Best Banned Books 08
Explore the Best Banned Books of 2024: Uncover controversial reads, challenged classics, and forbidden literature that sparked debates worldwide. Discover must-read banned titles now!
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ID: 0689848935
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Lost Girls
by Alan Moore
Can pornography be art? Can an erotic graphic novel have literary merit? Can both men and women enjoy explicit images? Moore and Gebbie set out to answer these difficult and ambitious questions in Lost Girls, a 240-page fully painted story that has been in the works for over a decade. Like he did in The League of Extraordinary Gentlemen, Moore revisits characters from Victorian fiction, this time children's literature. The three protagonists are fictitiously based on the familiar faces from Wonderland, Oz, and Neverland, who meet as grown women in a mysterious hotel in 1913 England. There, they embark on a journey through an erotic fantasy world of their own conjuring, all rendered in Gebbie's beautifully painted, full-color art.
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ID: 0312263805
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ID: 0689878451
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The Golden Compass
by Philip Pullman
Accompanied by her daemon, Lyra Belacqua sets out to prevent her best friend and other kidnapped children from becoming the subject of gruesome experiments in the Far North.
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The Sledding Hill
by Chris Crutcher
Eddie hasn't had an easy year First his father dies. Then his best friend Billy accidentally kicks a stack of Sheetrock over on himself, breaking his neck and effectively hitting tilt on his Earthgame. Eddie and Billy were inseparable. Still are. Billy isn't going to let a little thing like death stop him from hanging in there with his friend. And when Eddie faces an epic struggle with the powers that be, Billy will remain right there beside him.
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ID: 0816040591
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ID: 0440407079
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ID: 0439783607
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ID: 0375829873
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Slaughterhouse-Five
by Kurt Vonnegut
Kurt Vonnegut’s masterpiece, Slaughterhouse-Five is “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time). Selected by the Modern Library as one of the 100 best novels of all time • One of The Atlantic’s Great American Novels of the Past 100 Years Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.” An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Authors as wide-ranging as Norman Mailer, John Irving, Michael Crichton, Tim O’Brien, Margaret Atwood, Elizabeth Strout, David Sedaris, Jennifer Egan, and J. K. Rowling have all found inspiration in Vonnegut’s words. Jonathan Safran Foer has described Vonnegut as “the kind of writer who made people—young people especially—want to write.” George Saunders has declared Vonnegut to be “the great, urgent, passionate American writer of our century, who offers us . . . a model of the kind of compassionate thinking that might yet save us from ourselves.” More than fifty years after its initial publication at the height of the Vietnam War, Vonnegut’s portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties.
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Monster
by Walter Dean Myers
FADE IN: INTERIOR: Early morning in CELL BLOCK D, MANHATTAN DETENTION CENTER. Steve (Voice-Over) Sometimes I feel like I have walked into the middle of a movie. Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I'll call it what the lady prosecutor called me ... Monster.