BigFat()Fiction

Explore BigFat()Fiction's curated list of big, fat fiction books—perfect for immersive readers craving epic stories and lengthy literary adventures.

Gravity's Rainbow Cover
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Gravity's Rainbow

by Thomas Pynchon

In the mid-1960s, the publication of Pynchon's V and The Crying of Lot 49 introduced a brilliant new voice to American literature. Gravity's Rainbow, his convoluted, allusive novel about a metaphysical quest, published in 1973, further confirmed Pynchon's reputation as one of the greatest writers of the century.
Infinite Jest Cover
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Infinite Jest

 

No summary available.
The Palm-wine Drinkard ; And, My Life in the Bush of Ghosts Cover
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The Palm-wine Drinkard ; And, My Life in the Bush of Ghosts

by Amos Tutuola

The ghosts live in the center of the jungle and this tells of what happens to the mortals who venture into the world of the ghosts.
The Catcher in the Rye Cover
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The Catcher in the Rye

by J.D. Salinger

J.D. Salinger's classic of adolescent angst is now available for the first time in trade paperback. Holden Caulfield, knowing he is to be expelled from school, decides to leave early. He spends three days in New York City and tells the story of what he did and suffered there.
Charlotte's Web Cover
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Charlotte's Web

by E. B. White

Sixty years ago, on October 15, 1952, E.B. White's Charlotte's Web was published. It's gone on to become one of the most beloved children's books of all time. To celebrate this milestone, the renowned Newbery Medalist Kate DiCamillo has written a heartfelt and poignant tribute to the book that is itself a beautiful translation of White's own view of the world—of the joy he took in the change of seasons, in farm life, in the miracles of life and death, and, in short, the glory of everything. We are proud to include Kate DiCamillo's foreword in the 60th anniversary editions of this cherished classic. Charlotte's Web is the story of a little girl named Fern who loved a little pig named Wilbur—and of Wilbur's dear friend Charlotte A. Cavatica, a beautiful large grey spider who lived with Wilbur in the barn. With the help of Templeton, the rat who never did anything for anybody unless there was something in it for him, and by a wonderfully clever plan of her own, Charlotte saved the life of Wilbur, who by this time had grown up to quite a pig. How all this comes about is Mr. White's story. It is a story of the magic of childhood on the farm. The thousands of children who loved Stuart Little, the heroic little city mouse, will be entranced with Charlotte the spider, Wilbur the pig, and Fern, the little girl who understood their language. The forty-seven black-and-white drawings by Garth Williams have all the wonderful detail and warmhearted appeal that children love in his work. Incomparably matched to E.B. White's marvelous story, they speak to each new generation, softly and irresistibly.
Metamorphoses Cover
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Metamorphoses

by Ovid

Mary Innes's classic prose translation of one of the supreme masterpieces of Latin literature "The most beautiful book in the language (my opinion and I suspect it was Shakespeare's)." -Ezra Pound Ovid drew on Greek mythology, Latin folklore and legend from ever further afield to create a series of narrative poems, ingeniously linked by the common theme of transformation. Here a chaotic universe is subdued into harmonious order: animals turn to stone; men and women become trees and stars. Ovid himself transformed the art of storytelling, infusing these stories with new life through his subtley, humour and understanding of human nature, and elegantly tailoring tone and pace to fit a variety of subjects. The result is a lasting treasure-house of myth and legend. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Dead Souls Cover
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Dead Souls

by Nikolaĭ Vasilʹevich Gogolʹ

Few literary works have been so variously interpreted as Nikolai Gogol's enduring comic masterpiece, Dead Souls.
The Master and Margarita Cover
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The Master and Margarita

by Mikhail Bulgakov

Originally published: Dana Point, Calif.: Ardis, 1995.
The Blue Flower Cover
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The Blue Flower

by Penelope Fitzgerald

Romance between the poet Novalis and his fiancée Sophie, newly introduced by Candia McWilliam. The year is 1794 and Fritz, passionate, idealistic and brilliant, is seeking his fathers permission to announce his engagement to his hearts desire: twelve-year-old Sophie. His astounded family and friends are amused and disturbed by his betrothal. What can he be thinking?
Let it Come Down Cover
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Let it Come Down

by Paul Bowles

Nelson Dyar, a man without aims or values, reaches North Africa after giving up his job as a New York bank clerk and is drawn into the unfamiliar world of Tangier's expatriate community. He falls into a meaningless relationship with Hadija, a young prostitute, who is also the object of an alcoholic lesbian heiress's affections.
The Complete Stories Cover
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The Complete Stories

by Flannery O'Connor

Winner of the National Book Award The publication of this extraordinary volume firmly established Flannery O'Connor's monumental contribution to American fiction. There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime--Everything That Rises Must Converge and A Good Man Is Hard to Find. O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day"--sent to her publisher shortly before her death—is a brilliantly rewritten and transfigured version of "The Geranium." Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O'Connor's longtime editor and friend, Robert Giroux.
The Best Short Stories of J. G. Ballard Cover
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The Best Short Stories of J. G. Ballard

 

No summary available.
Pale Fire Cover
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Pale Fire

by Vladimir Nabokov

A darkly comic novel of suspense, literary idolatry and one-upmanship, and political intrigue from one of the leading writers of the twentieth century, the acclaimed author of Lolita. "Half-poem, half-prose...a creation of perfect beauty, symmetry, strangeness, originality and moral truth. One of the great works of art of this century." —Mary McCarthy, New York Times bestselling author of The Group An ingeniously constructed parody of detective fiction and learned commentary, Pale Fire offers a cornucopia of deceptive pleasures, at the center of which is a 999-line poem written by the literary genius John Shade just before his death. Surrounding the poem is a foreword and commentary by the demented scholar Charles Kinbote, who interweaves adoring literary analysis with the fantastical tale of an assassin from the land of Zembla in pursuit of a deposed king. Brilliantly constructed and wildly inventive, Vladimir Nabokov's witty novel achieves that rarest of things in literature—perfect tragicomic balance.
As I Lay Dying Cover
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As I Lay Dying

by William Faulkner

A true 20th-century classic from the Nobel Prize-winning author of The Sound and the Fury: the famed harrowing account of the Bundren family’s odyssey across the Mississippi countryside to bury Addie, their wife and mother. As I Lay Dying is one of the most influential novels in American fiction in structure, style, and drama. Narrated in turn by each of the family members, including Addie herself as well as others, the novel ranges in mood from dark comedy to the deepest pathos. “I set out deliberately to write a tour-de-force. Before I ever put pen to paper and set down the first word I knew what the last word would be and almost where the last period would fall.” —William Faulkner on As I Lay Dying This edition reproduces the corrected text of As I Lay Dying as established in 1985 by Noel Polk.