Acedia
Explore the best books on acedia, the ancient concept of spiritual sloth. Discover insightful reads to understand and overcome this profound state of apathy and listlessness.
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The Complete Stories
by Franz Kafka
The complete stories of one of the greatest writers of the twentieth century, the author of The Metamorphosis and The Trial. “An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic, numinous, and prophetic.” —The New York Times The Complete Stories brings together all of Kafka’s stories, from the classic tales such as “The Metamorphosis,” “In the Penal Colony,” and “A Hunger Artist” to shorter pieces and fragments that Max Brod, Kafka’s literary executor, released after Kafka’s death. With the exception of his three novels, the whole of Kafka’s narrative work is included in this volume. “[Kafka] spoke for millions in their new unease; a century after his birth, he seems the last holy writer, and the supreme fabulist of modern man’s cosmic predicament.” —from the Foreword by John Updike
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The Trial
by Franz Kafka
A brilliant translation of one of the most important novels of the twentieth century, revealing a tale that is as full of energy and power as it was when it was first written. From the author of The Metamorphosis. Written in 1914, The Trial is the terrifying tale of Josef K., a respectable bank officer who is suddenly and inexplicably arrested and must defend himself against a charge about which he can get no information. Whether read as an existential tale, a parable, or a prophecy of the excesses of modern bureaucracy wedded to the madness of totalitarianism, Kafka's nightmare has resonated with chilling truth for generations of readers. This new edition is based upon the work of an international team of experts who have restored the text, the sequence of chapters, and their division to create a version that is as close as possible to the way the author left it.
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The Castle
by Franz Kafka
From the author of The Metamorphosis and The Trial—one of the greatest writers of the twentieth century—the haunting tale of K.’s relentless, unavailing struggle with an inscrutable authority in order to gain access to the Castle. Translated and with a preface by Mark Harman. Arriving in a village to take up the position of land surveyor for the mysterious lord of a castle, the character known as K. finds himself in a bitter and baffling struggle to contact his new employer and go about his duties. The Castle's original manuscript was left unfinished by Kafka in 1922 and not published until 1926, two years after his death. Scrupulously following the fluidity and breathlessness of the sparsely punctuated original manuscript, Mark Harman’s new translation reveals levels of comedy, energy, and visual power previously unknown to English language readers.
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Invitation to a Beheading
by Vladimir Nabokov
Like Kafka's The Castle, Invitation to a Beheading embodies a vision of a bizarre and irrational world. In an unnamed dream country, the young man Cincinnatus C. is condemned to death by beheading for "gnostical turpitude," an imaginary crime that defies definition. Cincinnatus spends his last days in an absurd jail, where he is visited by chimerical jailers, an executioner who masquerades as a fellow prisoner, and by his in-laws, who lug their furniture with them into his cell. When Cincinnatus is led out to be executed, he simply wills his executioners out of existence: they disappear, along with the whole world they inhabit.
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A Short History of Decay
by Emile M. Cioran
The author confronts the place of today's world in the context of human history. He focuses on such major issues of the twentieth century as human progress, fanaticism, & science.
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Molloy, Malone Dies, The Unnamable
by Samuel Beckett
The first novel of Samuel Beckett's mordant and exhilarating midcentury trilogy introduces us to Molloy, who has been mysteriously incarcerated, and who subsequently escapes to go discover the whereabouts of his mother. In the latter part of this curious masterwork, a certain Jacques Moran is deputized by anonymous authorities to search for the aforementioned Molloy. In the trilogy's second novel, Malone, who might or might not be Molloy himself, addresses us with his ruminations while in the act of dying. The third novel consists of the fragmented monologue–delivered, like the monologues of the previous novels, in a mournful rhetoric that possesses the utmost splendor and beauty–of what might or might not be an armless and legless creature living in an urn outside an eating house. Taken together, these three novels represent the high-water mark of the literary movement we call Modernism. Within their linguistic terrain, where stories are taken up, broken off, and taken up again, where voices rise and crumble and are resurrected, we can discern the essential lineaments of our modern condition, and encounter an awesome vision, tragic yet always compelling and always mysteriously invigorating, of consciousness trapped and struggling inside the boundaries of nature.