American Gothic Fiction & Film
Explore the eerie world of American Gothic fiction and film with our curated list of haunting books and chilling movies. Discover dark tales, psychological horror, and supernatural classics that define the genre.
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Murder Most Foul
by Karen Halttunen
In this text, Karen Halttunen explores the changing view of murder from early New England sermons read at the public executions, through to the true crime literature and tabloid reporting of the late 1990s.
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Indiana Gothic
by Pope Brock
The lines between fiction and nonfiction have become increasingly blurred, but in journalist Pope Brock's first book, about murder and adultery in his family, everything is true. Journalist Pope Brock grew up ignorant of his family's most closely guarded secret. It was only when his great-aunt was dying that he learned the true circumstances surrounding the death of his great-grandfather Ham Dillon. An aspiring young Indiana politician, Dillon was shot to death in 1908 by his own brother-in-law, Link Hale--a man half-crazed with anger and grief over the fact that his wife, Allie, had just borne Ham a child. To add another twist, Allie Hale was more than just Ham Dillon's lover; she was also his wife's only sister. Fascinated by this revelation, Pope Brock began his research. In Indiana Gothic, he tells the story of Ham Dillon with the sweep and power of a novel, re-creating the era in such vivid detail that we have the sensation of time travel. Readers first meet the young Ham Dillon--handsome, charismatic, ambitious--as he courts Maggie Thompson, the daughter of a well-to-do farmer. But after their marriage in 1898, Ham comes into the orbit of Maggie's sister, Allie, who is locked in a joyless marriage to the depressive Link Hale. Passion soon takes over, and tragedy ensues--culminating in the drama of Link's murder trial, which made headlines for its controversial use of the insanity plea. Atmospheric and gripping, Indiana Gothic is a bold saga of an American past that is both forever lost and strangely, startlingly familiar.
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Charles Brockden Brown: Three Gothic Novels (LOA #103)
by Charles Brockden Brown
An elderly mystic dies of spontaneous combustion in a secret temple. A young man is haunted by voices instructing him to slaughter his wife and children. A sleepwalker undergoes a series of violent adventures in the wilderness. These haunted, dreamlike scenes define the fictional world of Charles Brockden Brown, America’s first professional novelist. Published in the final years of the eighteenth century, Brown’s startlingly prophetic novels are a virtual résumé of themes that would constantly recur in American literature: madness and murder, suicide and religious obsession, the seduction of innocence and the dangers of wilderness and settlement alike. In Three Gothic Novels, The Library of America collects the most significant of Brown’s works. Wieland; or The Transformation (1798), his novel of a religious fanatic preyed upon by a sinister ventriloquist, is often considered his masterpiece. A relentlessly dark exploration of guilt, deception, and compulsion, it creates a sustained mood of irrational terror in the midst of the Pennsylvania countryside. In Arthur Mervyn; or Memoirs of the Year 1793 (1799), Brown draws on his own experience to create indelible scenes of Philadelphia devastated by a yellow fever epidemic, while telling the story of a young man caught in the snares of a professional swindler. Edgar Huntly; or Memoirs of a Sleep-Walker (1799) fuses traditional Gothic themes with motifs drawn from the American wilderness, in a series of eerily unreal adventures that test the limits of the protagonist’s self-knowledge. All three novels reveal Brown as the pioneer of a major vein of American writing, a novelist whose literary heirs include Poe, Hawthorne, Faulkner, and the whole tradition of horror and noir from Cornell Woolrich to Stephen King. This volume also includes a newly researched chronology of Brown’s life, explanatory notes, and an essay on the texts. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
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A Passion for Consumption
by Anna Sonser
"By exposing the literary motifs of subversion and seduction inherent in these works as disruptive to the flow, circulation, and expansion of value, A Passion for Consumption positions American literary culture as an extension of commodity economics."--BOOK JACKET.
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American Gothic Tales
by Various
This remarkable anthology of gothic fiction, spanning two centuries of American writing, gives us an intriguing and entertaining look at how the gothic imagination makes for great literature in the works of forty-six exceptional writers. Joyce Carol Oates has a special perspective on the “gothic” in American short fiction, at least partially because her own horror yarns rank on the spine-tingling chart with the masters. She is able to see the unbroken link of the macabre that ties Edgar Allan Poe to Anne Rice and to recognize the dark psychological bonds between Henry James and Stephen King. In showing us the gothic vision—a world askew where mankind’s forbidden impulses are set free from the repressions of the psyche, and nature turns malevolent and lawless—Joyce Carol Oates includes Henry James’s “The Romance of Certain Old Clothes,” Herman Melville’s horrific tale of factory women, “The Tartarus of Maids,” and Edith Wharton’s “Afterward,” which are rarely collected and appear together here for the first time. Added to these stories of the past are new ones that explore the wounded worlds of Stephen King, Anne Rice, Peter Straub, Raymond Carver, and more than twenty other wonderful contemporary writers. This impressive collection reveals the astonishing scope of the gothic writer’s subject matter, style, and incomparable genius for manipulating our emotions and penetrating our dreams. With Joyce Carol Oates’s superb introduction, American Gothic Tales is destined to become the standard one-volume edition of the genre that American writers, if they didn’t create it outright, have brought to its chilling zenith.
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Tales and Sketches
by Nathaniel Hawthorne
An authoritative edition of all the tales and sketches in a single comprehensive volume.
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Behind a Mask
by Louisa May Alcott
Six years before she wrote Little Women, Louisa May Alcott, in financial straits, entered "Pauline's Passion and Punishment," a novelette, in a newspaper contest. Not only did it win the $100 prize, but, published anonymously, it marked the first in the series of "blood & thunder tales" that would be her livelihood for years. In Behind a Mask, editor Madeleine Stern introduces four Alcott thrillers: "Pauline's Passion and Punishment," "The Mysterious Key," "The Abbot's Ghost," and the title story, "Behind a Mask." First published in one volume in 1975, they are regarded as Alcott's finest work in this genre.
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The Complete Short Stories of Ambrose Bierce
by Ambrose Bierce
Treasury of ninety-three short works includes horror stories, realistic narratives of war, and tall tales of the old West
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As I Lay Dying
by William Faulkner
A true 20th-century classic from the Nobel Prize-winning author of The Sound and the Fury: the famed harrowing account of the Bundren family’s odyssey across the Mississippi countryside to bury Addie, their wife and mother. As I Lay Dying is one of the most influential novels in American fiction in structure, style, and drama. Narrated in turn by each of the family members, including Addie herself as well as others, the novel ranges in mood from dark comedy to the deepest pathos. “I set out deliberately to write a tour-de-force. Before I ever put pen to paper and set down the first word I knew what the last word would be and almost where the last period would fall.” —William Faulkner on As I Lay Dying This edition reproduces the corrected text of As I Lay Dying as established in 1985 by Noel Polk.
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Wisconsin Death Trip
by Michael Lesy
A shocking portrait of a small town crumbling--socially, morally, physically and emotionally--under the impact of the great depression of the 1890s. This "cult classic" is now available again in paperback.
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The Ghost Stories of Edith Wharton
by Edith Wharton
One might not expect a woman of Edith Wharton's literary stature to be a believer of ghost stories, much less be frightened by them, but as she admits in her postscript to this spine-tingling collection, "...till I was twenty-seven or -eight, I could not sleep in the room with a book containing a ghost story." Once her fear was overcome, however, she took to writing tales of the supernatural for publication in the magazines of the day. These eleven finely wrought pieces showcase her mastery of the traditional New England ghost story and her fascination with spirits, hauntings, and other supernatural phenomena. Called "flawlessly eerie" by Ms. magazine, this collection includes "Pomegranate Seed," "The Eyes," "All Souls'," "The Looking Glass," and "The Triumph of Night."
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American Gothic
by Robert K. Martin
American Gothic, however, remaps the field by offering a series of revisionist essays associated with a common theme: the range and variety of Gothic manifestations in high and popular art from the roots of American culture to the present.
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Gothic Passages
by Justin D. Edwards
By bringing together these areas of analysis, Justin Edwards considers the following questions. How are the categories of “race” and the rhetoric of racial difference tied to the language of gothicism? What can these discursive ties tell us about a range of social boundaries—gender, sexuality, class, race, etc.—during the nineteenth century? What can the construction and destabilization of these social boundaries tell us about the development of the U.S. gothic? The sources used to address these questions are diverse, often literary and historical, fluidly moving between “representation” and “reality.” Works of gothic literature by Edgar Allan Poe, Herman Melville, Frances Harper, and Charles Chesnutt, among others, are placed in the contexts of nineteenth-century racial “science” and contemporary discourses about the formation of identity. Edwards then examines how nineteenth-century writers gothicized biracial and passing figures in order to frame them within the rubric of a “demonization of difference.” By charting such depictions in literature and popular science, he focuses on an obsession in antebellum and postbellum America over the threat of collapsing racial identities—threats that resonated strongly with fears of the transgression of the boundaries of sexuality and the social anxiety concerning the instabilities of gender, class, ethnicity, and nationality. Gothic Passages not only builds upon the work of Americanists who uncover an underlying racial element in U.S. gothic literature but also sheds new light on the pervasiveness of gothic discourse in nineteenth-century representations of passing from both sides of the color line. This fascinating book will be of interest to scholars of American literature, cultural studies, and African American studies.