant spanning two thousand years. He brings this vibrant city's long and noble history alive through his saga of ever-shifting fortunes, fates, and intrigues of a half-dozen families, from the age of Julius Caesar to the twentieth century. Generation after generation, these families embody the passion, struggle, wealth, and verve of the greatest city in the Old World. Praise for London “Remarkable . . . The invasion by Julius Caesar’s legions in 54 B.C. . . . The rise of chivalry and the Crusades . . . The building of the Globe theatre . . . and the coming of the Industrial Revolution. . . . What a delightful way to get the feel of London and of English history. . . . We witness first-hand the lust of Henry VIII. We overhear Geoffrey Chaucer deciding to write The Canterbury Tales. . . . Each episode is a punchy tale made up of bite-size chunks ending in tiny cliffhangers.”—The New York Times “Hold-your-breath suspense, buccaneering adventure, and passionate tales of love and war.”—The Times (London) “Fascinating . . . A sprawling epic.”—San Francisco Chronicle

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ID: 0679740732
(Type: books)
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ID: 3828600727
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The Smithsonian Institution
by Gore Vidal
A teenage math genius is mysteriously summoned to the Smithsonian Institution, where a crash program to develop the atomic bomb is being conducted in the basement. Surrounded by figures from American history, the boy battles to save not just himself, but humanity.