Books for FL263A The Fantastic in Fiction
Explore the ultimate reading list for FL263A The Fantastic in Fiction. Discover must-read books in fantasy and speculative fiction for your course and beyond.
Book
Ficciones. C Edited and with an Introduction by Anthony Kerrigan
by Jorge Luis Borges
Seventeen short stories.
Book
Blow-Up
by Julio Cortázar
A young girl spends her summer vacation in a country house where a tiger roams . . . A man reading a mystery finds out too late that he is the murderer’s intended victim . . . Originally published in hardcover as End of the Game and Other Stories, the fifteen stories collected here—including “Blow-Up,” which was the basis for Michelangelo Antonioni’s film of the same name—shows Julio Cortázar's nimble capacity to explore the shadowy realm where the everyday meets the mysterious, perhaps even the terrible.
Book
The Tales of Hoffmann
by Ernst Theodor Hoffman
A lawyer by day and a creator of a world of fantasy by night, Hoffman (1776-1822) lived a Jekyll and Hyde existence. Many of the characters in his stories are subject to a similar split personality. The duality of his nature is frequently reflected in some of his characters—Cardillac the goldsmith in Mademoiselle de Scudéry and Nathaniel in The Sandman, for example. Cardillac is a virtuous, industrious man by day but a violent criminal at night, while Nathaniel, obsessed by a childhood fantasy, is driven to madness and cruelty. These tales can be read on several levels: as an expression of the concerns of the Romantic era, as impressive examples of German Romantic literature and as exciting works of fiction made all the more extraordinary by their concern with the supernatural and the bizarre.
Book
The Turn of the Screw
by Henry James
Widely recognized as one of literature's most gripping ghost stories, this classic tale of moral degradation concerns the sinister transformation of two innocent children into flagrant liars and hypocrites. The story begins when a governess arrives at an English country estate to look after Miles, aged ten, and Flora, eight. At first, everything appears normal but then events gradually begin to weave a spell of psychological terror. One night a ghost appears before the governess. It is the dead lover of Miss Jessel, the former governess. Later, the ghost of Miss Jessel herself appears before the governess and the little girl. Moreover, both the governess and the housekeeper suspect that the two spirits have appeared to the boy in private. The children, however, adamantly refuse to acknowledge the presence of the two spirits, in spite of indications that there is some sort of evil communication going on between the children and the ghosts. Without resorting to clattering chains, demonic noises, and other melodramatic techniques, this elegantly told tale succeeds in creating an atmosphere of tingling suspense and unspoken horror matched by few other books in the genre. Known for his probing psychological novels dealing with the upper classes, James in this story tried his hand at the occult — and created a masterpiece of the supernatural that has frightened and delighted readers for nearly a century.
Book
The Metamorphosis
by Franz Kafka
“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.” With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, “Kafka is important to us because his predicament is the predicament of modern man.”
Book
Demons of the Night
by Joan C. Kessler
An anthology of thrillers and chillers from 19th Century France. In Theophile Gautier's The Dead in Love, a man develops an obsessive passion for a woman who has returned from the grave, while Honore de Balzac's The Red Inn is on a crime which is committed by one person in thought and another in deed.
Book
Tales of Mystery & Imagination
by Edgar Allan Poe
Horror stories, science fiction, detective stories and satirical sketches –the variety of Poe will chill and delight Locked doors, sealed cavities, bricked-up alcoves and premature burial close in on Poe's narrators as they , like their victims, are cut off from light, air and human society. Partly, Poe's stories resonate as the disordered chambers' of the narrators' minds but also they suggest archetypal, if extreme psychological states. yet Poe was an incurable hoaxer, and in telling some wonderful short stories he also told some excessively tall tales. The most comprehensive paperback edition available, introduction, selected criticism chronology of Poe's life and times.
Book
Perfume
by Patrick Suskind
INTERNATIONAL BESTSELLER • Set in eighteenth-century France, the classic novel that provokes a terrifying examination of what happens when one man’s indulgence in his greatest passion—his sense of smell—leads to murder. In the slums of eighteenth-century France, the infant Jean-Baptiste Grenouille is born with one sublime gift—an absolute sense of smell. As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille’s genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the “ultimate perfume”—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity. Translated from the German by John E. Woods.
Book
The Fantastic
by Tzvetan Todorov
In The Fantastic, Tzvetan Todorov seeks to examine both generic theory and a particular genre, moving back and forth between a poetics of the fantastic itself and a metapoetics or theory of theorizing, even as he suggest that one must, as a critic, move back and forth between theory and history, between idea and fact. His work on the fantastic is indeed about a historical phenomenon that we recognize, about specific works that we may read, but it is also about the use and abuse of generic theory. As an essay in fictional poetics, The Fantastic is consciously structuralist in its approach to the generic subject. Todorov seeks linguistic bases for the structural features he notes in a variety of fantastic texts, including Potocki's The Sargasso Manuscript, Nerval's Aurélia, Balzac's The Magic Skin, the Arabian Nights, Cazotte's Le Diable Amoureux, Kafka's The Metamorphosis, and tales by E. T. A. Hoffman, Charles Perrault, Guy de Maupassant, Nicolai Gogol, and Edgar A. Poe.