American Book Review 100 Greatest First Lines Pt. 2

Explore the second part of American Book Review's 100 Greatest First Lines from iconic American literature. Discover unforgettable openings that hook readers and define masterpieces.

Beloved Cover
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Beloved

by Toni Morrison

PULITZER PRIZE WINNER • NEW YORK TIMES BESTSELLER • A spellbinding novel that transforms history into a story as powerful as Exodus and as intimate as a lullaby. With a new afterword by the author. This "brutally powerful, mesmerizing story” (People) is an unflinchingly look into the abyss of slavery, from the acclaimed Nobel Prize winner. Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. Sethe has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe’s new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. “A masterwork.... Wonderful.... I can’t imagine American literature without it.” —John Leonard, Los Angeles Times
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The Stranger Cover
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The Stranger

by Albert Camus

With the intrigue of a psychological thriller, The Stranger—Camus's masterpiece—gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie; translated by Matthew Ward. Behind the subterfuge, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life. “The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and ­devious narrator remains one of the key expressions of a postwar Western malaise, and one of the cleverest exponents of a literature of ambiguity.” –from the Introduction by Peter Dunwoodie First published in 1946; now in translation by Matthew Ward.
Waiting Cover
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Waiting

by Ha Jin

Winner of the PEN/Faulkner Award • National Book Award Winner • Pulitzer Prize Finalist • A New York Times Notable Book From the widely acclaimed author—a rich and atmospheric novel about a man living in two worlds, struggling with the conflicting claims of two utterly different women. The demands of human longing contend with the weight of centuries of custom in acclaimed author Ha Jin’s Waiting, a novel of unexpected richness and universal resonance. Every summer Lin Kong, a doctor in the Chinese Army, returns to his village to end his loveless arranged marriage with the humble and touchingly loyal Shuyu. But each time Lin must return to the city to tell Manna Wu, the educated, modern nurse he loves, that they will have to postpone their engagement once again. Caught between the conflicting claims of these two utterly different women and trapped by a culture in which adultery can ruin lives and careers, Lin has been waiting for eighteen years. This year, he promises will be different. "Ha Jin profoundly understands the conflict between the individual and society, between the timeless universality of the human heart and constantly shifting politics of the moment. With wisdom, restraint, and empathy for all his characters, he vividly reveals the complexities and subtleties of a world and a people we desperately need to know."—Judges' Citation, National Book Award
Neuromancer Cover
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Neuromancer

by William Gibson

Case, a nerve-damaged data thief, is recruited by a new employer for a last-chance run against a powerful artificial intelligence.
Notes from Underground Cover
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Notes from Underground

by Fyodor Dostoevsky

Award-winning translators Richard Pevear and Larissa Volokhonsky give us a brilliantly faithful rendition of this classic novel, in all its tragedy and tormented comedy. In this second edition, they have updated their translation in honor of the 200th anniversary of Dostoevsky’s birth. One of the most remarkable characters in literature, the unnamed narrator of Dostoevsky's most revolutionary novel is a former official who has defiantly withdrawn into an underground existence. In full retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.
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The Making of Americans Cover
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The Making of Americans

by Gertrude Stein

"Essential for all literature collections . . . Several of Stein's titles returned to print in 1995, but none more important than The Making of Americans." Library Journal
The Floating Opera and The End of the Road Cover
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The Floating Opera and The End of the Road

by John Barth

From the author of National Book Award-nominated Lost in the Funhouse • John Barth's first two novels are both existential comedies featuring strange, consuming love triangles and the destructive effects of an overactive intellect on the emotions. "[Barth] ran riot over literary rules and conventions, even as he displayed, with meticulous discipline, mastery of and respect for them." —The New York Times The relationship between these two darkly comic novels is evident not only in their ribald and philosophical subject matter but in their eccentric characters and bitterly humorous tone. The protagonist of The Floating Opera is Todd Andrews, an orphaned war veteran who has been sleeping with his friend's wife. Todd awakens in the morning determined to commit suicide, having concluded that nothing in life has intrinsic value--but then spends the day methodically reasoning his way into disregarding that fact and remaining a part of the floating opera of life. In The End of the Road, a man named Jacob Horner finds himself literally paralyzed by an inability to choose a course of action from all possibilities. He begins an unconventional course of "mythotherapy" treatment at the Remobilization Farm, but his eccentric doctor's directives lead him into a tragic love triangle and from there to the nihilistic end of the road. Separately these two novels give two very different views of the universal human quest for meaning, and together they form the beginnings of an illustrious literary career.
Galatea 2.2 Cover
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Galatea 2.2

 

No summary available.
J R Cover
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J R

by William Gaddis

At the center of this hugely comic tale of "free enterprise" America stands JR--an eleven-year-old capitalist, eagerly following the example of the grasping world around him. Operating through pay phones and post-office money orders, JR inadvertently parlays a shipment of Navy surplus picnic forks, a defaulted bond issue, and a single share of common stock into a vast paper empire embracing timber, mineral and natural gas rights, publishing, and a brewery. At once a novel of epic comedy and a biting satire of the American dream, JR displays the style and extraordinary inventiveness that has made Gaddis one of the most acclaimed writers of our time.
Mrs. Dalloway Cover
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Mrs. Dalloway

by Virginia Woolf

Presents a poignant portrayal of the thoughts and events that comprise one day in a woman's life as Clarissa Dalloway makes preparations for a party she is hosting later in the evening, in an annotated edition of the classic novel. Reprint
Slaughterhouse-Five Cover
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Slaughterhouse-Five

by Kurt Vonnegut

Kurt Vonnegut’s masterpiece, Slaughterhouse-Five is “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time). Selected by the Modern Library as one of the 100 best novels of all time • One of The Atlantic’s Great American Novels of the Past 100 Years Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.” An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Authors as wide-ranging as Norman Mailer, John Irving, Michael Crichton, Tim O’Brien, Margaret Atwood, Elizabeth Strout, David Sedaris, Jennifer Egan, and J. K. Rowling have all found inspiration in Vonnegut’s words. Jonathan Safran Foer has described Vonnegut as “the kind of writer who made people—young people especially—want to write.” George Saunders has declared Vonnegut to be “the great, urgent, passionate American writer of our century, who offers us . . . a model of the kind of compassionate thinking that might yet save us from ourselves.” More than fifty years after its initial publication at the height of the Vietnam War, Vonnegut’s portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties.
Paradise Cover
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Paradise

 

No summary available.
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ID: 1564782042
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Pale Fire Cover
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Pale Fire

by Vladimir Nabokov

A darkly comic novel of suspense, literary idolatry and one-upmanship, and political intrigue from one of the leading writers of the twentieth century, the acclaimed author of Lolita. "Half-poem, half-prose...a creation of perfect beauty, symmetry, strangeness, originality and moral truth. One of the great works of art of this century." —Mary McCarthy, New York Times bestselling author of The Group An ingeniously constructed parody of detective fiction and learned commentary, Pale Fire offers a cornucopia of deceptive pleasures, at the center of which is a 999-line poem written by the literary genius John Shade just before his death. Surrounding the poem is a foreword and commentary by the demented scholar Charles Kinbote, who interweaves adoring literary analysis with the fantastical tale of an assassin from the land of Zembla in pursuit of a deposed king. Brilliantly constructed and wildly inventive, Vladimir Nabokov's witty novel achieves that rarest of things in literature—perfect tragicomic balance.
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ID: B000EMH5IE
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ID: 0375757287
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ID: 0811205339
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The Voyage of the Dawn Treader (rack) Cover
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The Voyage of the Dawn Treader (rack)

by C. S. Lewis

A voyage to the very ends of the world Narnia ... where a dragon awakens ... where stars walk the earth ... where anything can happen. A king and some unexpected companions embark on a voyage that will take them beyond all known lands. As they sail farther and farther from charted waters, they discover that their quest is more than they imagined and that the world's end is only the beginning.
The Old Man and the Sea Cover
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The Old Man and the Sea

by Ernest Hemingway

Traditional Chinese edition of The Old Man and The Sea edited for young adults. The story is told with text and graphics and accompanied with Zhuying (phonetic annotation). A reading guide of this Hemingway classic helps young readers develop their writing skills. In Traditional Chinese. Distributed by Tsai Fong Books, Inc.
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ID: 0349103232
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Middlesex Cover
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Middlesex

by Jeffrey Eugenides

Three generations of a Greek American family find themselves plagued by a mutant gene which causes bizarre side effects in the family's teenage girls.